Share on Facebook Share on Twitter Email
Answers.com

From the Terrace

 
Album Review: From the Terrace

  • Artist: Elmer Bernstein
  • Rating: StarStarStarStarHalf Star
  • Release Date: January 04, 2005
  • Total Time: 71:16
  • Type: Soundtrack
  • Genre: Soundtrack

Review

Elmer Bernstein was so closely associated -- especially in his biggest successes -- with the action/adventure movies of John Sturges and the Mirisch brothers that it's easy to forget that he worked extensively in other genres while composing the music for films like The Magnificent Seven. From the Terrace was one of those movies in "another" genre, a dramatic potboiler about power, morality, love, deceit, and corruption starring Paul Newman, Joanne Woodward, and Ina Balin, and it shows off another side of Bernstein. Without a trace of the Aaron Copland influences or the martial music of his best-known work of the 1960s, he utilizes a musical language more purely his own, melodic and often dark and brooding, yet hauntingly beautiful. When he utilizes a waltz-like figure, as in "Mary, Mary, Quite Contrary," it's soaked in elegant strings and a lushness somewhere between Johann and Richard Strauss, straddling the 19th and 20th centuries but clearly modernist in its orientation. Tracks such as "Rendezvous," with its gorgeous string writing and wind and harp ornamentation -- yet deceptive simplicity -- clearly show the way toward Bernstein's writing three years later for To Kill a Mockingbird, but mostly are a signpost to his work 40 years later on the score for Far from Heaven and why Todd Haynes selected him for that project. The quality throughout is excellent, the tracks sounding decades newer than they could reasonably be expected to (and in stereo, too), and the annotation is some of the best to date in Film Score Monthly's output. This CD, as with the label's other issues, is limited to the 3,000 copies originally pressed for the first release. ~ Bruce Eder, All Music Guide

Tracks

Track TitleComposersPerformersTime
From the Terrace, film score~Love Theme Anton Arensky, Elmer Bernstein, Walter Donaldson (1:29)
From the Terrace, film score~Homecoming Anton Arensky, Elmer Bernstein, Walter Donaldson (6:41)
From the Terrace, film score~Recriminations Anton Arensky, Elmer Bernstein, Walter Donaldson (2:46)
From the Terrace, film score~In the Morning Anton Arensky, Elmer Bernstein, Walter Donaldson (5:02)
From the Terrace, film score~Mary, Mary, Quite Contrary Anton Arensky, Elmer Bernstein, Walter Donaldson (3:59)
From the Terrace, film score~In the Bushes Anton Arensky, Elmer Bernstein, Walter Donaldson (2:18)
From the Terrace, film score~Confession Anton Arensky, Elmer Bernstein, Walter Donaldson (3:13)
From the Terrace, film score~Romance (Walter Donaldson & Edgar Leslie) Anton Arensky, Walter Donaldson, Edgar Leslie (1:41)
From the Terrace, film score~Morte, Morte Anton Arensky, Elmer Bernstein, Walter Donaldson (:58)
From the Terrace, film score~Mary, Mary Anton Arensky, Elmer Bernstein, Walter Donaldson (1:48)
From the Terrace, film score~Thin Ice Anton Arensky, Elmer Bernstein, Walter Donaldson (3:22)
From the Terrace, film score~Wall Street Anton Arensky, Elmer Bernstein, Walter Donaldson (1:33)
From the Terrace, film score~Long Distance Anton Arensky, Elmer Bernstein, Walter Donaldson (2:47)
From the Terrace, film score~First Meeting Anton Arensky, Elmer Bernstein, Walter Donaldson (1:29)
From the Terrace, film score~Awakening Anton Arensky, Elmer Bernstein, Walter Donaldson (4:58)
From the Terrace, film score~Valse Nocturne (Anton Arensky) Anton Arensky, Walter Donaldson (1:49)
From the Terrace, film score~The Real Thing Anton Arensky, Elmer Bernstein, Walter Donaldson (6:39)
From the Terrace, film score~Unexpected Encounter Anton Arensky, Elmer Bernstein, Walter Donaldson (3:26)
From the Terrace, film score~Rejection Anton Arensky, Elmer Bernstein, Walter Donaldson (2:19)
From the Terrace, film score~Rendezvous Anton Arensky, Elmer Bernstein, Walter Donaldson (3:42)
From the Terrace, film score~Clandestine Meeting Anton Arensky, Elmer Bernstein, Walter Donaldson (4:06)
From the Terrace, film score~Les Adieux Anton Arensky, Elmer Bernstein, Walter Donaldson (2:27)
From the Terrace, film score~Peace at Last Anton Arensky, Elmer Bernstein, Walter Donaldson (2:44)

Credits

Ron Fuglsby (Assembly), Dan Hersch (Digital Mastering), Lukas Kendall (Producer), Elmer Bernstein (Conductor), Joe Sikoryak (Art Direction), Jeff Bond (Liner Notes), Jeff Bond (Associate Producer), Nick Redman (Producer), Lukas Kendall (Liner Notes), Edward B. Powell (Orchestration), Nick Redman (Liner Notes), Tom Cavanaugh (Project Coordinator)
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: From the Terrace
Top
From the Terrace
Directed by Mark Robson
Produced by Mark Robson
Written by John O'Hara (novel)
Ernest Lehman
Starring Paul Newman
Joanne Woodward
Myrna Loy
Barbara Eden
Music by Elmer Bernstein
Cinematography Leo Tover
Editing by Dorothy Spencer
Distributed by 20th Century Fox
Release date(s) July 15, 1960
Running time 149 minutes
Country United States
Language English

From the Terrace is a 1960 American drama film directed by Mark Robson and starring Paul Newman, Joanne Woodward, Myrna Loy, Barbara Eden, Ina Balin, and Leon Ames.

The screenplay was written by Ernest Lehman based on the 1958 novel by John O'Hara that tells the story of a the estranged son of a Pennsylvania factory owner who marries into a prestigious family and moves to New York to seek his fortune.

Plot

In Philadelphia in 1946, David Alfred Eaton (Paul Newman) returns home from the war to find his mother Martha (Myrna Loy) a wretched alcoholic, the victim of years of neglect and abuse from her husband Samuel, the owner of a prestigious iron and steel company. Samuel emotionally withdrew from his family thirteen years earlier after the death of his beloved son Billy, and still resents the fact that Billy died while Alfred lives. When Samuel begrudgingly offers Alfred a position in the family business, Alfred states that he is moving to New York to launch an aircraft business with his old friend Lex Porter.

While attending a party at the estate of Lex's wealthy uncle, Fritz Thornton, Arthur spots Mary St. John (Joanne Woodward), the stunning daughter of a Main Line family. Mary, who is secretly engaged to Dr. Jim Roper, is sexually drawn to Alfred, and soon the two are embroiled in a tempestuous relationship. When Mary's snobbish parents object that Alfred's father is a nobody and his mother is a drunk, Mary defies them and continues to see Alfred. After Alfred asks his father for a loan to finance his share of the aircraft company, Samuel humiliates Alfred and begins to sob for the lost Billy. Furious, Alfred storms out in disgust, after which Samuel suffers a heart attack and is hospitalized.

On the day of the wedding, Alfred receives word that his father has died. Certain that Samuel has timed his death to spite him, Alfred goes ahead with the ceremony. With Thornton money, Lex and Alfred then fund the Nassau Aircraft Corporation, but when Lex shows more interest in perfecting aircraft designs than in selling planes, Alfred, hungry for riches, becomes impatient. One wintry day, Alfred and Mary are driving home from a party at the Thornton estate when they see a little boy fall through the thin ice of a frozen pond. After Alfred plunges into the icy waters to save the boy, the boy's grandfather, James Duncan MacHardie, the most famous financier in America, invites Alfred and Mary to dinner. MacHardie, a shrewd businessman, senses Alfred's drive and ambition, and when Alfred asserts that his goal in life is to earn more money than his father, MacHardie offers him a job in his investment firm and Alfred accepts.

Obsessed by success, Alfred travels the country for MacHardie, leaving Mary alone for months at a time. Mary, lonely and self-pitying, begins to resent Alfred's constant absences. When Creighton Duffy, MacHardie's son-in law, whose position in his father-in-law's business is threatened by Alfred's acumen, suggests that Alfred spend two months in rural Pennsylvania counseling investment to Ralph Benziger, a prosperous coal mine owner, Alfred finds his marriage to Mary irretrievably broken. After an ugly argument with Mary, Alfred goes to Pennsylvania, and one night, is invited to dinner at Benziger's, where he meets Benziger's beautiful and compassionate daughter, Natalie. Overwhelmed by Natalie's sensitivity, Alfred impetuously invites her on a date, but she refuses. Later that night, however, Natalie phones Alfred at his hotel room and arranges to meet him at a drive-in the following evening. After Alfred tells Natalie that her warmth and generosity has made him realize what a sham his marriage is, they kiss. Later, however, Natalie reconsiders and decides that they must end their relationship and they part, still loving each other.

Upon returning to New York, Alfred is immediately summoned to MacHardie's office, where MacHardie informs him that Mary is having an affair with Jim. After warning Alfred that he will not tolerate divorce within his firm, MacHardie assigns him to analyze the Nassau Aircraft Corp. as a possible investment.

One night, while leaving a party with Mary, Alfred unexpectedly encounters Natalie in front of the hotel. Sensing that Alfred and Natalie have been intimate, Mary vindictively calls Jim and makes a date with him. Later, Alfred meets Natalie and tells her that although he is estranged from Mary, his career prevents him from divorcing her. Duffy, who has become unethically involved with Nassau Aircraft and will reap a financial windfall if MacHardie invests in the company, threatens to blackmail Alfred unless he suppresses his report.

Alfred and Natalie find themselves unable to resist their attraction to each other and a tryst in a hotel room ensues. Photographers hired by Duffy burst in and snap photographs of their indiscretion. After Alfred considers giving into Duffy's blackmail, Natalie, uncertain if he is trying to save her reputation or his career, decides to leave him. When Alfred returns home, Mary suggests that they share an open marriage and proclaims that she will never divorce him. After Mary seductively retires to her bedroom, the scandalous photos are delivered to Alfred.

At a business meeting the next day, MacHardie ushers in Mary to celebrate Alfred's surprise promotion to partner. As Duffy smirks, Alfred denounces MacHardie's hypocrisy of placing success and social position above personal responsibility and happiness. Alfred then issues the uncensored report exposing Duffy's duplicity and walks out. When Mary runs after him, he accuses her of trying to revive their marriage solely to savor the prestige of being married to a partner in the MacHardie firm. With that, he leaves her for good and returns to Natalie's home, where the film ends with them reunited.

External links


Shopping: From the Terrace
Top
 
 
Learn More
Ter. (abbreviation)
Terr. (abbreviation)
terrace

Where were famous terraced gardens built? Read answer...
What are terraced houses? Read answer...
How do you do you get in to touppe terrace? Read answer...

Help us answer these
Why is terracing used?
What does terraced mean?
What is a beach terrace?

Post a question - any question - to the WikiAnswers community:

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "From the Terrace" Read more