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Funny Games

 
Movies:

Funny Games

  • Director: Michael Haneke
  • AMG Rating: starstar
  • Genre: Thriller
  • Movie Type: Crime Thriller, Psychological Thriller
  • Themes: Thrill Crime, Nightmare Vacations, Hostage Situations
  • Main Cast: Susanne Lothar, Ulrich Mühe, Arno Frisch, Frank Giering, Stefan Clapczynski
  • Release Year: 1997
  • Country: AT
  • Run Time: 108 minutes

Plot

In this exploration of our violent society, writer and director Michael Haneke takes a disturbing look at how depictions of violence at once reflect and shape our culture. A well-to-do German family -- father Georg (Ulrich Mühe), mother Anna (Susanne Lothar), and son Georgie (Stefan Clapczynski) -- are settling in for the weekend at their vacation retreat near the lake. While Georg and his son head out for some sailing, a courteous young gentleman named Peter (Frank Giering) appears at the door, asking if he can borrow some eggs. When he breaks them, Anna offers him some more, but the conversation soon takes an odd turn; Peter goes from pleasant to sniveling to confrontational, and he's soon joined by his friend Paul (Arno Frisch). When Georg returns, he demands that Paul and Peter leave, but the two strangers refuse; Paul and Peter react with violence against Georg and his family, and they soon have the family tied up and begin torturing them. Peter and Paul occasionally refer to the camera in a manner recalling Bertolt Brecht, and near the end of the film, they even demand the opportunity to replay a scene so that they may mete out more punishment against their victims. The score includes classical selections by Mozart and Handel as well as performances by avant-garde composer John Zorn. ~ Mark Deming, All Movie Guide

Review

Michael Haneke's Funny Games initially takes on the rhythms of a typical thriller. The elements are familiar -- an air-brushed upper-class family, a glittering house in the country, the sudden intrusion of brutality. As it becomes clear early on, however -- about the time one of the movie's villains winks at us after murdering the family dog -- there is more on the movie's mind than your garden-variety mayhem. As difficult to sit through as it is to dismiss, Haneke's movie is a hectoring critique of the violence that pervades pop culture, and how much of a role we play in perpetuating such moral bankruptcy. With his winking killers, who name themselves after pop-culture icons (Tom and Jerry at one point, Beavis and Butt-Head the next), Haneke seeks to lay bare the audience's complicity in media depictions of violence and sexual exploitation. That the movie is unrelenting in its punishment and extravagant in its sadism is the point. Stripping the sexy sheen off violence, Haneke forces us to consider the charge we get from cool gunfights and Bruckheimer-esque explosions. The problem with Haneke's vision is its blinkered high-mindedness. Excessively brutal, shamelessly moralistic, and irredeemably didactic, Funny Games can only accomplish its sadistic mission by outright underestimating its audience's intelligence and sensitivity. That the movie does have something of value to say about the casual debasement of human beings in pop culture makes Haneke's haughty presumptuousness all the more unfortunate. ~ Elbert Ventura, All Movie Guide

Cast

  • Susanne Lothar - Anna
  • Ulrich Mühe - Georg
  • Arno Frisch - Paul
  • Frank Giering - Peter
  • Stefan Clapczynski - Georgie
Doris Kunstmann; Wolfgang Gluck; Christoph Bantzer; Susanne Meneghel; Monika Zallinger

Credit

Lisy Christl - Costume Designer, Hanus Polak, Jr. - First Assistant Director, Michael Haneke - Director, Andreas Prochaska - Editor, Christoph Kanter - Production Designer, Jürgen Jürges - Cinematographer, Veit Heiduschka - Producer, Walter Amann - Sound/Sound Designer, Michael Haneke - Screenwriter

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Wikipedia: Funny Games (1997 film)
Top
Funny Games
Directed by Michael Haneke
Produced by Veit Heiduschka
Written by Michael Haneke
Starring Susanne Lothar
Ulrich Mühe
Arno Frisch
Frank Giering
Cinematography Jürgen Jürges
Editing by Andreas Prochaska
Distributed by Fox Lorber
Release date(s) May 14, 1997
Running time 108 minutes
Country Austria
Language German
French
Budget $5,000,000
Followed by Funny Games US

Funny Games is an experimental 1997 Austrian horror film directed by Michael Haneke. The plot of the film involves two young men who hold a family hostage and torture them with sadistic games. The film was entered into the 1997 Cannes Film Festival.[1]

Contents

Plot

The film begins with a well-to-do German family - Georg, his wife Anna, his son Schorschi (Young Georg), and their dog - arriving at their Austrian lake house. Their next-door neighbor pays a visit, accompanied by two young Viennese men, Peter and Paul, whom he introduces as friends. The two men begin imposing themselves on the family's courtesy, and in the process destroy their phone and ruin all their eggs. Eventually a frustrated Anna demands that the men leave, asking Georg to eject them from the premises. Paul breaks Georg's leg with Georg's golf club and the two men take the family hostage. They force the family to participate in a number of sadistic games in order to stay alive.

Paul asks if the family wants to bet that they will be alive by 09:00 in the morning, though he doubts that they will win. Between playing their games, the two men keep up a constant patter, and Paul frequently ridicules Peter's weight and lack of intelligence. He describes a number of contradicting stories of Peter's past, though no definitive explanation is ever presented as to the men's origins or motives. When some of the family's other neighbors arrive for a visit, Anna passes the men off as friends until the visitors leave. Schorschi eventually escapes to the house next door, but finds the family dead. He attempts to shoot Paul with a rifle, but the gun fails to go off. Paul returns him to the house, along with the gun. After a few more games, the men play a counting-out game between the family members and select Schorschi. They shoot him, blowing his head off, and leave.

Georg and Anna weep for their loss, but eventually resolve to survive. Anna flees the house while Georg, with a broken leg, tries to get help with the malfunctioning phone. Anna struggles to find help, but eventually Peter and Paul reappear, capture her, and return to the house. They kill Georg and take Anna out on the family's boat early the next morning. Around eight o'clock, they casually throw the bound Anna into the ice-cold water to drown, thus winning their bet. They dock at the house of the neighbours that had previously visited the family, and request some eggs, thereby restarting their cycle of murder.

Cast

Themes

Paul smirks at the audience.

The film frequently blurs the line between fiction and reality, especially highlighting the act of observation. The character Paul breaks the fourth wall throughout the movie and addresses the camera in various ways. As he directs Anna to look for her dead dog, he turns, winks, and smirks at the camera. When he asks the family to bet on their survival, he turns to the camera and asks the audience whether they will bet as well. At the end of the film, when requesting eggs from the next family, he looks into the camera and smirks again. Only Paul shows awareness that the film is being observed by the audience.

Paul also frequently states his intentions to follow the standards of movie plot development. When he asks the audience to bet, he guesses that the audience wants the family to win. After the killers vanish in the third act, Paul later explains that he had to give the victims a last chance to escape or else it would not be dramatic. Toward the end of the movie, he postpones killing the rest of the family because the movie has not yet reached feature length. Throughout the film, Paul shows awareness of the audience's expectations.

However, Paul also causes the film to go against convention on a number of occasions. In thriller movies, one sympathetic character usually survives, but here all three family members die. When Anna successfully shoots Peter, as a possible start to a heroic escape for the family, Paul uses a remote control to rewind the film itself and prevent her action. After Schorschi dies, Paul regrets killing him first because it goes against convention and limits the suspense for the rest of the film. At the end of the film, the murderers prevent Anna from using a knife in the boat to cut her bonds. An earlier close-up had pointed out the knife's location as a possible set-up for a final-act escape, but this becomes a red herring. At the end of the film, Paul again smirks triumphantly at the audience. As a self-aware character, he is able to go against the viewers' wishes and make himself the winner of the film.

After killing Anna, Peter and Paul argue about the line between reality and fiction. Paul believes that a fiction that is observed is just as real as anything else, but Peter dismisses this idea. Unlike Paul, Peter never shows an awareness that he is in a film.

Michael Haneke states that the entire film was not created to be a horror film. He says he wanted to make a message about violence in the media. He had written a short essay revealing how he felt on the issue, called "Violence + Media." It is available to view on the website for the film's remake[citation needed].

Violence

The version of Funny Games most widely available on DVD in the United States is not rated by the MPAA. Despite being unrated, the film does not feature graphic violence, and almost all of the death and mutilation occurs off-screen.

American remake

An American remake of the film, also called Funny Games, has been released. It stars Tim Roth, Michael Pitt, Brady Corbet and Naomi Watts, and is also written and directed by Michael Haneke.[2]

References

External links


 
 

 

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