Career Highlights: Los Olvidados, The Exterminating Angel, Nazarin
First Major Screen Credit: Alla En El Rancho Grande (1936)
Biography
Orphaned at an early age, Gabriel Figueroa went to work while still a pre-teen, partly to support himself, but mainly to finance his hobby of still photography. After majoring in design and violin at Mexico's Conservatorio Nacional, Figueroa opened his own photography studio and also gained a considerable reputation as a painter. First employed by the Mexican film industry in 1932, he headed to Hollywood three years later, learning cinematography under the on-the-job tutelage of Alex Phillips and Gregg Toland. He returned to Mexico in 1936, rapidly developing into one of that country's (and, indeed, the world's) foremost directors of photography. While he has worked with such cinematic heavyweights as John Ford, Luis Buñuel and John Huston, Figueroa is best known for his lengthy association with director Emilio Fernandez. He photographed virtually all of Fernandez' films, winning a Golden Globe award for his work on The Pearl (1947). Figueroa also earned an Oscar nomination for Night of the Iguana (1964), as well as dozens of international honors. Seldom straying outside of Mexico, Gabriel Figueroa made a trip to Yugoslavia in 1968 to lens the outsized war actioner Kelly's Heroes. He died of a stroke following heart surgery, three days after turning 90 in a Mexico City hospital. ~ Hal Erickson, All Movie Guide
His mother died after giving birth to him. His father, unable to cope with the loss of his wife, left Gabriel and his brother Roberto to be cared for by their aunts. He studied painting at the Academia de San Carlos and at the age of 16 he became interested in photography thanks to José Guadalupe Velasco. He later befriended others in the profession such as Gilberto and Raúl Martínez Solares. These three would then move on to cinematography.
Gabriel made his entry in the movie industry in 1932 as a photographer of stills for the film Revolución of Miguel Contreras Torres. He was later one of the 20 cinematographers hired for the Howard Hawks film Viva Villa!. After a few jobs he obtained a scholarship to study in the United States where he was taught by Gregg Toland his own style of lighting techniques.