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Gao Fenghan

 
Art Encyclopedia: Gao Fenghan

(b Jiaozhou (modern Jiao xian), Shandong Province, 1683; d ?Shandong Province, 1748-9). Chinese painter, calligrapher, seal-carver, collector and poet. The son of a minor official in charge of local education, Gao developed an interest in poetry, painting and seal-carving in his early youth, when he also began to collect old seals and inkstones. The great poet Wang Shizhen took a liking to him and left instructions before his death that Gao be admitted into the ranks of his disciples. A relative of the poet, Wang Qilei, also provided Gao with some formal instruction in the art of painting, beyond what he could learn from his father, an amateur painter of orchids and bamboo. Gao's official career did not begin until 1729, when he took up an appointment as assistant magistrate of She xian, Anhui Province. In 1734 a new assignment took him to Taizhou, east of Yangzhou, Jiangsu Province. In 1736, having become entangled in a legal dispute involving a chief commissioner of the salt gabelle, he was briefly imprisoned; this and his deteriorating health, which resulted in the paralysis of his right hand, inevitably led to his resignation from officialdom.

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Gao Fenghan, (top):Fragrant Blossom Snow in the Desert Mountains, (bottom): Study in the Shade of the Wutong Tree, Museum of East Asian Art, Dahlem

Gāo Fènghàn (1683–1749) was born in Shandong to a minor bureaucrat. He was a painter, poet, and seal-carver. He later became associated with the Yangzhou school of painters. These painters were known as eccentrics for their unorthodox style and preference for individualism. Gāo Fènghàn is not usually considered of the eight Yangzhou eccentrics, but is associational. Like his father he served a minor post in the bureaucracy, but this did not occur until 1739. In 1736 this job led to his imprisonment. Then in 1737 injuries during his time in prison combined with arthritis to disable his right hand. After that he painted with his left. These paintings have since gained some renown among Chinese art collectors.

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