Documentary filmmaker Errol Morris' debut immediately attracted acclaim for its straight-faced treatment of a subject practically begging for ridicule. When the Foothill Memorial Gardens pet cemetery, located north of San Francisco, closed (its land was sold for a housing project), the 450 animals interred there had to be moved to Bubbling Well Memorial Park in nearby Napa. Morris saw the transfer as an opportunity to explore the world of pet owners who are so devoted that they see nothing wrong with giving their animals a full dose of the last rites. His simple technique was to film his subjects, usually seated, talking about their loved ones, alternating with shots of the two cemeteries and the move. Critic Roger Ebert became an early champion of the film, and Morris' struggles to finish it resulted in a very amusing short film, Werner Herzog Eats His Shoe. The German filmmaker had bet Morris that he would never complete the film, and when he did, Herzog publicly boiled and consumed one of his shoes for the camera of director Les Blank. ~ Tom Wiener, All Movie Guide
Review
The cheap laughs that any filmmaker might wring out of pet cemeteries are nowhere to be had in Errol's Morris' first documentary. It's not that Gates of Heaven isn't amusing at times, but Morris does force us to examine those people sincerely and unaffectedly devoted to animals who had become their companions. The film walks a tightrope between offering respect for the pet owners and revealing the absurdity of the funeral business in general. (It's not unlike The Loved One or Juzo Itami's The Funeral in that regard.) Morris allows his subjects to carry on at some length, but he's careful not to let any of them come off like truly addled animal lovers. It's in his shots of the two cemeteries in question, with a clear California sky arcing over the tombstones featuring Fluffy and Rex, when the film takes a more surreal turn. Like Frederick Wiseman, Morris stands back and allows the material to speak for itself. His later films have strayed from this minimalist approach, but Morris has managed to maintain his integrity as an inquisitive, provocative filmmaker. ~ Tom Wiener, All Movie Guide
Gates of Heaven is a 1978 documentary film by Errol Morris about the pet cemetery business. It was made when Morris was unknown and did much to launch his career.
Description
The film, like Morris' other works, is unnarrated and the stories are told purely through interviews. It is divided into two main sections. The first concerns Floyd "Mac" McClure and his lifelong quest to allow pets to have a graceful burial. McClure's business associates and his competitor, a manager of a rendering plant, are interviewed. Eventually the business fails and the 450 animals have to be dug up and transported to the Bubbling Well Pet Memorial Park. This operation is run by John "Cal" Harberts and his two sons. This business is far more successful, and continues to operate today, run by Cal's son Dan Harberts.
Noted director Werner Herzog pledged that he would eat the shoe he was wearing if Morris' film on this improbable subject was completed and shown in a public theater. When the film was released Herzog lived up to his wager and the consumption of his footwear was made into the short film Werner Herzog Eats His Shoe. Gates of Heaven launched Morris' career and is now viewed as a classic. In 1981Roger Ebert named it one of the ten best films of the year. The film's acclaim stems less from its coverage of pet cemeteries than how Morris builds on this base to explore issues such as mortality and the afterlife.
Roger Ebert wrote that the film is an "underground legend."[1]