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Gentile da Fabriano (ca. 1370-1427) was the leading Italian painter of the International Gothic style.
Gentile da Fabriano, whose real name was Gentile di Niccolò di Giovanni di Massio, came from Fabriano in the Marches. According to tradition, his family was an old one and moderately prosperous. His father, who was said to have been a scholar, mathematician, and astrologer, became an Olivetan monk when a monastery of that order was established in Fabriano in 1397. Gentile's brother, Ludovico, was a monk of the same order in Fabriano, and Gentile himself was living in the Olivetan monastery of S. Maria Nuova in Rome at the time of his death. A document of Oct. 14, 1427, speaks of him as dead.
Gentile's art indicates that he was probably trained in Lombardy, perhaps in Milan. He worked in the then current International Gothic style, to which he brought his own personal quality. His earliest works display the decorative rhythmic drapery patterns preferred by the International Gothic masters, which Gentile tempered and ultimately abandoned after his contact with Florentine art.
In a document of 1408 Gentile is recorded in Venice, where he painted an altarpiece (now lost) for Francesco Amadi. Testifying to his high reputation was his commission in 1409 for frescoes in the Doges' Palace in Venice (painted over in 1479). Pandolfo Malatesta commissioned Gentile to decorate a chapel (destroyed) in Brescia in 1414. The artist is last recorded in Brescia on Sept. 18, 1419, when he departed for Rome to answer the summons of Pope Martin V. Gentile's name first appeared on the roll of painters in Florence in 1421. He was in Siena in 1420 and 1424-1425 and in Orvieto late in 1425. From 1426 until the time of his death he was in Rome.
Typical of Gentile's early style is the polyptych (ca. 1400) from the convent of Valle Romita in Fabriano, in which Gentile displays the International Gothic love for naturalistic detail in the floral turf beneath the feet of the graceful, slender saints whose figures are swathed in rhythmic, linear drapery. The central panel, the Coronation of the Virgin, shows the love for calligraphic drapery so characteristic of Gentile's early style. Other noteworthy early works include the much damaged Madonna in Perugia and the Madonna with Saints and Donor in Berlin.
The altarpiece Adoration of the Magi, signed and dated 1423, was Gentile's major work in Florence. In remarkably good condition, with its original frame still intact, it shows Gentile's Gothicism now tempered by his contact with the more austere art of Florence. The rich display of gold leaf and brilliant colors were favorite International Gothic traits, but in the interest in perspective and foreshortening and especially in the exquisite predella panels Gentile shows the influence of the Florentines.
The altarpiece for the Quaratesi family, signed and dated 1425, also demonstrates the composite quality of Gentile's art. The fresco Madonna Enthroned in Orvieto Cathedral of late 1425 has few traces of the International Gothic style and displays a corporeality and fullness in keeping with his evolution after Florence. His last works, the frescoes in St. John Lateran in Rome depicting the life of John the Baptist and grisaille portraits of saints, were destroyed in 1647, when Francesco Borromini reconstructed the interior.
Further Reading
The best work in English on Gentile is the chapter on the artist in Raimond van Marle, The Development of the Italian Schools of Painting, vol. 8 (1927). Luigi Grassi, ed., Tutta la pittura di Gentile da Fabriano (1953), in Italian, is useful for its illustrations.
Additional Sources
Christiansen, Keith, Gentile da Fabriano, Ithaca, N.Y.: Cornell University Press, 1982.
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Bibliography
See K. Christiansen, Gentile da Fabriano (1982).
| Wikipedia: Gentile da Fabriano |
| This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations where appropriate. (August 2009) |
| Gentile da Fabriano | |
Adoration of the Magi (1423) |
|
| Birth name | Gentile di Nicolò di Giovanni |
| Born | c. 1370 Fabriano (Ancona), Italy |
| Died | 1427 (Aged about 57) Rome |
| Nationality | Italian |
| Field | Painting |
| Movement | International Gothic |
| Works | Adoration of the Magi |
Gentile da Fabriano (c. 1370 – c. 1427) was an Italian painter known for his participation in the International Gothic style.
Gentile was born in or near Fabriano, in the Marche. His mother died some time before 1380 and his father, Niccolò di Giovanni Massi, retired to a monastery in the same year, where he died in 1385. Gentile worked in various places in central Italy, mostly in Tuscany. His best known works are his Adoration of the Magi (1423) and Flight into Egypt.
By 1408 Gentile da Fabriano was working in Venice. Between 1409 and 1414 he painted a fresco (now lost) in the Doge's Palace depicting the naval battle between the Venetians and Otto III, before moving west to Brescia. By the 1420s he was working in Florence, where he painted his famous altarpiece depicting the Adoration of the Magi (1423), now in the Uffizi and regarded as one of the masterpieces of the International Gothic style.
In 1425 he left Florence for Siena and Orvieto (where he painted his fresco of the Madonna and Child in the Cathedral) before arriving in Rome In Siena, he left a profound influence on Sassetta. He died in 1427 while working on frescoes (since destroyed) in the Basilica of St. John in Lateran. He is commonly said to have been buried in the church now called S. Francesca Romana in Florence, but his tomb vanished; there is evidence, however, that he may be buried in the church of Santa Maria in Trastevere, in Rome, the place of his death.
He left no works in the Marche, except possibly a Madonna and Child (of uncertain attribution) in the Duomo at Sant'Angelo in Vado, near Urbino. He also left one painting in Venice.
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