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George W. Joy

 
Oxford Grove Art:

George William Joy

(b Dublin, 7 July 1844; d Purbrook, Hants, 28 Oct 1925). Irish painter. The brother of the sculptor Albert Bruce Joy (1842-1924), he studied in London at the South Kensington School of Art and later at the Royal Academy Schools under John Everett Millais, Frederic Leighton and G. F. Watts. From 1868 his education continued in Paris under Charles-Fran?ois Jalabert (1819-1901) and L?on Bonnat. Joy's mature work is largely concerned with the depiction of the human form in narrative and allegorical subjects from historical, Classical, literary and religious sources. His light-hearted but elaborate works on the theme of childhood, such as Thirty Years before Trafalgar: Young Nelson and his Grandmother (1883; untraced, photograph in U. London, Courtauld Inst.), gained a wide popularity. Among his outstanding paintings is the Death of General Gordon, Khartoum, 26 January 1885 (exh. RA 1894; Leeds, C.A.G.), which represents Joy's patriotic attempt to 'awaken the conscience of the nation' (autobiography, p. 22); it was one of the few Royal Academy exhibits on the subject. Bayswater Omnibus (1895; London, Mus. London), a modern-life painting, displays his powers of observation at their keenest. Joy's output consisted principally of oil paintings, and a detailed account of his methods is included in his autobiography. He exhibited at the Royal Academy between 1872 and 1914, and his work was well received at the Salon in Paris.

See the Abbreviations for further details.



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George W. Joy

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General Gordon's Last Stand . Joy's portrayal of Gordon's death

George William Joy (July 7, 1844 in Dublin, Ireland – October 28, 1925 in Purbrook, Hampshire) was an Irish painter.

Contents

Life and career

Joy was the son of William Bruce-Joy, MD, and the brother of sculptor Albert Bruce-Joy, descendents of an old Huguenot family which settled in Antrim in 1612. He was initially torn between the idea of pursuing a career as an artist or violin player. Joy settled upon art, and was educated in London's South Kensington School of Art and later at the Royal Academy under John Everett Millais, Frederic Leighton, Hubert von Herkomer and George Frederic Watts. In 1868 he traveled to Paris where he was a student of Charles-François Jalabert and Léon Bonnat.[1] He became a member of the Royal Institute of Oil Painters in 1896 and also exhibited at the Royal Academy and the Royal Hibernian Academy. Both of his sons were killed in 1915 during World War I.[2]


Works

Joy's paintings covered a variety of themes, but generally included human forms. He was perhaps best known for his depiction of the final moments of British General Charles George Gordon in a painting entitled General Gordon's Last Stand (1885). In the painting, Gordon is pictured standing before followers of the invading Mahdi army in Khartoum, Sudan, moments before being struck down by a spear. Among Joy's other works are Truth, Flora MacDonald's Farewell to Prince Charles, and The Bayswater Omnibus.

External links

References

  • The work of George W. Joy with an autobiographical sketch.London, Cassell and Company, 1904.
  1. ^ Artmagick.com, 1996-2006. Retrieved December 1, 2006.
  2. ^ Snoddy, Theo. Dictionary of Irish Artists: 20th Century, 2nd Edition. Merlin Publishing, Dublin, Ireland, 2002. Pg.290-92. Retrieved Mar. 26, 2008.



 
 

 

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Oxford Grove Art. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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