Audio: English 5,0 (Dolby Digital) and two-channel (Dolby Surround), French
Subtitles: English, French, Spanish
Digitally mastered audio and anamorphic video
Widescreen and full-screen presentations
Director's commentary
Talent files
Interactive menus
Production notes
Scene selections
Rating:
Genre: Drama
Movie Type: Road Movie, Ensemble Film
Themes: Race Relations, Generation Gap, Journey of Self-Discovery
Director: Spike Lee
Main Cast: Richard Belzer, Ossie Davis, De'Aundre Bonds, Charles S. Dutton, Andre Braugher, Thomas Jefferson Byrd, Gabriel Casseus, Albert Hall, Harry J. Lennix, Hill Harper, Bernie Mac, Wendell Pierce, Roger Guenveur Smith, Isaiah Washington, Steve White
Release Year: 1996
Country: US
Run Time: 120 minutes
MPAA Rating: R
Plot
Released one year to the day after the 1995 Million Man March, in which a million African-American men marched peacefully in Washington, D.C. in a bid for greater unity and understanding, Spike Lee's Get On the Bus follows a group of black men who take a charter bus from Los Angeles to the rally in the nation's capital and watches as they interact and air their personal issues and concerns. George (Charles S. Dutton) is the organizer of the trip and de facto leader of the group. Evan Thomas (Thomas Jefferson Byrd) is a truck driver who travels to the march with his son (De'Aundre Bonds) chained to his belt by court order after the boy was arrested for petty theft. Kyle (Isaiah Washington) and Randall (Harry Lennix) are gay lovers who take no small amount of abuse from their fellow passengers. Gary (Roger Guenveur Smith) is the product of a mixed-race marriage who could pass for white but sees himself as black; he's also a cop, which does little to endear him to his peers. Flip (Andre Braugher) is an actor who seems more concerned with getting his next film role than the larger issues of the march. Jamal (Gabriel Casseus) is a good-natured young Muslim trying to lead a righteous life to make up for his violent past as a gang member. A film student (Hill Harper) is capturing the trip on videotape, and Jeremiah (Ossie Davis) sits in the back, reflecting on the struggles of African-Americans in the past and present. Financed by a private group of 15 black American men (among them Will Smith and Wesley Snipes), Get On the Bus speaks less of a single political goal than of the need for black men to set aside their differences to work for their common good. While the film falls short of openly criticizing Million Man March organizer Louis Farrakhan, it does present debate about Farrakhan's ideals and statements, ultimately coming to the conclusion that whoever brought this group together is less important than the fact that they came together in peace and brotherhood. ~ Mark Deming, All Movie Guide
Review
Filmgoers who avoided Get on the Bus, expecting a harangue from Spike Lee in support of Louis Farrakhan's Million Man March, missed a good thing. Lee and his writer, Reggie Bythewood, do create the standard bomber crew cast of characters (ex-con, elderly vet of the Civil Rights era, gay couple, vain actor, light-skinned cop, Republican conservative) and mix them together for a cross-country trip, but the dramatic (and occasional comedic) payoff is well worth the setup. Not everyone on the bus is in step with Minister Farrakhan, but everyone does agree that it's time for black men to stand up and literally be counted. Lee allows his cast to become more than a set of talking heads; their back stories are economically sketched in, and by the end of their trip, there's a sense of pleasant familiarity among them and with us. Although Lee was working under limited time and budget constraints, the passion for his subject overcame all obstacles. It's an underrated achievement that deserves a wider audience of all colors. ~ Tom Wiener, All Movie Guide
Reggie Rock Bythewood - Screenwriter; Terence Blanchard - Songwriter; Bill Borden - Producer; Elliot Davis - Cinematographer; Spike Lee - Director; Spike Lee - Executive Producer; Ina Mayhew - Production Designer; Reuben Cannon - Casting; Reuben Cannon - Producer; Sandra Hernandez - Costume Designer; Oliver Moss - Sound/Sound Designer; Barry Rosenbush - Producer; Leander T. Sales - Editor; Alex Steyermark - Musical Direction/Supervision; Mike Ellis - First Assistant Director
Get on the Bus is a 1996 film about a group of African-American men who are taking a cross-country bus trip in order to participate in the
Million Man March. The film was directed by Spike
Lee and premiered on the one-year anniversary of the march.
Craig (Albert Hall), the original bus driver
who is dealing with his teenage daughter's pregnancy.
Along the way, the men get to know each other and discuss various topics including their personal lives, their political
beliefs and even the O.J. Simpson murder case. The stately Jeremiah reveals
that after he lost his job, he became an alcoholic and eventually lost his family. He hopes
the March will revitalize him and inspire him to turn his life around. Evan Jr., who fancies himself as a gangster named 'Smooth', manages to escape from his father at one point. In a visual reference to
African-American slavery, he is running through the woods with his chains still
attached. Evan Sr. finds Junior and realizes that he ran away from his son. He expresses regret and promises to make a sincere effort to be there for Junior.
Xavier aka X begins interviewing the passengers and is seated next to Flip. Flip is an aspiring actor who boosts his ego and
sexual prowess and seems more concerned with getting a film role opposite Denzel
Washington than the purpose of the March. Flip further reveals that he is homophobic discovering the relationship between
Kyle and Randall. Flip is also relatively confrontational questioning X for going to UCLA (Flip is a graduate of rival USC) and Gary for his very light complexion. Gary
reveals that he is a biracial police officer working a beat in South Central Los Angeles. Gary has often been made a target of resentment from other African-Americans due to his complexion and profession. He was inspired to become a policeman after his father, a black cop was killed by a black gang member. Being of a biracial background, Gary is further picked on by Flip when he reveals that his white mother did not
physically punish him (All the black men talk about how their black mothers engaged in physical punishment).
Gary then gets into a conversation about his job where bus member Jamal reveals that he is an ex-Crip who has converted to Islam. Since his conversion to being a
Muslim, Jamal works with children in his community to prevent them from joining gangs. In a tense
conversation, the two debate over the causes of gang violence and the limits of repentance and forgiveness. When Jamal reveals that he committed
murder and rape in his past, Gary states that he intends to arrest
Jamal when they return to Los Angeles. Xavier captures as much as he can on his camcorder but
the group often dismisses the earnest amateurfilmmaker
as "Spike Lee Jr." The level-headed George acts as sort of a referee and a counselor
throughout the trip.
Kyle is a Gulf War veteran who reveals that he was purposely shot by his own
platoon because of his race and sexual orientation.
Being gay, African-American and Republican, he feels persecution from
all sides which has made him bitter. Although they are having problems in their relationship, Randall, tries to comfort his lover
but makes a point of outing Kyle when he refuses to talk. Kyle is harassed further by the
homophobic Flip who mocks him claiming "Oh my God, a gay black Republican, now I have seen
everything!" with additional homophobic statements rants. Flip also picks on Randall for his effete gay mannerisms following
Kyle's outing. A heated argument between Flip and Kyle turns violent when Flip punches Kyle. In the resulting fistfight, Kyle is
victorious and Flip is embarrassed. The Nation of Islam is known for their
homophobia, too.
During the trip the bus breaks down and the group board a new bus. The new driver is Rick (Richard Belzer), who is white and Jewish. Eventually, he feels the need to
speak out against Louis Farrakhan's Anti-Semitic
statements. Rick talks about his parents' and other Jews' participation in the Civil Rights Movement but some members of the group fight back using
Jewish stereotypes. At a rest stop, Rick quits the trip in
protest telling George: "I wouldn't expect you to drive a bus to a Klan meeting." George drives the bus for the rest of the trip, with help from Evan Sr. who, while not
licensed a bus driver, has experience driving trucks.
The group meet various people at rest stops including fellow travelers, White AmericanSoutherners (who, to the group's surprise, are friendly) and women (with whom
Flip tries to flirt). At a diner, the group meets Wendell
(Wendell Pierce), a Lexus salesman whom they invite to
join them. On the route, Wendell reveals that he is a successful businessman who graduated from Vanderbilt University and is a Republican. In the process Wendell reveals himself as a
self-loathingbigot who is only attending the march in
hopes of networking business deals in Washington. He is physically thrown off the bus. While driving through Knoxville, Tennessee, the bus is pulled over by Tennessee state
troopers (Randy Quaid in an uncredited cameo). They are stopped on suspicion of drug trafficking
and searched with drug-sniffing dogs despite the pleas of Gary who reveals his police
officer identity to the troopers.
As the bus approaches Washington, D.C., Xavier discovers Jeremiah slumped over and
unconscious in his seat. They rush him to a hospital and watch the beginning of March on
television as they await word on Jeremiah. A doctor later informs the group that Jeremiah has
died of heart disease. The men are shocked and saddened by Jeremiah's death. They end up
watching the rest of the March from the hospital. George tells the men that the March should be seen as merely the beginning of a
larger movement.
Trivia
Trivia sections are discouraged under
Wikipedia guidelines.
The article could be improved by integrating relevant items and removing inappropriate ones.
Although Louis Farrakhan headed the Million Man March and is talked about throughout
the film, he is seen only very briefly from the back in the archive footage of the
March.
The end credits song, "On The Line", is composed by Babyface,
sung by Michael Jackson and was recorded for this movie. It wasn't part of the
soundtrack CD and later versions were released only on a special edition boxset for Michael Jackson's "Ghosts" (1997), and then again on his limited edition boxset "The Ultimate Collection" (2004).
The actors who portray Flip (Andre Braugher) and Kyle (Isaiah Washington) had previously co-starred on Homicide: Life on the Street where like their characters on Get On The Bus they had
gotten into a confrontation. This occurred on the episode "Black and Blue" where Braugher's character Frank Pembleton was investigating Washington's character Layne Stanley as a murder suspect.
Additionally, Homicide co-star Richard Belzer was cast into the film.
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