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Get on the Bus

 
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Get on the Bus

  • Director: Spike Lee
  • AMG Rating: starstarstar
  • Genre: Drama
  • Movie Type: Road Movie, Ensemble Film
  • Themes: Race Relations, Generation Gap, Journey of Self-Discovery
  • Main Cast: Richard Belzer, Ossie Davis, De'Aundre Bonds, Charles S. Dutton, Andre Braugher, Thomas Jefferson Byrd, Gabriel Casseus, Albert Hall, Harry J. Lennix, Hill Harper, Bernie Mac, Wendell Pierce, Roger Guenveur Smith, Isaiah Washington, Steve White
  • Release Year: 1996
  • Country: US
  • Run Time: 120 minutes
  • MPAA Rating: R

Plot

Released one year to the day after the 1995 Million Man March, in which a million African-American men marched peacefully in Washington, D.C. in a bid for greater unity and understanding, Spike Lee's Get On the Bus follows a group of black men who take a charter bus from Los Angeles to the rally in the nation's capital and watches as they interact and air their personal issues and concerns. George (Charles S. Dutton) is the organizer of the trip and de facto leader of the group. Evan Thomas (Thomas Jefferson Byrd) is a truck driver who travels to the march with his son (De'Aundre Bonds) chained to his belt by court order after the boy was arrested for petty theft. Kyle (Isaiah Washington) and Randall (Harry Lennix) are gay lovers who take no small amount of abuse from their fellow passengers. Gary (Roger Guenveur Smith) is the product of a mixed-race marriage who could pass for white but sees himself as black; he's also a cop, which does little to endear him to his peers. Flip (Andre Braugher) is an actor who seems more concerned with getting his next film role than the larger issues of the march. Jamal (Gabriel Casseus) is a good-natured young Muslim trying to lead a righteous life to make up for his violent past as a gang member. A film student (Hill Harper) is capturing the trip on videotape, and Jeremiah (Ossie Davis) sits in the back, reflecting on the struggles of African-Americans in the past and present. Financed by a private group of 15 black American men (among them Will Smith and Wesley Snipes), Get On the Bus speaks less of a single political goal than of the need for black men to set aside their differences to work for their common good. While the film falls short of openly criticizing Million Man March organizer Louis Farrakhan, it does present debate about Farrakhan's ideals and statements, ultimately coming to the conclusion that whoever brought this group together is less important than the fact that they came together in peace and brotherhood. ~ Mark Deming, All Movie Guide

Review

Filmgoers who avoided Get on the Bus, expecting a harangue from Spike Lee in support of Louis Farrakhan's Million Man March, missed a good thing. Lee and his writer, Reggie Bythewood, do create the standard bomber crew cast of characters (ex-con, elderly vet of the Civil Rights era, gay couple, vain actor, light-skinned cop, Republican conservative) and mix them together for a cross-country trip, but the dramatic (and occasional comedic) payoff is well worth the setup. Not everyone on the bus is in step with Minister Farrakhan, but everyone does agree that it's time for black men to stand up and literally be counted. Lee allows his cast to become more than a set of talking heads; their back stories are economically sketched in, and by the end of their trip, there's a sense of pleasant familiarity among them and with us. Although Lee was working under limited time and budget constraints, the passion for his subject overcame all obstacles. It's an underrated achievement that deserves a wider audience of all colors. ~ Tom Wiener, All Movie Guide

Cast

Credit

Reuben Cannon - Casting, Sandra Hernandez - Costume Designer, Mike Ellis - First Assistant Director, Spike Lee - Director, Leander T. Sales - Editor, Spike Lee - Executive Producer, Alex Steyermark - Musical Direction/Supervision, Terence Blanchard - Songwriter, Ina Mayhew - Production Designer, Elliot Davis - Cinematographer, Bill Borden - Producer, Reuben Cannon - Producer, Barry Rosenbush - Producer, Oliver Moss - Sound/Sound Designer, Reggie Rock Bythewood - Screenwriter

Similar Movies

Do the Right Thing; Malcolm X; Bus; Higher Learning
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Get on the Bus

U.S. Theatrical Poster
Directed by Spike Lee
Produced by Spike Lee
Written by Reggie Rock Bythewood
Starring Richard Belzer
De'aundre Bonds
Andre Braugher
Thomas Jefferson Byrd
Gabriel Casseus
Albert Hall
Hill Harper
Harry J. Lennix
Bernie Mac
Wendell Pierce
Roger Guenveur Smith
Isaiah Washington
Steve White
with Ossie Davis
and Charles S. Dutton
Music by Terence Blanchard
Studio 40 Acres & A Mule Filmworks
Distributed by Columbia Pictures
Release date(s) October 16, 1996
Running time 120 min.
Country United States
Language English
Budget $2,400,000

Get on the Bus is a 1996 film about a group of African-American men who are taking a cross-country bus trip in order to participate in the Million Man March. The film was directed by Spike Lee and premiered on the one-year anniversary of the march.

Contents

Characters

Plot

The trip begins in Los Angeles, California and ends in Washington, D.C. where the March is being held.

Along the way, the men get to know each other and discuss various topics including their personal lives, their political beliefs and even the O.J. Simpson murder case (in which some members of the group share the notion that, even if Simpson was guilty, which they maintain he was not, it was right of him to be acquitted as "payback" for societal racism). The elderly Jeremiah (whom the men nickname "Pop") reveals that after he lost his job, he became an alcoholic and eventually lost his family. He hopes the March will revitalize him and inspire him to turn his life around. Evan Jr., who fancies himself as a gangster named 'Smooth', manages to escape from his father at one point. Evan Sr. finds Junior and realizes that Junior's criminal behavior was an attempt to gain his attention after he became neglectful. He expresses regret and promises to make a sincere effort to be there for Junior.

Xavier, who refers to himself as "X", begins interviewing the passengers, a narrative device which allows each of the passengers to reveal information about their lives and how they perceive themselves and the March. Xavier captures as much as he can on his camcorder but the group often dismisses the earnest amateur filmmaker as "Spike Lee Jr."

Tensions rise after Xavier's interview with Flip, an aspiring actor who spends most of his time bragging about his own sexual prowess, and who seems more concerned with getting a film role opposite Denzel Washington than the purpose of the March. Flip reveals himself to be a homophobe and racist, provoking Kyle and Randall for being homosexuals and Gary for being biracial. This leads to further conflict when Gary reveals that he is a police officer working a beat in South Central Los Angeles, two things for which he has faced criticism and ostracization from other blacks his entire life. Gary proudly recalls his father, a black policeman gunned down in the line of duty by black street gang members, an incident that Gary credits with his decision to become a police officer.

Gary's revelations about his life and career spur Jamal to reveal that he is an ex-Crip who converted to Islam and began work with a community outreach program that works with children to discourage them from becoming involved in gang activity. In a tense conversation, the two debate over the causes of gang violence and the limits of repentance and forgiveness: Jamal confesses that, while he was a Crip, he committed murder and rape, crimes for which he was never arrested or punished. Following Jamal's confession, Gary informs him that he will be arrested upon their return to California.

Next Kyle reveals that he is a Gulf War veteran who was purposely shot by his own platoon because of his race and sexual orientation. Being gay, African-American and Republican, he feels persecution from all sides, which has made him bitter. Although they are having problems in their relationship, Randall, tries to comfort his lover but makes a point of outing Kyle when he refuses to talk. Kyle is harassed further by the homophobic Flip who mocks him claiming "Oh my God, a gay black Republican, now I have seen everything!" with additional homophobic statements rants. Flip also picks on Randall for his effete gay mannerisms following Kyle's outing. A heated argument between Flip and Kyle turns violent when Flip punches Kyle. In the resulting fistfight, Kyle is victorious and Flip is embarrassed.

During the trip the bus breaks down and the group board a new bus. The new driver is Rick (Richard Belzer), who is ethnically Jewish. Eventually, he feels the need to speak out against Louis Farrakhan's Anti-Semitic statements that Jews are a "gutter" people. Rick talks about his parents' and other Jews' participation in the Civil Rights Movement, but some members of the group fight back using Jewish stereotypes. At a rest stop, Rick quits the trip in protest telling George: "I wouldn't expect you to drive a bus to a Ku Klux Klan meeting." George becomes confrontational and angrily accuses Rick of being a racist for not supporting the march in spite of Farrakhan's remarks, while at the same time refusing to acknowledge that Farrakhan ever made them. Although Rick maintains that he is not a racist, George refuses to accept this; George begrudgingly agrees to disagree with Rick and lets him depart, although he refuses to look at Rick when Rick wants to shake his hand before he leaves. George drives the bus for the rest of the trip, with help from Evan Sr. who, while not licensed a bus driver, has experience driving trucks.

The group meet various people at rest stops including fellow travelers, White American Southerners (who, to the group's surprise, are friendly) and women (with whom Flip tries to flirt). At a diner, the group meets Wendell (Wendell Pierce), a Lexus salesman who bribes his way onto the bus despite pleas from George to travel to the March on his own, since taking on board a passenger without a ticket could potentially jeopardize his job. On the route, Wendell reveals that he is a Republican and his reason for going to the March is to sell cars. He decries liberal blacks such as Jesse Jackson who believe that it is the government's responsibility to make their lives better, using successful and conservative blacks such as Colin Powell as examples that black men can "make it" in society. His rhetoric quickly becomes racist, however, as he disparages several people on the bus as being "niggers," after which the other passengers literally throw him out of the bus.

While driving through Knoxville, Tennessee, the bus is pulled over by Tennessee state troopers (one of whom is played by Randy Quaid in an uncredited cameo). They are stopped on suspicion of drug trafficking and searched with drug-sniffing dogs despite the pleas of Gary who shows his LAPD badge to the troopers. The troopers ignore Gary and continue with the search, however they do not find anything illegal.

As the bus approaches Washington, D.C., Xavier discovers Jeremiah slumped over and unconscious in his seat. They rush him to a hospital and watch the beginning of March on television as they await word on Jeremiah. A doctor later informs the group that Jeremiah has died of heart disease. The men are shocked and saddened by Jeremiah's death. They end up watching the rest of the March from the hospital. George tells the men that the March should be seen as merely the beginning of a larger movement. In front of the Lincoln Memorial, George leads the men in a prayer that Jeremiah wrote before his death.

Additional cast

External links



a bus is yellow and white it also takes you places


 
 
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