Styles: Adult Alternative Pop/Rock, Adult Contemporary, Pop/Rock
Track Picks: "Gettin' in Over My Head," "Saturday Morning in the City," "Soul Searchin'"
Review
Brian Wilson's spotted solo career hasn't seen many highlights. True, Beach Boys fanatics continue to follow his top-this solo tours, which began with the astonishment of merely seeing Wilson perform on-stage and crested with his live run-throughs of the Beach Boys classic Pet Sounds and the legendary Smile (which he'd disavowed on several earlier occasions). As Brian Wilson concertgoers know, although Wilson remains a bundle of nerves while performing, he has found a group of players who are sympathetic to the Brian Wilson legend and also capable of faithfully re-creating the sound of Beach Boys classics. (Credit also goes to the album's recorder and mixer, Mark Linett, who has fine-tuned every single original Beach Boys track as part of Capitol's ongoing reissue campaigns, dating back to the late '80s.) Wilson has still not found a lyrical collaborator who can stand up to him when he writes inane, sophomoric lyrics; whether it's a solo composition or one written with a talented collaborator like Andy Paley, Wilson's songs are trite and rarely delivered with any confidence or evidence of a performing personality. There are two clear highlights on this record. The first is "Soul Searchin'," a Wilson/Paley collaboration from the early '90s that featured a vocal from brother Carl Wilson. (Although Carl died in 1996, Brian built around the vocal track to complete the song.) Although Carl is singing inane lyrics, his soul and emotion rescue the song. That's exactly how Brian Wilson flourished during his salad days, and it's never been more clear that he lacks it now -- "it" being not only musical collaborators, but lyrical collaborators and a lead voice that understands the archetypal emotion behind his teenage symphonies. The other highlight is the title track, a derivative yet beautiful gloss on the classic Pet Sounds style and a rare track where Brian sounds involved and not simply robotic. ~ John Bush, All Music Guide
Elton John (Piano), Elton John (Vocals), Elton John (Guest Appearance), Paul McCartney (Guitar (Acoustic)), Paul McCartney (Vocals), Paul McCartney (Guest Appearance), Brian Wilson (Piano), Brian Wilson (Arranger), Brian Wilson (Keyboards), Brian Wilson (Vocals), Brian Wilson (Vocals (Background)), Brian Wilson (Producer), Eric Clapton (Guitar), Eric Clapton (Guest Appearance), Jimmy Edwards (A&R), Jim Hines (Percussion), Peter Kent (Violin), Greg Leisz (Guitar), Mark Linett (Engineer), Mark Linett (Mastering), Mark Linett (Mixing), Bob Lizik (Bass), Mark London (Art Direction), Mark London (Design), Mark London (A&R), Mark McKenna (Project Assistant), Andy Paley (Percussion), Andy Paley (Vocals (Background)), Michael Rhodes (Bass), Carol Robbins (Harp), Todd Sucherman (Percussion), Todd Sucherman (Drums), Sig Sigworth (Project Assistant), David Leaf (Liner Notes), Darian Sahanaja (Percussion), Darian Sahanaja (Piano), Darian Sahanaja (Keyboards), Darian Sahanaja (Vocals (Background)), Darian Sahanaja (Vibraphone), Nick Walusko (Guitar), Jeffrey Foskett (Guitar), Jeffrey Foskett (Vocals (Background)), Paul Mertens (Clarinet), Paul Mertens (Flute), Paul Mertens (Harmonica), Paul Mertens (Saxophone), Steve Woolard (Project Assistant), Joe Thomas (Keyboards), Sheryl Farber (Project Assistant), Probyn Gregory (Guitar), Probyn Gregory (Trombone), Probyn Gregory (Trumpet), Probyn Gregory (French Horn), Probyn Gregory (Keyboards), Melinda Jean Wilson (Photography), Sandra Jensen (Violin), Margaret Gwynne (Assistant Engineer), Lisa Gray Sall (Project Consultant), Lisa Gray Sall (Marketing Consultant), Amy Farris (Violin), Amy Farris (Viola), Rudolph Stein (Cello)
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