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Geza X

 
Artist: Geza X
  • Genres: Rock
  • Instrument: Engineer, Producer

Biography

Best known for his work as a producer on the L.A. punk scene, Geza X also cut one bizarre solo album that remains a cult item for scene aficionados. Born to Hungarian parents, Geza (his real first name) adopted the "X" moniker in tribute to Malcolm X, and got his first recording studio job in the mid-'70s. He soon moved on to become the soundman at the legendary L.A. punk club the Masque, and spread the word that he was interested in producing. The Germs' Darby Crash tapped him to produce the band's landmark debut single "Lexicon Devil," and from there X went on to helm seminal Cali-punk moments like the Dead Kennedys' "Holiday in Cambodia" and Black Flag's "Six Pack." He also worked with the Weirdos, the Avengers, and new waver Josie Cotton ("Johnny Are You Queer?"), among others, and played as an instrumentalist in both the Bags (a female-fronted group who wore bags over their heads) and the Deadbeats. X started recording his own songs in the early '80s, influenced as much by avant-rock weirdos like Zappa, Beefheart, and the Residents as by punk. His "We Need Power" appeared on the second Rodney on the ROQ compilation, while "Isotope Soap" was included on Jello Biafra's Let Them Eat Jellybeans! sampler. In 1982, X released his only solo album, You Goddam Kids, on the small Final Gear label. It featured a scenester-heavy backing group called the Mommymen, which included contributions from Josie Cotton, X drummer D.J. Bonebrake, keyboardist Paul Roessler (DC3, the Screamers), drummer Brendan Mullen, .45 Grave drummer Don Bolles, and more. X handled guitar, vocals, and studio treatments, and got a chance to indulge his bizarre sense of humor and his love of dissonant experimentalism. As the L.A. punk scene wound down, X left town for a while to work through a drug problem. He returned to action first as an equipment reviewer for Spin magazine, then as a house audio engineer for Paramount. He came back to music in the late '80s, working with mostly local rap and alternative rock artists, and several years later opened his own studio, City Lab, in partnership with Josie Cotton. He produced a variety of records throughout the '90s, ranging from the unlikely major-label debut of Butt Trumpet (1994's Primitive Enema) to "Bitch," the million-selling smash by Meredith Brooks. X later shut down City Lab and moved to a new facility in the hills of Malibu, dubbed Satellite Park, again in tandem with Cotton. In 2002, Bacchus reissued You Goddam Kids on CD. ~ Steve Huey, All Music Guide
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Wikipedia: Geza X
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Geza Gedeon, professionally known as Geza X was a personality in the Los Angeles punk scene in the late 1970s. Geza produced records for a number of early California punk bands including the Dead Kennedys, The Germs, Black Flag, The Avengers and The Weirdos. His productions of "Holiday in Cambodia" for the Dead Kennedys and "Lexicon Devil" for The Germs separated California's punk sound from others at the time with its eccentricity, humor and spunk, making Los Angeles very different than the scenes in New York or London.[citation needed] Record executive Howie Klien, then writing for BAM, a San Francisco music magazine, was quoted as saying "...Geza X is THE ONLY person to capture the West Coast's compelling power and urgency."[attribution needed]

Geza also played guitar, sang, and dealt with most studio issues in his band Geza X and the Mommymen. They released one official single and a full-length album You Goddam Kids! on the minor label Final Gear in 1982. The song "Isotope Soap" was also featured on Jello Biafra's Let Them Eat Jellybeans sampler via Alternative Tentacles, and "We Need More Power" appeared on Posh Boy's Rodney on the ROQ Volume Two. The "Power Pals" fan club was started after the release of the latter song. It was thought that if enough people joined this fan club they would conquer the impossible and obtain telekinetic powers to reshape history.

In the 1990s, X opened a recording studio, City Lab, with Josie Cotton, and recorded acts like Butt Trumpet.[1] He achieved his greatest mainstream success in 1997, when Meredith Brooks' "Bitch", which he produced at City Lab,[2] spent 30 weeks on the Billboard Hot 100, peaking at number two.[3]

Again with Cotton, X designed, built, owns, and operates Satellite Park Recording,[4] in Malibu, California. Satellite Park is the "basement on the hill" Elliott Smith named From a Basement on the Hill after, having done a lot of recording there.[5]

See also

References

  1. ^ Bio at Allmusic
  2. ^ "Isn't It Ironic?", Jerry Crowe, Los Angeles Times, June 11, 1997.
  3. ^ "Bitch" at Billboard.com.
  4. ^ Geza X interview, Sound Bites Dog.
  5. ^ "Elliott Smith: All Things Must Pass", Jonathan Valania, Magnet, January 28, 2005.

External links


 
 

 

Copyrights:

Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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