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Giacomo Serpotta

(b Palermo, 10 March 1656; d Palermo, 27 Feb 1732). Son of (1) Gaspare Serpotta. He was the leading Sicilian sculptor of the late 17th century to the early 18th. Though occupying a central role in the intellectual and artistic life of his day, his real significance derives from the stuccos he produced for the oratories of Palermo, for which he was celebrated in his lifetime. A stay in Rome has been suggested, but this seems unlikely as the Roman elements in even his most mature work, such as the St Monica (c. 1720; Palermo, S Agostino), are derived from prints. His first commission, in 1677, was for the decoration of the small church of the Madonna dell'Istria in Monreale, in collaboration with Procopio de Ferari. The level of execution gives few hints of Giacomo's outstanding future, but two years later he received a much more important commission for work at the oratory of the Compagna della Carit? di S Bartolomeo degli Incurabili in Palermo (destr. 1780). From 1679 to 1680 Giacomo worked on the model for an equestrian statue of Charles II, King of Spain and Sicily; the statue was then cast in bronze by Andrea Romano and Gaspare Romano. This was destroyed in 1848, but a small bronze version survives (Trapani, Mus. Reg.).

Part of the Serpotta family

See the Abbreviations for further details.



 
 
Wikipedia: Giacomo Serpotta

Giacomo Serpotta (10 March 1652- 27 February 1732) was an Italian sculptor, active in a Rococo style and mainly working in stucco.

Serpotta was born and died in Palermo; and may have never left Sicily, which is striking, since he showed a monstrous skill and facility with stucco sculpture, which appears to arise without mentorship or direct exposures to the mainstreams of Italian Baroque. Wittkower describes him as an aberrancy in an otherwise provincial scene, a "meteor in the Sicilian sky".

In 1677, along with Procopio de Ferrari, he decorated the small church of the Madonna dell’Istria in Monreale. His first independent work appears to be in 1682 in connection with an equestrian statue cast of Charles II of Spain and Sicily, which was cast in bronze by Gaspare Romano. The Serpotta family, including his brother (1653-1719) and his son Procopio (1679-1755), was immensely prolific, decorating the Oratory of San Lorenzo (1690/98–1706) with such a profusion of statuary, teeming with putti, that the walls appear to quiver with the movement of a crowd. He completed work also for the Oratory of Santa Cita (1668–1718), the Oratory of Rosario di San Domenico (1710–17), the chapel for the Ospedale di Palermo, the Archbishop's Palace in Santa Chiara, and the Badia Nuova at Alcamo. His work at the oratory of the Compagna della Carità di S Bartolomeo degli Incurabili in Palermo has been lost.

In style, he has a florid elegance that often recalls Antonio Raggi, a slightly older artist who was adept at stucco decoration and active in Rome.

Sources

  • Bruce Boucher (1998). in Thames & Hudson, World of Art: Italian Baroque Sculpture, p184-185. 
  • Wittkower, Rudolf (1993). in Pelican History of Art: Art and Architecture Italy, 1600-1750, 1980, Penguin Books Ltd, pp458-9. 
  • Web Gallery of Art Biography

 
 

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