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giants

 

Stories of men of great stature are found everywhere in legends and traditions of almost every culture in the history of mankind. The presence of these beings of extraordinary height, usually called giants, was traditionally associated with feelings of terror and impotence, their enormous size being closely related to the fear or wonder that they produced. In the West, we find early examples of such stories in the mythology of the classical world and in the Bible. The Titans, for instance, were described as beings of astounding stature and even greater strength who dared to rebel against the Olympian gods. The most clear representative of physical strength, however, has always been associated with the figure of Hercules, whose height was said to be about 7 feet. In the sacred texts, many other allusions can also be found to peoples and races of extraordinary height. The Nephilim were the first people to be referred to by the name of giants in the book of Genesis. Equally interesting, but perhaps more famous, are the cases of Og, king of Basham — whose story is related in the book of Joshua — and Goliath, in the second book of Samuel, who was said to have measured about 10 feet.

Legends like these, and many others, survived in both Eastern and Western traditions. They were compiled in medieval encyclopedias and books of wonders, and extended by the accounts provided by new chronicles or traveller's reports. Apart from being the subject of mythological legends and fairy tales, this phenomenon of inordinate bodily growth has been a clinical problem since the condition of ‘acromegaly’ was first described, and related to enlargement of the pituitary gland, in the nineteenth century. ‘Pituitary gigantism’ is now known to be caused by excessive secretion of growth hormone, starting before the length of the long bones is irrevocably fixed after adolescence. Abnormal growth elsewhere in the body, whether in such rare ‘giants’ or in those who (more commonly) develop the pituitary problem in their maturity, constitutes the condition of acromegaly. The symptoms of this illness are legion, including widespread abnormal growth of tissues and organs, with swelling of the lips and ears, pain in the joints, and impaired vision. As the scholar Helmut Bonheim has shown, many of these symptoms are also found in mythological figures and explain part of the lore of giants in myth and literature. For example, Polyphemus, the cyclops described by Homer, and who was depicted as being of extraordinary stature, could have gained his reputation of being one-eyed as a result of an abnormal growth of his pituitary gland, which, pressing on the optical nerves, may have diminished vision in both eyes or produced blindness in one of them. Bonheim also argues that perhaps the same condition of the giant's sight could have been advantageous to David in defeating Goliath, as some illustrations of this biblical scene seem to confirm. Many other features traditionally associated with giants, like their extraordinary appetite or their bodily deformities, may be explained in terms of the symptoms associated with acromegaly.

From a mere historical point of view, one of the first giants we have an account of was John Middleton, who lived at the end of the sixteenth century and reached a height of 9 feet 3 inches. As in many other similar cases, ‘the childe of Hale’ attracted so much notoriety that he was given audience by King James I. Indeed, from the sixteenth century onwards, many giants attracted the attention of kings and served as janitors, as porters, or as members of their private bodyguard. Specially famous was Oliver Cromwell's giant porter, named Daniel, whose height — of approximately 7 feet 6 inches — is marked by a big ‘O’ in the walls of Windsor Castle. Equally notorious was the army of giants that the king of Prussia, Federick I, stationed in Postdam at the beginning of the eighteenth century, and that became so famous throughout Europe that even the philosopher Voltaire occasionally made reference to it. One of the most celebrated cases of the eighteenth century was that of Charles Byrne, ‘the Irish giant’, who was 8 feet 4 inches tall, and whose skeleton ended up in the Royal College of Surgeons, very likely stolen by the famous anatomist and surgeon John Hunter. At the beginning of the eighteenth century, the Abbé Henrion, a member of the French Academy, taught that, as a consequence of original sin, there had been a progressive reduction of the height of men from the time of Adam until the arrival of Christ. Following his own calculations, Henrion stated that Adam had been 125 feet high, Eve 118, Noah 100, Abraham 28, Moses 13, Alexandre 6, and Julius Caesar 5. Though this idea never gained credibility among the scientific community, it remained quite popular within the Republic of Letters.

During the nineteenth and twentieth centuries, unusually tall persons were exhibited for profit in circuses and freak shows. Given the social and physical barriers they had to encounter during their lives, many of these ‘giants’ were forced to make a career as human oddities. Specially notorious was the case of the American Robert Wadlow who, despite his height of 8 feet 11 inches, tried desperately until the moment of this death in 1940 to be considered neither a freak nor a medical case. He sued the American Medical Association for having cast him as a ‘preacromegalic giant’. Though he lost the case on technicalities, he may legitimately be credited with having been the last ‘giant’ of the twentieth century.

— J. Moscoso

Bibliography

  • Bonheim, H. (1994). The giant in literature and in medical practice. Literature and Medicine, 13, 243-54

See also growth hormone; pituitary gland.

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English Folklore: giants
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The word ‘giant’ has two senses. In the first, it merely refers to a human being considerably larger and stronger than others; in the second, to an alien being who is not only monstrously large but also (usually) malevolent towards humans, and (often) remarkably stupid. In the first sense, several English heroes became ‘giants’ in local folklore, as when King Arthur is alleged to have lifted the capstone of a megalithic tomb at Dorstone, and Robin Hood to have formed two hills when he dropped two sacks of earth he was carrying (both tales are from Herefordshire). Various local heroes too were said to have been abnormally large, for example Piers Shonks of Brent Pelham and the robber Jack o' Legs at Weston (both in Hertfordshire), Little John, and Tom Hickathrift of Wisbech (Cambridgeshire).

The non-human giant has steadily declined through the centuries from a monster to a figure of fun. In Beowulf, Grendel and his mother are bloodthirsty threats to humanity, seriously presented as such by the poet; in medieval romances, however, it has become mere routine for a knight to slay a giant; while in local legends it is claimed that the actions of long-ago giants created certain types of landscape feature, though their plans were generally foiled by their own clumsiness and stupidity. They hurled rocks at churches, but missed; carried stones for building, but dropped them; killed one another in stone-throwing battles, or by accident when tossing tools across a valley. However, the giant Wade and his wife did succeed in building ‘Wade's Causeway’ across Wheeldale Moor (North Yorkshire); it is in fact a Roman road. Legends about giants are particularly common in Cornwall, and have been since medieval times; Geoffrey of Monmouth says Corineus, first human ruler of the region, chose it precisely because wrestling against giants was his favourite sport. Giants and giant-killing were a popular subject for chapbook tales, the best known being Jack the Giant-Killer and Jack and the Beanstalk.

Several of the older hill figures represented giants. The Cerne Abbas Giant and the Long Man of Wilmington still exist, but one Gogmagog at Plymouth and another near Cambridge are lost, as is an anonymous figure which Aubrey says was on Shotover Hill, near Oxford, before the Civil War. On Kingsland Common outside Shrewsbury there was a turfcut maze with a giant's face cut in the centre; at the annual Shrewsbury Show in the 18th and 19th centuries, one sport (called the Shoemakers' Race) was to run the maze and leap on to the giant's eyes (Burne, 1883: 456). This must surely be linked to the well-known local legend of the Welsh giant who set out to bury Shrewsbury under a huge spadeful of earth, but was tricked by a clever cobbler into thinking the town was still many miles away, so that he abandoned his plan, dropping the earth, which formed the Wrekin hill (Burne, 1883: 2-4).

In medieval, Elizabethan, and Jacobean times, effigies of giants were conspicuous in courtly and civic pageants. The London Gogmagog figures and the giants in the Midsummer civic parades at Chester and Coventry are well documented; records of Newcastle-upon-Tyne show frequent payments from the 1550s to the 1590s for the upkeep of ‘Hogmagog’ and his coat, though it is not said on which date this effigy was displayed. At Chester in 1495, there was a whole family group of them: giant, giantess, and two daughters. Such figures were constructed from wood, wicker-work, and buckram, and lavishly dressed and painted; they were carried through the streets by a man hidden under their robes. The original official intention may have been to symbolize savage forces tamed by civilization (as in the Gogmagog legend), but in practice these town effigies were regarded with pride, amusement, and affection. Only one processional giant survives in England (unlike Belgium and France, where there are many); this is the Salisbury Giant, now in the museum there (Cawte, 1978: 29-35; Shortt, 1982).

Bibliography
The full bibliography list is available here.

  • Local legends involving giants can be found in many regional collections; in Briggs, 1970-1; and in Westwood 1985.
  • There is a lively round-up of Cornish tales by Barbara Spooner, ‘The Giants of Cornwall’, Folklore 76 (1965), 16-32.
  • For hill figures, see Marples, 1949: 159-212.
  • For civic processional giants, see F. W. Fairholt, Gog and Magog (1859), 50-63
  • J. Hemingway, The History of Chester (1831), i. 199-206
  • J. J. Anderson (ed.), Records of Early English Drama: Newcastle upon Tyne (1982)
  • Hugh Shortt, The Giant and Hob-Nob (Salisbury Museum, 1982)
  • Cawte, 1978: 29-35
 
 

 

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World of the Body. The Oxford Companion to the Body. Copyright © 2001, 2003 by Oxford University Press. All rights reserved.  Read more
English Folklore. A Dictionary of English Folklore. Copyright © 2000, 2003 by Oxford University Press. All rights reserved.  Read more