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Giovanni Battista Guarini

 
Britannica Concise Encyclopedia: Giovanni Battista Guarini

(born Dec. 10, 1538, Ferrara — died Oct. 7, 1612, Venice) Italian poet. In 1567 he entered the service of Alfonso II, duke of Ferrara, as courtier and diplomat. In 1579 he replaced his friend Torquato Tasso as court poet. With Tasso, he is credited with developing the genre of pastoral drama. Guarini retired in 1582 and wrote his best-known work, The Faithful Shepherd (1590), a pastoral tragicomedy that became one of the most famous and widely translated works of the age.

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Music Encyclopedia: (Giovanni) Battista Guarini
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(b Ferrara, late 1538; d Venice, Oct 1612). Italian poet. From a learned Veronese family, he served several Italian courts, including Ferrara (1579-88). His play Il pastor fido (1589) brought the pastoral vogue to its height; together with his other verses (e.g. Tirsi morir volea) it attracted musical settings by hundreds of composers in the 17th century, among them Wert, Marenzio and Monteverdi.



Wikipedia: Giovanni Battista Guarini
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Battista Guarini
Guarini's Il pastor fido (1590)

Giovanni Battista Guarini (December 10, 1538 – October 7, 1612) was an Italian poet, dramatist, and diplomat.

Contents

Life

He was born in Ferrara, and spent his early life both in Padua and Ferrara, entering the service of Alfonso II d'Este, Duke of Ferrara, in 1567. After 15 years in the service of the Duke, he resigned and withdrew to his family estate, the Villa Guarina, where he wrote his most notable work, Il pastor fido (1590; The Faithful Shepherd, 1647). This play, a pastoral tragicomedy, polished in style, was translated into many languages and became popular during the 17th century. It set the pattern for a code of refinement and gallantry that lasted until the late 18th century.

He was the father of Anna Guarini, one of the famous virtuose singers of the Ferrara court, the three women of the concerto di donne. She was murdered by her husband in 1598, with the assistance of her brother Girolamo.

Work and influence

No poet was more influential on music history in the late Renaissance and Baroque eras than Guarini. His poems were set more often by madrigal composers than the work of any other poet, even Tasso, who came in a close second; the prolific madrigal composer Philippe de Monte even named one of his collections Il pastor fido after Guarini's most famous work. His popularity was due to his providing texts to composers which were rich with possibilities for word-painting and other easy translations of emotion into music. One of his poems, the erotic Tirsi morir volea, recounting the amorous encounter of a shepherd and a nymph, was set to music as a madrigal more often than any other single poem of the entire era.[1]

In addition to his decisive influence on madrigal composers, he was the single largest influence on opera librettists up until the time of Metastasio in the 18th century.

While Guarini's work may be seen as lacking the deep feeling and sentiment of his predecessor at the Estensi court, Torquato Tasso, it was precisely this quality which commended it to musical setting at a time when excessive emotionalism had become unfashionable.

An example of his work would be "O come è gran martire" from Libro Terzo dei Madrigali (1592) by Monteverdi.

Notes

  1. ^ Einstein, Vol. II p. 542

References

  • Alfred Einstein, The Italian Madrigal. Three volumes. Princeton, New Jersey, Princeton University Press, 1949. ISBN 0-691-09112-9

External links


 
 

 

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