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Giulietta Masina

 
Actor: Giulietta Masina
  • Born: Feb 22, 1921 in San Giorgio di Piano, Italy
  • Died: Mar 23, 1994 in Rome, Italy
  • Occupation: Actor
  • Active: '50s-'60s
  • Major Genres: Drama, Comedy Drama
  • Career Highlights: La Strada, Nights of Cabiria, Ginger and Fred
  • First Major Screen Credit: Senza Pietà (1949)

Biography

Best known in conjunction with her work under the direction of husband Federico Fellini, Giulietta Masina was among the most acclaimed international actresses of the postwar era; a skilled, button-eyed comedienne equally capable of delivering poignant, emotionally charged dramatic performances, her accomplishments were often overshadowed by the groundbreaking achievements of her more celebrated spouse. Born February 22, 1921, in San Giorgio di Piano, Italy, Masina initially studied literature but later turned to acting; while attending university in Rome, she joined a drama ensemble and later signed on with the Ateneo Theatre Group. At the same time, Fellini was working as a radio scriptwriter, and based on her photographs, he cast Masina in Cico e Pallina, a series about a newlywed couple. They fell in love while working on the program and were married in 1943. Masina then retired from performing, but returned to the stage several years later.

By the late '40s, Fellini had become a well-known figure within Italian cinematic circles, and his connections helped Masina break into films; after briefly appearing in Roberto Rossellini's 1946 picture Paisà, two years later she starred in Alberto Lattuada's Senza Pieta, a performance which earned her a Silver Ribbon (Italy's most prominent motion-picture award) as Best Supporting Actress. Masina's next performance was in Fellini's 1951 feature debut Luci del Varietà. After appearing with the likes of Vittorio de Sica and Aldo Fabrizi in Cameriera Bella Presenza Offresi..., she reunited with her husband on his 1952 effort Lo Sceicco Bianco. Under Rossellini, Masina next appeared opposite Ingrid Bergman in Europa 51, but her international breakthrough came in the 1954 Fellini classic La Strada; cast as the brutalized lover of a violent circus strongman (Anthony Quinn), her much-acclaimed, star-making performance helped spur the film to a Best Foreign Language Academy Award.

The couple next collaborated on 1955's Il Bidone, followed in 1957 by Le Notti di Cabiria, which won Masina Best Actress honors at Cannes. After 1958's Fortunella, she starred with Anna Magnani in Nella Citta l'Inferno. Julien Duvivier's massive international production La Grande Vie followed in 1959, but when the film failed both financially and critically, Masina's career was irreparably damaged. Apart from a small role in 1963's Landru, her only prominent performance during the first half of the decade came in Fellini's 1965 fantasy Giulietta Degli Spiriti. A cameo in 1967's Scusi, Lei E Favorevole O Contrario? followed, as did a supporting performance in Lina Wertmuller's Non Stuzzicate La Zanzara. In 1969, Masina finally made her English-language debut in the Katherine Hepburn vehicle The Madwoman of Chaillot. Apart from occasional TV work, she did not reappear prior to 1985, starring in Fellini's Ginger e Fred as well as in Perinbaba. Aujourd'hui Peut-Etre... (1991) signalled Masina's final screen appearance; she died on March 23, 1994, less than six months after the passing of Fellini. ~ Jason Ankeny, All Movie Guide
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Giulietta Masina

Giulietta Masina on set of La strada (1954)
Born Giulia Anna Masina
February 22, 1921(1921-02-22)
San Giorgio di Piano, Italy
Died March 23, 1994 (aged 73)
Rome, Italy
Occupation actress
Years active 1948 — 1991
Spouse(s) Federico Fellini (1943 — 1993)

Giulia Anna (Giulietta) Masina (February 22, 1921March 23, 1994) was an Italian film actress. She starred in La strada and Nights of Cabiria, both winners of the Academy Award for Best Foreign Language Film, in 1956 and 1957, respectively. Masina won the Best Actress award at the Cannes Film Festival for the later film.

She was the wife of the Italian film director Federico Fellini, in whom she found an artistic equal and collaborator. Owing to her intense performances of naive characters dealing with cruel circumstances, Masina is often called the "female Chaplin".[1][2][3]

Contents

Early life

Masina was born on February 22, 1921 in San Giorgio di Piano, Bologna. Her parents were Gaetano Masina, a violinist and a music teacher, and Anna Flavia Pasqualin, a schoolteacher. Nonetheless, she spent most of her childhood and adolescence in Rome at the home of a widowed aunt. Masina had three elder siblings: Eugenia, and twins Mario and Maria. She attended the Hermanas Ursulinas school. She graduated in Literature from the Sapienza University of Rome.

Career

Masina turned to acting at university, particularly after 1941. She participated in numerous plays that included singing and dancing as well as acting, all in the Ateneo Theater of her university. In 1942, she joined the Compagnia del Teatro Comico Musicale and played various roles on stage. She was cast by Fellini, who picked her after seeing her photographs, in the radio plays he was writing at the time. By 1943, Masina was gaining notice as a radio actress working beside some popular figures of those years. Her first job was Terziglio, a radio serial written by Fellini. It was about a young married couple and Masina played 'Pallina', the wife. Masina and Fellini fell in love and on October 30, 1943, they were married. Despite distancing herself from live theater, Masina did return to the university stage for some time acting with Marcello Mastroianni. Her last stage appearance was in 1951.

Working together with her husband, whose cinema career had begun to blossom, Masina made the transition to on-screen acting.[4] Half of her Italian films, the most successful ones, were either written or directed by her husband. Masina made her film debut in an uncredited role in Rossellini's Paisà (1946), credit for the script being given to Fellini. She received her first screen credit in Lattuada's Without Pity (1948), which was another adaptation by Fellini and played opposite John Kitzmiller. In 1954, she starred with Anthony Quinn in Fellini's La strada, playing the abused stooge of Quinn's travelling circus strongman. In 1957, she won the Best Actress Award at the Cannes Film Festival for her portrayal of the title role in Fellini's Nights of Cabiria. She played a prostitute who endures life's tragedies and disappointments with both innocence and resilience.

In 1960, Masina's career was damaged by the critical and box office failure of The High Life. Subsequently, she became dedicated almost entirely to her personal life and marriage. Nonetheless, she again worked with Fellini in Juliet of the Spirits (1965), which earned both the New York Film Critics award (1965) and the Golden Globe award (1966) for Best Foreign Language Film. In 1969, Masina did her first work in English in The Madwoman of Chaillot which starred Katharine Hepburn. After almost two decades, during which she worked sporadically only in television, Masina appeared in Fellini's Ginger and Fred (1986). She then rejected outside offers in order to attend to her husband's precarious health. Her last film was Bertucelli's A Day to Remember (1991).

In the late 1960s, Masina hosted a popular radio show, Lettere aperte, in which she addressed correspondence from her listeners. The letters were eventually published in a book. From the 1970s on, she appeared on television. Two of her performances, Eleonora (1973) and Camilla (1976), were particularly successful.

Personal life

Several months after her marriage to Fellini, in 1943, Masina suffered a miscarriage after falling down a flight of stairs. She became pregnant again; Pierfederico (nicknamed Federichino) was born on March 22, 1945, but died just a month later on April 24 owing to respiratory insufficiency. Masina and Fellini did not have another child.

Masina died from lung cancer on March 23, 1994 at the age of seventy-three, five months after her husband's demise on October 31, 1993. They are buried together at Rimini cemetery in a tomb marked by a prow-shaped monument, the work of sculptor Arnaldo Pomodoro.

Awards

Filmography

Notes and references

External links



 
 
Learn More
La Grande Vie (1959 Drama Film)
Ginger and Fred (1986 Comedy Drama Film)
La Strada (1954 Drama Film)

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