gnomon

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('mŏn', -mən) pronunciation
n.
  1. An object, such as the style of a sundial, that projects a shadow used as an indicator.
  2. The geometric figure that remains after a parallelogram has been removed from a similar but larger parallelogram with which it shares a corner.

[Latin gnōmōn, from Greek, interpreter, pointer of a sundial, from gignōskein, to know.]

gnomonic gno·mon'ic or gno·mon'i·cal adj.

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an object that by the length of it shadow indicates the hour of the day
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pronunciation

IN BRIEF: n. - Indicator provided by the stationary arm whose shadow indicates the time on the sundial.

Tutor's tip: This word was used in the 2006 Scripps National Spelling Bee finals.

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The gnomon is the triangular blade in this sundial

The gnomon is the part of a sundial that casts the shadow. Gnomon (γνώμων) is an ancient Greek word meaning "indicator", "one who discerns," or "that which reveals."

It has come to be used for a variety of purposes in mathematics and other fields.

Contents

Uses of the term

A gnomon as in Euclid book II
  • Oenopides used the phrase drawn gnomon-wise to describe a line drawn perpendicular to another.[2]
  • Later, the term was used for an L-shaped instrument like a steel square used to draw right angles.
  • This shape may explain its use to describe a shape formed by cutting a smaller square from a larger one.
  • Euclid extended the term to the plane figure formed by removing a similar parallelogram from a corner of a larger parallelogram.
A gnomon in computer graphics
  • A three dimensional gnomon is commonly used in CAD and computer graphics as an aid to positioning objects in the virtual world. By convention, the X axis direction is colored red, the Y axis green and the Z axis blue.
  • Hero defined a gnomon as that which, added to an entity (number or shape), makes a new entity similar to the starting entity.
  • In this sense Theon of Smyrna used it to describe a number which added to a polygonal number produces the next one of the same type.
  • NASA astronauts used a gnomon as a photographic tool to indicate local horizon and to display a color chart when they were working on the Moon's surface.
The cantilever spar of this cable-stay bridge, the Sundial Bridge at Turtle Bay, forms the gnomon of a large garden sundial
Gnomon situated on the wall of a building facing Tiradentes Square, Curitiba

The Chinese also used the gnomon, mentioned in the 2nd century Nine Chapters on the Mathematical Art as being used much earlier by the Duke of Zhou (11th century BC).

In the northern hemisphere, the shadow-casting edge is normally oriented so that it points north and is parallel to the rotation axis of the Earth. That is, it is inclined to the horizontal at an angle that equals the latitude of the sundial's location. At present, such a gnomon should thus point almost precisely at Polaris, as this is within a degree of the North celestial pole.

On some sundials, the gnomon is vertical. These were usually used in former times for observing the altitude of the Sun, especially when on the meridian. The style is the part of the gnomon that casts the shadow. This can change as the sun moves. For example, the upper west edge of the gnomon might be the style in the morning and the upper east edge might be the style in the afternoon.

The art of constructing a gnomon sundial is sometimes termed gnomonics. One so skilled would be referred to as a gnomonist.

Other uses of the term

Gnomon is the name given to an aesthetic process utilized by James Joyce in his set of short stories Dubliners, whereby there is some absence, removal, or avoidance in each story.

In a recent book Gazalé, Midhat J. coined the term gnomonicity as a synonym for the contemporary idea of Self-similarity both in the increasing and decreasing scale as in fractals.

In popular culture

In the book The Tower at the End of the World by Brad Strickland, a giant tower and thin stairs turn out to be the gnomon of a giant sundial. The island the tower is found on is often called "Gnomon Island".

The Gnomon of Saint-Sulpice inside the church of Saint Sulpice in Paris, France, built to assist in determining the date of Easter, was fictionalized as a "Rose Line" in the novel The Da Vinci Code.[3]

Footnotes

  1. ^ Laertius, Diogenes. "Life of Anaximander".
  2. ^ Heath (1981) pp. 78-79
  3. ^ Sharan Newman, The Real History Behind The Da Vinci Code (Berkley Publishing Group, 2005, p. 268).

References



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