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gong

 
Dictionary: gong   (gông, gŏng) pronunciation
n.
  1. A rimmed metal disk that produces a loud, sonorous tone when struck with a padded mallet.
  2. A usually saucer-shaped bell that is struck with a mechanically operated hammer.
intr.v., gonged, gong·ing, gongs.
To make the sound of a gong.

[Malay.]


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A circular metal percussion instrument, of definite or indefinite pitch. Gongs may be flat, with the rim turned over (‘kettle gong’), or with turned-down rim and central boss (like the gongs of Java and Burma). Most are cast and hammered from an alloy of copper and tin. The gong's primary importance is in south-east Asia but several types are used in the Western orchestra. The most common orchestral gong is large and flat (76 cm or more in diameter), of indefinite pitch, with a shallow lip, and is suspended in a frame to be struck by a heavy beater covered with felt or wool; originally Chinese, it is known as the ‘tam-tam’. Other types may be tuned and played in sets. (For illustration, see Percussion instruments).



 
gong, percussion instrument consisting of a disk, usually with upturned edges, 3 ft (91 cm) or more in diameter in the modern orchestra, often made of bronze, and struck with a felt- or leather-covered mallet or drumstick. Of ancient origin-representations of the gong date back to the 6th cent. A.D.-it has also been called the tam-tam. First used in Western music in the funeral march of Gossec's Mirabeau (1791), the gong has since been a regular member of the European-type orchestra, but it is used sparingly. It is commonly used in East Asian music and in the gamelan music of Bali and Java.


Artist: Gong
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Group Members:

Gilli Smyth, Didier Malherbe, Daevid Allen, Mike Howlett, Tim Blake, Pip Pyle, Pierre Moerlen, Hansford Rowe, Daniel Lalou, Tasmin Smyth, Jorge Pinchevsky, Francis Moze, Benoit Moerlen, Bon Lozaga, Patrice Lemoine, Rachid Houari, Charles Hayward, Miquette Giraudy, Dieter Gewissler, Mino Cinelu, Christian Tritsch, Francois Chausse, Mireille Bauer, Laurie Allen, Darryl Way, Barre Phillips, Pete Lemer, Burton Greene, Allan Holdsworth, Steve Hillage, Bill Bruford

Similar Artists:

Influenced By:

Followers:

Turing Machine, Alan Burant, Bise de Buse, Øresund Space Collective, Icy Demons, Mushroom, Bernard Szajner, Lake, If, Eloy, Picchio dal Pozzo, Ant-Bee

Performed Songs By:

Shyamal "Banana Ananda" Maitra, Francis Moze, Pierre Moerlen, Graham Clark, Didier Malherbe

Formal Connection With:

  • Formed: 1968
  • Genres: Rock
  • Representative Albums: "Pre-Modern Wireless: The Peel Sessions 1971-1974," "Camembert Electrique," "Live Etc."
  • Representative Songs: "You Can't Kill Me," "Castle in the Clouds," "Tropical Fish: Selene"

Biography

Gong slowly came together in the late '60s when Australian guitarist Daevid Allen (ex-Soft Machine) began making music with his wife, singer Gilli Smyth, along with a shifting lineup of supporting musicians. Albums from this period include Magick Brother, Mystic Sister (1969) and the impromptu jam session Bananamoon (1971) featuring Robert Wyatt from the Soft Machine, Gary Wright from Spooky Tooth, and Maggie Bell. A steady lineup featuring Frenchman Didier Malherbe (sax and reeds), Christian Tritsch (bass), and Pip Pyle (drums) along with Allen (glissando guitar, vocals) and Gilli Smyth (space whisper vocals) was officially named Gong and released Camembert Electrique in late 1971, as well as providing the soundtrack to the film Continental Circus and music for the album Obsolete by French poet Dashiel Hedayat.

Camembert Electrique contained the first signs of the band's mythology of the peaceful Planet Gong populated by Radio Gnomes, Pothead Pixies, and Octave Doctors. These characters along with Zero the Hero are the focus of Gong's next three albums, the Radio Gnome Trilogy, consisting of Flying Teapot (1973), Angel's Egg (1974), and You (1975). On these albums, protagonist Zero the Hero is a space traveler from Earth who gets lost and finds the Planet Gong, is taught the ways of that world by the gnomes, pixies, and Octave Doctors and is sent back to Earth to spread the word about this mystical planet. The band themselves adopted nicknames -- Allen was Bert Camembert or the Dingo Virgin, Smyth was Shakti Yoni, Malherbe was Bloomdido Bad de Grasse, Tritsch was the Submarine Captain and Pyle the Heap. Over the course of the trilogy, Tritsch and Pyle left and were replaced by Mike Howlett (bass) and Pierre Moerlen (drums). New members Steve Hillage (guitar) and Tim Blake (synthesizers) joined.

After You, Allen, Hillage, and Smyth left the group due to creative differences as well as fatigue. Guitarist Allen Holdsworth joined and the band drifted into virtuosic if unimaginative jazz fusion. Hillage and Allen each released several solo albums and Smyth formed Mothergong. Nevertheless the trilogy lineup has reunited for a few one-off concerts including a 1977 French concert documented on the excellent Gong Est Mort, Vive Gong album. Allen also reunited with Malherbe and Pyle as well as other musicians he had collaborated with over the years for 1992's Shapeshifter album. Hillage also worked as the ambient-techno alias System 7. A number of Gong-related bands have existed over the years, including Mothergong, Gongzilla, Pierre Moerlin's Gong, NY Gong, Planet Gong, and Gongmaison. During the new millennium Gong material continued to be released, including Live 2 Infinitea issued in fall 2000, as well as numerous reissues. I Am Your Egg appeared in 2006 from United States of Distribution. ~ Jim Powers, All Music Guide
Discography: Gong
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High Above the Subterrania Club 2000

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You Remixed

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Histories and Mysteries of Planet Gong

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World of Daevid Allen and Gong

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Live in Tokyo

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Live in Tokyo

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25th Birthday Party

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Live at the Uncon 2006

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Montserrat 1973 and Other Stories

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Live 2 Infinitea

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Bedrock in Concert

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Second Wind

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Opium for the People

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History and Mystery

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I Am Your Egg

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I Am Your Egg

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Live in Sherwood Forest '75

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Acid Motherhood

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Live in Nagoya

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Full Circle Live 1988

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Family Jewels

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Breakthrough

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Other Side of the Sky: A Collection

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Pentanine

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Sixty Minutes with Gong

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From Here to Eternitea

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Full Circle: Live 1988

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Angel's Egg (Radio Gnome Invisible, Pt. 2) [Japan]

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You (Radio Gnome Invisible, Pt. 3) [Japan]

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Zero to Infinity

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You (Radio Gnome Invisible, Pt. 3) [Virgin Bonus Track]

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Angel's Egg (Radio Gnome Invisible, Pt. 2) [EMI]

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Absolutely the Best of Gong

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OK Friends 2001 Tour

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Arista Years

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Magick Brother [UK]

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Angel's Egg (Radio Gnome Invisible, Pt. 2)/Shamal

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Magick Invocations

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You (Radio Gnome Invisible, Pt. 3) [Charly]

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Live in Nottingham

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History & the Mystery of Gong

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Pre-Modern Wireless: The Peel Sessions 1971-1974

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Live on TV 1990

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Shapeshifter

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Planet Gong

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Mystery and the History of Planet Gong [Magnum/Thunderbolt]

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Wingful of Eyes

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Breakthrough

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Leave It Open

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About Time

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Live

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Downwind

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Time Is the Key

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Expresso II

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Live Etc.

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Floating Anarchy Live 77

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Floating Anarchy Live 77

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Gazeuse!

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Shamal

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You (Radio Gnome Invisible, Pt. 3)

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You (Radio Gnome Invisible, Pt. 3)

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Flying Teapot (Radio Gnome Invisible, Pt. 1)

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Flying Teapot (Radio Gnome Invisible, Pt. 1)

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Angel's Egg (Radio Gnome Invisible, Pt. 2) [Charly]

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Angel's Egg (Radio Gnome Invisible, Pt. 2) [Charly]

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Angel's Egg (Radio Gnome Invisible, Pt. 2) [Virgin]

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Angel's Egg (Radio Gnome Invisible, Pt. 2)

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Camembert Electrique

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Camembert Electrique

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Magick Brother

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Live

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Wikipedia: Gong (band)
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Gong

Gong playing Hyde Park, 29th June 1974
Background information
Origin France
Genres Progressive rock, psychedelic rock, space rock, jazz fusion
Years active 1967–present
Associated acts Pierre Moerlen's Gong
Website Official Website
Members
Daevid Allen
Gilli Smyth
Orlando Allen
Former members
Steve Hillage
Mark Hewins
Mike Howlett
Didier Malherbe
Pip Pyle
Laurie Allan
Christian Tritsch
Tim Blake
Pierre Moerlen
Mireille Bauer
Miquette Giraudy
Shyamal Maitra
Graham Clark
Theo Travis
Gwyo Zepix
Chris Taylor
Kawabata Makoto
Josh Pollock
Gabe Rogasner
Cotton Casino

Gong are a Franco-British progressive/psychedelic rock band formed by Australian musician Daevid Allen. Their music has also been described as space rock. Other notable band members include Allan Holdsworth, Tim Blake, Didier Malherbe, Pip Pyle, Gilli Smyth, Steve Hillage, Mike Howlett and Pierre Moerlen. Others who have, albeit briefly, played in Gong include Bill Bruford, Brian Davison and Chris Cutler.

Contents

History

Early years

Gong formed in 1967, after Allen—then a member of Soft Machine—was denied entry to the United Kingdom because of a visa complication. Allen remained in France where he and a London-born Sorbonne professor, Gilli Smyth, established the first incarnation of the band. This line-up, including Ziska Baum on vocals and Loren Standlee on flute,[1] fragmented during the 1968 student revolution, with Allen and Smyth forced to flee France for Deià in Majorca.

They allegedly found saxophonist Didier Malherbe living in a cave in Deià, before film director Jérôme Laperrousaz invited the band back to France to record the soundtrack of his movie Continental Circus. They were subsequently approached by Jean Karakos of the newly formed independent label BYG and signed a multi-album deal with them (Magick Brother/Mystic Sister, Camembert Electrique and Allen's solo album Bananamoon were all released on BYG).

Gong played at the second Glastonbury Festival in June 1971, (and appear with a side-long track on the 3-LP vinyl festival record release, later re-mixed and re-edited and released by GAS in 2001) which they followed up with a UK tour the following autumn. They were subsequently (late 1972) one of the first acts to sign to Virgin Records, getting first pick of the studio-time ahead of Mike Oldfield. By that time, a regular line-up had established itself and Gong released their Flying Teapot album. After the band signed with Virgin subsidiary Caroline Records, Camembert Electrique was given a belated UK release in late 1974. It was priced at 59p (that is, the price of a typical single rather than an album), ensuring that sufficient numbers were sold for the album to chart had it not been barred from the charts for being so cheap.

Radio Gnome

Between 1973 and 1974, Gong, now augmented by guitarist Steve Hillage, released their best-known work, the "Radio Gnome Trilogy", three records that expounded upon the (previously only hinted at) Gong mythology, Flying Teapot, Angel's Egg, and You. At a gig in Cheltenham, in 1975, Allen refused to go on stage, claiming that a "wall of force" was preventing him, and left the band. With both Smyth, who wanted to spend more time with her two children, and synth player Tim Blake having jumped off in previous months, this marked the end of the 'classic' line-up. The band continued, touring the UK in November 1975 (as documented on the 2005 release Live in Sherwood Forest '75) and working on their next album Shamal, but Hillage, who had been the band's de facto leader since Allen's exit, and his partner Miquette Giraudy, who had taken over from Smyth in late 1974, left before Shamal was released in early 1976. They re-joined the band briefly for a 1977 live reunion in Paris.[1]

Pierre Moerlen's Gong and other off-shoots

Drummer Pierre Moerlen, who had been persuaded by Virgin to rejoin Gong as a co-leader with Malherbe (after his spell with the French contemporary ensemble Les Percussions De Strasbourg) in 1975, gradually took over the band's leadership. When Malherbe, the only remaining founding member, finally left in 1977, Moerlen formed a new percussion-based line-up with American bassist Hansford Rowe and percussionists Mireille Bauer and Benoit Moerlen. To avoid confusion, it became known as Gong-Expresso, and from 1978 on, as Pierre Moerlen's Gong.

Allen, however, continued to develop the Gong mythology from the late seventies up until the nineties in his solo work, and with bands such as Euterpe, Planet Gong (which comprised Allen and Smyth playing with the British festival band Here & Now), and New York Gong (comprising Allen and the musicians who would later become known as Material), while Smyth formed a separate band with Jean-paul Vivini: Mother Gong, playing in Spain and England. Allen delighted in this proliferation of groups and considered his role at this time to be that of an instigator, travelling around the world leaving active Gong-related bands in his wake.

Reunions and Acid Mothers Gong

After spending most of the Eighties in his native Australia, Allen returned to the UK in 1988 with a new project, the Invisible Opera Company of Tibet, whose revolving cast included the likes of Harry Williamson, violinist Graham Clark and Didier Malherbe. This morphed into GongMaison and by 1992, the name Gong was again in use, by which time early drummer Pip Pyle had also rejoined. The band released the album Shapeshifter (subsequently dubbed Radio Gnome part 4), followed by extensive touring. In 1994, Gong celebrated its 25th birthday in London, including a performance by most of the 'classic' line-up, including the returning Gilli Smyth and Mike Howlett. This formed the basic of the "Classic Gong" band which toured worldwide from 1996 to 2001 and released Zero to Infinity in 2000 (by Allen, Smyth, Howlett and Malherbe plus new recruits Theo Travis and Chris Taylor).

However, 2003 saw a radical new line-up called Acid Mothers Gong, including Acid Mothers Temple member Kawabata Makoto and University Of Errors guitarist Josh Pollock. Allen and Smyth's son Orlando Allen drummed on the album Acid Motherhood, but the drummer on most of the band's live dates was Ruins drummer Tatsuya Yoshida.

While the "Classic Gong" line-up retired from regular touring in 2001, there have been one-off reunions since, most notably at the "Gong Family Unconvention" (Uncon), the first of which was held in 2004 in the Glastonbury Assembly rooms as a one day event. The 2005 Uncon was a 2-day affair featuring several Gong-related bands such as Here and Now, System 7, House of Thandoy and Kangaroo Moon. The most recent Uncon was a 3-day event held at the Melkweg in Amsterdam on 3-5 November 2006, with practically all Gong-related bands present: classic Gong (with Allen, Smyth, Malherbe, Hillage, Blake and Howlett, plus Miquette Giraudy, Chris Taylor and Theo Travis), System 7, Steve Hillage Band, Hadouk, Tim Blake & Jean-Philippe Rykiel, University of Errors, Here & Now, Mother Gong, Zorch, Eat Static, Acid Mothers Gong, Slack Baba, Kangaroo Moon and many others. These events have all been compèred by "Thom the Poet (now Thom Moon 10)". More recently in June 2008, Gong played two concerts in London: Queen Elizabeth Hall on the Southbank (opening Massive Attack's Meltdown festival) and the Forum, with Allen, Smyth, Hillage, Giraudy, Howlett, Taylor and Travis among the lineup. Touring in 2009 is planned. They played the Glade stage at Glastonbury Festival with Steve Hillage and Miquette Giraudy. Gong played at the Big Chill festival in the UK between on the 9th August 2009 with Allen, Smyth, Hillage, Giraudy, Howlett, Taylor and Travis in the line up. Also played at the Beautiful Days Festival in Devon, 23rd of August 2009.

Mythology

Flying Teapot (1973): Radio Gnome Trilogy, Part 1

Gong mythology is a collection of recurring characters, themes, and ideas that permeate the rock albums of Daevid Allen and Gong and to a lesser extent the early works of Steve Hillage. The story is based on a vision Allen had during the full moon of Easter, 1966 in which he claims he could see his future laid out before him. The mythology is hinted at through all of Gong's earlier albums but is not the central theme until the "Radio Gnome Trilogy" (1973-1974).

The story begins on the album Flying Teapot (1973) when a pig-farming Egyptologist called Mista T Being is sold a "magick ear ring" by an "antique teapot street vendor & tea label collector" called Fred the Fish. The ear ring is capable of receiving messages from the Planet Gong via a pirate radio station called Radio Gnome Invisible. Being and Fish head off to the hymnalayas of Tibet (sic) where they meet the "great beer yogi" Banana Ananda in a cave. Ananda tends to chant "Banana Nirvana Mañana" a lot and gets drunk on Foster's Australian Lager.

This latter development mirrors the real-life experience of band members Daevid Allen and Gilli Smyth who met their saxophonist, Didier Malherbe, in a cave in Majorca.

Meanwhile, the mythology's central character, Zero the Hero, is going about his everyday life when he suddenly has a vision in Charing Cross Road. He is compelled to seek heroes and starts worshipping the Cock Pot Pixie, one of a number of Pot Head Pixies from the Planet Gong. These pixies are green with propellers on their heads, and they fly around in teapots.

Zero is soon distracted by a cat which he offers his fish and chips to. The cat is actually the Good Witch Yoni, who gives Zero a potion. This concludes the first album of the Radio Gnome Trilogy.

Angel's Egg (1973): Radio Gnome Trilogy, Part 2

The second album Angel's Egg (1973) begins with Zero falling to sleep under the influences of the potion and finding himself floating through space. After accidentally scaring a space pilot called Captain Capricorn, Zero locates the Planet Gong, and spends some time with a prostitute who introduces him to the moon goddess Selene.

Zero's (drug-induced) trip to the Planet Gong continues, and the Pot Head Pixies explain to him how their flying teapots fly (a system known as Glidding). He is then taken to the One Invisible Temple of Gong.

Inside the temple, Zero is shown the Angel's Egg—the physical embodiment of the 32 Octave Doctors (descendants of the Great God Cell). The Angel's Egg is the magic-eye mandala that features on much of the band's sleeve-art. It is also a sort of recycling plant for Pot Head Pixies.

A grand plan is revealed to Zero. There will be a Great Melting Feast of Freeks which Zero must organize on Earth. When everyone is enjoying the Feast, a huge global concert, the Switch Doctor (the Earth's resident Octave Doctor, who lives near Banana Ananda's cave, in a "potheadquarters" called the Invisible Opera Company of Tibet (C.O.I.T.) and transmits all the details to the Gong Band via Bananamoon Observatory) will turn everybody's third eye on, ushering in a New Age on Earth.

You (1974): Radio Gnome Trilogy, Part 3

In the third installment You (1974), Zero must first return from his trip. He asks Hiram the Master Builder how to structure his vision and build his own Invisible Temple. Having done this, Zero establishes that he must organize the Great Melting Feast of Freeks on the Isle of Everywhere, Bali.

The event is going well, and the Switch Doctor switches on everyone's third eyes except for Zero's. For Zero is out the back, indulging in Earthly pleasures (fruitcake).

Zero has missed out on the whole third eye revelation experience and is forced to continue his existence spinning around on the wheel of births and deaths and slowly converging on the Angel's Egg in a way which, to a certain extent, resembles Buddhist reincarnation.

Continuations

In episode four in the album Shapeshifter (1992), Zero meets an urban shaman who agrees to take Zero to the next level of awareness on the proviso that Zero spends nine months on an aeroplane travelling where he wants but not using money or eating anything other than airline food. Zero eventually dies in Australia under mysterious circumstances.

The last installment in the album Zero to Infinity (2000) sees Zero's spirit enjoying a body-free and virtual existence. During the course of this he becomes an android spheroid Zeroid. With the help of a strange animal called a gongalope, he learns that all the wisdom of the world exists within him and practices Lafta yoga and tea making. At the end he becomes one with an Invisible Temple and has a lot of fun.

Gong's mythology is not universally serious. Great amounts of the story pertain in some way to the production and consumption of tea (perhaps suggesting mushroom tea however, the word tea has also for long been a word to describe cannabis, especially in the 1940s and 1950s). The characters of the story are often based on or used as pseudonyms for band members.

Discography

Studio albums

Mother Gong albums

  • 1979: Fairy Tales
  • 1981: Robot Woman
  • 1982: Robot Woman 2
  • 1986: Robot Woman 3
  • 1988: Fish In The Sky
  • 1990: The Owl And The Tree (with Daevid Allen)
  • 1991: Wild Child
  • 1993: She Made The World Magenta
  • 1994: Eye
  • 1994: Tree In Fish
  • 2005: I Am Your Egg

Pierre Moerlen's Gong

Live albums and compilations

References

Further reading

External links


Translations: Gong
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Dansk (Danish)
n. - gonggong
v. intr. - slå på en gonggong

Nederlands (Dutch)
gong, (schotelvormige) bel, medaille, oproepen d.m.v. gongslag

Français (French)
n. - gong, cloche, (GB) médaille, (US) pipe à opium
v. intr. - sonner le gong

Deutsch (German)
n. - Gong, (Slang) Orden
v. - gongen

Ελληνική (Greek)
n. - γκονγκ (είδος κυμβάλου ή μεταλλικού σημάντρου)
v. - χτυπώ το γκονγκ

Italiano (Italian)
gong

Português (Portuguese)
n. - gongo (m), campainha (f) de alarme
v. - soar um gongo, intimar motorista a parar soando um gongo (Polícia)

Русский (Russian)
гонг

Español (Spanish)
n. - batintín, gongo, medalla, condecoración, gong
v. intr. - sonar como un gong

Svenska (Swedish)
n. - gonggong, gong (mus.), medalj (mil. sl.)
v. - stoppa (vard. om polis)

中文(简体)(Chinese (Simplified))
铜锣, 盘形钟, 鸣锣, 发出像锣般的声音, 铃响

中文(繁體)(Chinese (Traditional))
n. - 銅鑼, 盤形鍾
v. intr. - 鳴鑼, 發出像鑼般的聲音, 鈴響

한국어 (Korean)
n. - 종, 징, 메달, 훈장
v. intr. - (경찰이) 공을 울려 정차를 지시하다

日本語 (Japanese)
n. - ゴング

العربيه (Arabic)
‏(الاسم) جرس, , ميداليه (فعل) يقرع او يدق الجرس,‏

עברית (Hebrew)
n. - ‮מדליה, עיטור, מקוש, גונג‬
v. intr. - ‮קרא או הזמין באמצעות גונג‬


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