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Graham Haynes

 
Artist: Graham Haynes
Graham Haynes

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Worked With:

Robert Musso, Lonnie Plaxico, Rod Williams, Bill Laswell, Marvin "Smitty" Smith, Kevin Bruce Harris, James Weidman, Daniel Moreno, Rodney Kendrick, Ed Blackwell

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  • Born: 1960 09, Queens, New York, NY
  • Active: '90s, 2000s
  • Genres: Jazz
  • Instrument: Cornet
  • Representative Albums: "Full Circle", "But You Can't, Can You?", "Austere Geometry
  • Representative Songs: "Inn a Most", "Variation No. 2", "Variations on a Theme by Wagner

Biography

The son of drummer Roy Haynes, Graham Haynes grew up around jazz musicians; his Hollis, Queens, neighborhood was also home to Roy Eldridge, Milt Jackson, and Jaki Byard. The younger Haynes played in the same high-school band as bassist Marcus Miller. In 1982, he began an association with saxophonist Steve Coleman; he played on the latter's 1985 debut recording, Motherland Pulse, an album that also featured a young Geri Allen. Haynes' work occasionally hints at an experimental nature, but too often he's apt to place his Miles-ian cornet in static, synthesized funk-oriented contexts that do not enhance or augment the essential lyricism of his work. Haynes is obviously attracted to various world music traditions on records like 1994's The Griot's Footsteps. ~ Chris Kelsey, All Music Guide
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Wikipedia: Graham Haynes
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Graham Haynes (born 16 September 1960 in Brooklyn, New York) is an American cornetist, trumpeter and composer, the son of jazz drummer Roy Haynes. [1]

With aspirations to push jazz beyond its traditional boundaries, Graham Haynes' first foray into electronic music came in 1979 upon meeting alto saxophonist Steve Coleman. Together, they formed a band called Five Elements, which launched an influential group of improvisers called M-Base Collective. After the formation of his own ensemble - Graham Haynes and No Image - and the subsequent release of an album (What Time It Be?), Haynes would spend the balance of the 1980s studying a wide range of African, Arabic and South Asian Music. After a move to France in 1990, Haynes incorporated these far-off influences into his next two releases - Nocturne Parisian and Griot's Footsteps.

Haynes returned to New York City in 1993 to take advantage of the flourishing Hip-Hop scene; and the resulting album was the sample heavy Transition. After the release of yet another hybridized album - 1996's Tones For The 21st Century - Haynes discovered drum 'n' bass and began working with some of the genres finest DJs and producers in London and the U.S. This manifested in the release of 2000s BPM, a fusion of drum n' bass beats with the classical music of Richard Wagner.

Over the years, Haynes has kept busy with several critically acclaimed multimedia projects, composed the score for films Flag Wars and The Promise, and lectured at New York University, while receiving two nominations for the prestigious Alpert Award For The Arts. He has collaborated with artists such as Roy Haynes, Cassandra Wilson, Vernon Reid, Meshell Ndegeocello, The Roots, David Murray, George Adams, Ed Blackwell, Bill Laswell, and Steve Williamson.

His last CD, Full Circle, was released in 2007.

Discography

  • What Time It Be (Muse)
  • Nocturne Parisian (Muse)
  • Griot's Footsteps (Antilles/Verve)
  • Transitions (Polygram/Antilles)
  • Tones For The 21st Century (Polygram/Verve)
  • Organik Mechanix (ION)
  • BPM (Knitting Factory)
  • Full Circle (RKM)

References


 
 
Learn More
Rod Williams (Jazz Artist, '80s, '90s)
What Time It Be! (1990 Album by Graham Hanyes & No Image)
Phantasies, Vol. 2 (1991 Album by Jaki Byard & The Apollo Stompers)

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