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Guitar

 
Album Review: Guitar

  • Artist: Frank Zappa
  • Rating: StarStarStarStar
  • Release Date: 1988 04
  • Total Time: 131:38
  • Type: Live
  • Genre: Rock

Review

Released in 1988, Guitar may be the most important and ironically one of the least-known entries in Frank Zappa's voluminous discography -- which spans over seven-dozen LPs as of this writing. His proficiencies as a composer and instrumentalist have long been lauded. However, anthologies of this nature provide an outlet for the remarkable breadth and depth of Zappa's manual dexterity and improvisational scope, which can now be enjoyed on a myriad of levels. The casual enthusiast can revel in the seemingly endless personas and sounds summoned from the soloist and band alike. Devotees of the artist and/or instrument are presented with example upon example of Zappa's ability to create masterworks on the fly and often in the context of larger pieces. For example, "Which One Is It?" is an extraction from "The Black Page" in Munich, Germany, on June 26, 1982. Compare it to the likes of "Move It or Park It," which was likewise lifted from "The Black Page" two weeks earlier in Frankfurt, Germany, on June 11, 1982. Caveat emptor to those following the liner notes, as they are wrought with inaccurate dates. Interestingly, whenGuitar was prepped for CD, several of the mixes were altered. So, the original two-LP set -- despite containing 13 fewer cuts -- is preferred by some. That minutia aside, simply listening to Zappa as a primary player is always a treat for inclined parties and there are a few exceptional selections scattered throughout. "For Duane" -- a nod to fellow stringman Duane Allman -- is made all the more poignant for having been played before a (kinda) hometown crowd in Atlanta, GA, November 25, 1984. Other standouts include a pair of Joe's Garage-related cuts: "Outside Now" -- dating back to March of 1979 -- and the emotional immediacy infused into "Watermelon in Easter Hay," the latter taken from a Jones Beach show on August 16, 1984. On the whole, Guitar joins the Shut Up 'N Play Yer Guitar trilogy as a key component in unraveling the endless enigma of Frank Zappa as a major fretmeister. ~ Lindsay Planer, All Music Guide

Tracks



CD 1

Track TitleComposersPerformersTime
Sexual Harassment in the Workplace Frank Zappa Frank Zappa (3:43)
Which One Is It? Frank Zappa Frank Zappa (3:04)
Republicans Frank Zappa Frank Zappa (5:07)
Do Not Pass Go Frank Zappa Frank Zappa (3:37)
Chalk Pie Frank Zappa Frank Zappa (4:52)
In-A-Gadda-Stravinsky Frank Zappa Frank Zappa (2:49)
That's Not Really Reggae Frank Zappa Frank Zappa (3:16)
When No One Was No One Frank Zappa Frank Zappa (4:49)
Once Again, Without the Net Frank Zappa Frank Zappa (3:43)
Outside Now [Original Solo] Frank Zappa Frank Zappa (5:28)
Jim & Tammy's Upper Room Frank Zappa Frank Zappa (3:11)
Were We Ever Really Safe in San Antonio? Frank Zappa Frank Zappa (2:49)
That Ol' G Minor Thing Again Frank Zappa Frank Zappa (5:02)
Hotel Atlanta Incidentals Frank Zappa Frank Zappa (2:44)
That's Not Really a Shuffle Frank Zappa Frank Zappa (4:24)
Move It or Park It Frank Zappa Frank Zappa (5:43)
Sunrise Redeemer Frank Zappa Frank Zappa (4:00)


CD 2

Track TitleComposersPerformersTime
Variations on Sinister #3 Frank Zappa Frank Zappa (5:16)
Orrin Hatch on Skis Frank Zappa Frank Zappa (2:12)
But Who Was Fulcanelli? Frank Zappa Frank Zappa (2:48)
For Duane Frank Zappa Frank Zappa (3:24)
Goa Frank Zappa Frank Zappa (4:51)
Winos Do Not March Frank Zappa Frank Zappa (3:14)
Swans? What Swans? Frank Zappa Frank Zappa (4:23)
Too Ugly for Show Business Frank Zappa Frank Zappa (4:20)
Systems of Edges Frank Zappa Frank Zappa (5:32)
Do Not Try This at Home Frank Zappa Frank Zappa (3:50)
Things That Look Like Meat Frank Zappa Frank Zappa (6:54)
Watermelon in Easter Hay Frank Zappa Frank Zappa (4:02)
Canadian Customs Frank Zappa Frank Zappa (3:35)
Is That All There Is? Frank Zappa Frank Zappa (4:08)
It Ain't Necessarily the Saint James Infirmary Ira Gershwin, DuBose Heyward, Joe Primrose, Irving Mills, Frank Zappa, George Gershwin Frank Zappa (5:15)

Credits

Bob Stone (Engineer), Frank Zappa (?), Arthur Barrow (Bass), Ed Mann (Percussion), Frank Zappa (Vocals), Jeffery Fey (Graphic Design), Steve Vai (Guitar), Allan Zavod (Keyboards), Sergio Albonico (Photography), Scott Thunes (Synthesizer), Ike Willis (Guitar), Frank Zappa (Guitar), Claus Wiedemann (Engineer), Frank Zappa (Arranger), Ray White (Guitar (Rhythm)), Denny Walley (Guitar), Bobby Martin (Saxophone), Scott Thunes (Vocals), Frank Zappa (Producer), Ike Willis (Vocals), Warren Cuccurullo (Guitar (Rhythm)), Bernie Grundman (Mastering), Frank Zappa (Keyboards), Vinnie Colaiuta (Drums), Bobby Martin (Vocals), Arthur Barrow (?), Bobby Martin (Keyboards), Frank Zappa (Editing), Chad Wackerman (Drums), Ray White (Guitar), Tommy Mars (Keyboards), Bobby Martin (Vocals), Bobby Martin (Keyboards), Mark Pinske (Engineer), Peter Wolf (Keyboards), Denny Walley (Slide Guitar), Tommy Mars (Vocals), Ike Willis (Guitar (Rhythm)), Scott Thunes (Bass), Bob Stone (Remixing), Chad Wackerman (Vocals)
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Wikipedia: Guitar (album)
Top
Guitar
Live album by Frank Zappa
Released April 26, 1988
May 2, 1995
Recorded March 31, 1979 – December 18, 1984
Genre Instrumental rock, hard rock
Length 80:58 (vinyl)
131:38 (reissue)
Label Barking Pumpkin Records
Capitol Records
Producer Frank Zappa
Professional reviews
Frank Zappa chronology
London Symphony Orchestra, Vol. 2
(1987)
Guitar
(1988)
You Can't Do That on Stage Anymore, Vol. 1
(1988)

Guitar is a 1988 album by Frank Zappa. It is assumably the follow-up to 1981's Shut Up 'n Play Yer Guitar; like that album it features Zappa's guitar solos excerpted from live performances, recorded between 1979 and 1984. It garnered Zappa his 6th Grammy nomination for "Best Rock Instrumental Performance".[1]

Guitar was originally intended to be a 3-record box set (like Shut Up 'n Play Yer Guitar), but Zappa decided, with this release, to start using compact discs as his primary media rather than records. As such, it was Zappa's first album to be released simultaneously on vinyl and CD. The double CD, released on Rykodisc in the US and Zappa Records in Europe, contained all 32 tracks while the double LP was pared down to 19 tracks and released on Zappa's Barking Pumpkin label .

Aside from "Watermelon in Easter Hay" and the opener "Sexual Harassment in the Workplace", all tracks were derived from performances of other songs, as on Shut Up 'n Play Your Guitar. Solos were taken here from "The Black Page", "Let's Move to Cleveland", "Drowning Witch", "Zoot Allures", "Whipping Post", "City of Tiny Lites", "Advance Romance", "Hot-Plate Heaven at the Green Hotel", "King Kong", "Easy Meat", "Ride My Face to Chicago", "Sharleena", "A Pound for a Brown on the Bus", and "Inca Roads".

Track names, though ostensibly unrelated to the actual compositions, make many references to popular culture and world history. "Do Not Pass Go" refers to the Monopoly phrase that appears to prevent players from collecting a monetary bonus; "Jim & Tammy's Upper Room" recalls televangelists Jim Bakker and his wife Tammy Faye Messner; "Were We Ever Really Safe in San Antonio?", "Sunrise Redeemer" and "Hotel Atlanta Incidentals" are references to the locations of the venues in which the pieces were played; "Move It or Park It" is a colloquialism that could express frustration with an apprehensive driver of a motor vehicle; "Orrin Hatch on Skis" refers to Utah Republican Senator Orrin Hatch; "But Who Was Fulcanelli?" refers to an alias apparently used by a 19th century French alchemist and author; "For Duane", one of Zappa's many readings of "Whipping Post", references Duane Allman; "GOA" is unclear in its reference, and knowledge of the title's origin likely died with the composer; "Do Not Try This at Home" refers to the disclaimer often associated with dangerous or risky feats on television or video.

"Chalk Pie" was Zappa's planned title for a 1982 release of which its tracks eventually appeared on Ship Arriving Too Late to Save a Drowning Witch and The Man from Utopia.[2]

"In-A-Gadda-Stravinsky" refers both to Iron Butterfly's "In-A-Gadda-Da-Vida" and 20th century composer Igor Stravinsky, one of Zappa's influences. During the piece, bassist Scott Thunes plays the well-known motif from "In-A-Gadda-Da-Vida", while Zappa plays a line from Stravinsky's The Rite of Spring. "Taps" is also quoted by Thunes.[3]

"Variations on Sinister #3", though derived from a version of "Easy Meat", gained its name from the interpolation of themes from "Theme from the 3rd Movement of Sinister Footwear" from You Are What You Is.

"Canadian Customs" almost certainly refers to the Canada Border Services Agency. Zappa is said to have experienced problems with the CBSA and created a routine around them with Napoleon Murphy Brock and André Lewis circa 1975.[4]

"It Ain't Necessarily the Saint James Infirmary" is a portmanteau of "It Ain't Necessarily So", written by George and Ira Gershwin with libretto by DuBose Heyward for Porgy and Bess and "St. James Infirmary Blues", a composition with no officially recorded writer, famously recorded by Louis Armstrong and later by Cab Calloway. Guitar credits the latter to Joe Primrose, but the song's author is unverified. Both songs are quoted on the track.[5]

The Real Frank Zappa Book, Zappa's autobiography, contains the following statement, which most likely accounts for the track name "Winos Do Not March":[6][7]

I have a theory about beer: Consumption of it leads to pseudo-military behavior. Think about it-winos don't march.

Longer edits of "But Who Was Fulcanelli?" and "For Duane" and a shorter edit of "Things That Look Like Meat" appear on the 1987 compilation The Guitar World According to Frank Zappa. One of its tracks, "A Solo from Heidelberg", derived from "Yo' Mama", was originally intended to appear on Guitar.[citation needed]

Similar albums: Shut Up 'n Play Yer Guitar, Trance-Fusion, Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute, The Guitar World According to Frank Zappa.

Contents

Track listing

All tracks composed by Frank Zappa, except where noted.

Disc one

  1. "Sexual Harassment in the Workplace" – 3:42 (1981-12-12)
  2. "Which One Is It?" – 3:04 (1982-06-26)
  3. "Republicans" – 5:07
  4. "Do Not Pass Go" – 3:36
  5. "Chalk Pie" – 4:51 (1981-12-07)
  6. "In-A-Gadda-Stravinsky" – 2:50 (1984-11-25)
  7. "That's Not Really Reggae" – 3:17
  8. "When No One Was No One" – 4:48
  9. "Once Again, without the Net" – 3:43
  10. "Outside Now (Original Solo)" – 5:28
  11. "Jim & Tammy's Upper Room" – 3:11
  12. "Were We Ever Really Safe in San Antonio?" – 2:49
  13. "That Ol' G Minor Thing Again" – 5:02
  14. "Hotel Atlanta Incidentals" – 2:44 (1984-11-25)
  15. "That's Not Really a Shuffle" – 4:23 (1982-05-11)
  16. "Move It or Park It" – 5:43
  17. "Sunrise Redeemer" – 3:58

Disc two

  1. "Variations on Sinister #3" – 5:15 (1984-08-11)
  2. "Orrin Hatch on Skis" – 2:12 (1984-11-30)
  3. "But Who Was Fulcanelli?" – 2:48
  4. "For Duane" – 3:24
  5. "GOA" – 4:51
  6. "Winos Do Not March" – 3:14
  7. "Swans? What Swans?" – 4:23 (1981-12-12)
  8. "Too Ugly for Show Business" – 4:20 (1981-12-10)
  9. "Systems of Edges" – 5:32
  10. "Do Not Try This at Home" – 3:46 (1982-07-07)
  11. "Things That Look Like Meat" – 6:57
  12. "Watermelon in Easter Hay" – 4:02
  13. "Canadian Customs" – 3:34 (1984-12-18)
  14. "Is That All There Is?" – 4:09 (1982-05-22)
  15. "It Ain't Necessarily the Saint James Infirmary" (Gershwin, Gershwin, Heyward, Primrose) – 5:15 (1982-07-08)

Vinyl version

Side one

  1. "Sexual Harassment in the Workplace" – 3:42 (1981-12-12)[8]
  2. "Republicans" – 5:08 (1984-11-10)
  3. "Do Not Pass Go" – 3:37 (1982-06-19)
  4. "That's Not Really Reggae" – 3:17 (1984-09-25)
  5. "When No One Was No One" – 4:41 (1982-05-21)

Side two

  1. "Once Again, without the Net" – 3:58 (1984-12-20)
  2. "Outside Now (Original Solo)" – 5:29 (1979-03-31)
  3. "Jim & Tammy's Upper Room" – 3:11 (1982-06-01)
  4. "Were We Ever Really Safe in San Antonio?" – 2:50 (1984-12-10)
  5. "That Ol' G Minor Thing Again" – 4:39 (1982-06-24)

Side three

  1. "Move It or Park It" – 5:43 (1982-06-11)
  2. "Sunrise Redeemer" – 3:53 (1984-11-30)
  3. "But Who Was Fulcanelli?" – 2:58 (1982-05-21)
  4. "For Duane" – 3:25 (1984-11-25)
  5. "GOA" – 4:46 (1984-11-23)

Side four

  1. "Winos Do Not March" – 3:14 (1984-12-04)
  2. "Systems of Edges" – 5:32 (1979-03-27)
  3. "Things That Look Like Meat" – 6:55 (1981-12-07)
  4. "Watermelon in Easter Hay" – 4:00 (1984-08-16)


Personnel

References

External links

See also


 
 
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Guitar (album)" Read more