Representative Albums: "Super Tasty," "Special Kiss," "Revolution on Ice"
Representative Songs: "Upsetters Theme Song," "The Damage Done," "Thunder"
Biography
Gumball were the highest-profile occupation of indie gadabout Don Fleming, already a veteran of several bands, a guest collaborator for many more, and a significant producer who -- ironically -- helped shepherd alternative rock into its major-label boom years. As Gumball's singer, guitarist, and primary songwriter, Fleming's record-collector obsession with pop culture and pop music, from the Monkees to the Damned to Sonic Youth, reached full fruition. Snatches of '60s guitar riffs sat next to '80s guitar noise, and '70s punk rubbed shoulders with '70s schlock metal; all of it proved his knack for treating the worst pop music as serious rock, while dirtying respectable indie sonic tricks with (true to the band's name) sugary-sweet bubblegum pop. Gumball enjoyed a two-album stay on major label Columbia, and earned some notoriety as owners of perhaps the largest collection of eight-track tapes in the country. However, they never broke through to a wider audience, and Fleming returned to his myriad other pursuits.
Prior to forming Gumball in 1990, Fleming had been a member of the Washington, D.C.-based Velvet Monkeys, where he first worked with Gumball drummer Jay Spiegel. Following the Velvet Monkeys' initial breakup in the mid-'80s, Fleming and Spiegel played behind Jad Fair in Half Japanese on a semiregular basis, and wound up relocating to New York City. There they fell in with producer/Shimmy Disc label head Kramer, who joined them on bass to form B.A.L.L., a unit specializing in ironic deconstructions of classic rock numbers. After several albums, B.A.L.L. fell victim to a contentious breakup in 1990, and Fleming and Spiegel put together a one-off, all-star version of the Velvet Monkeys that included Dinosaur Jr.'s J Mascis, Sonic Youth's Thurston Moore, and Pussy Galore's Julia Cafritz. That same year, Fleming and Spiegel formed the more permanent, straightforward Gumball with bassist Eric Vermillion.
While working on their debut LP, Gumball issued a self-titled, four-song preview EP on the British label Paperhouse. Their proper debut, the full-length Special Kiss, was released in 1991 on the indie Primo Scree and featured guest appearances by Thurston Moore and Teenage Fanclub. It was followed by a U.K.-only EP, Light Shines Through, which featured several new songs. By this time, Fleming had already produced notable major-label debuts by Teenage Fanclub (Bandwagonesque), Sonic Youth (Goo), and Dinosaur Jr. (Green Mind), and a major-label deal for Gumball was not long in the offing. In 1992, Columbia released the covers EP Wisconsin Hayride as a teaser for Gumball's label debut; it featured material from far-ranging sources like Foetus, Black Flag, the Damned, the Small Faces, and the Mahavishnu Orchestra.
Produced by Butch Vig, the full-length Super Tasty arrived in 1993 to mostly positive reviews. The single "The Damage Done" had some success on alternative radio, but despite some definite polish and commercial potential, Super Tasty never quite broke through to a wide audience. In the meantime, Fleming's profile as a producer continued to grow, thanks to work on albums like the Screaming Trees' Sweet Oblivion, the Posies' Frosting on the Beater, and even Alice Cooper's The Last Temptation. In the meantime, keyboardist Malcolm Riviera -- a member of the original Velvet Monkeys lineup -- officially joined Gumball. The band's second major-label album, Revolution on Ice, was released in 1994, and many of its songs showed Fleming's conflicted feelings about the rock underground having been so quickly absorbed by the music industry's corporate mainstream. Unsurprisingly, Gumball disbanded not long afterward. Fleming released the occasional solo project and continued his production career, though on a more sporadic basis than his early-'90s heyday. ~ Steve Huey & Stephen Thomas Erlwine, All Music Guide
Gumball was an American rock band formed in New York City in 1990. The original lineup consisted of Don Fleming (vocals and guitar), Eric Vermillion (vocals, bass), and Jay Spiegel (drums). In 1992, a fourth member was added, Malcolm Riviera (guitar, keyboards) who had previously played with Fleming and Spiegel in the Velvet Monkeys.
After Fleming and Spiegel's group B.A.L.L. broke up in 1990, the duo briefly joined Dinosaur Jr. and released one single on the Sup Pop label. The two left Dinosaur Jr. shortly after the release of the single. Eric Vermillion, a bass player from Pittsburgh, had recently left The Stump Wizards and was approached by his friend Jay Spiegel about playing with the two. After less than a week's rehearsal, the new trio played its first show and Gumball was born.
The fall of 1990 found Gumball in the studio, and their first release came our shortly thereafter on the Paperhouse/Sire label in England. The release was a 12 inch EP with the songs All the Time/Yellow Pants/Gettysburg.
Gumball soon found itself with a record deal with NYC's Caroline Records. They recorded and released the album Special Kiss and embarked on a tour with Mudhoney, Sonic Youth, and other similar American indie bands of the early 1990s.
In 1991, Gumball was approached by Columbia Records A&R man Jim Dunbar about signing to the label for a two-album contract. Soon thereafter, the deal was signed and Gumball immediately re-entered the studio and began recording their major label debut, Super Tasty. The sessions were done in Wisconsin with producer Butch Vig, who later engineered Nirvana's major label debut Nevermind.
Although Gumball recorded Super Tasty as a trio, fourth member (and long time musical associate) Malcolm Riviera joined the band shortly after the album's release. The foursome began rehearsing and in early 1993 toured in support of the album.
After a tour of the U.S., Europe, and Japan, Gumball returned to the studio in the fall of 1993 to record their second album for Columbia, Revolution on Ice. The album was released by Columbia/Sony in 1994 and the band toured in support of it throughout that year.
Columbia exercised its option to drop Gumball from its roster after disappointing sales from Revolution on Ice. The band released a live CD on their own label in late 1994 called Tokyo Encore, but by early 1995 the band had decided to call it quits rather than begin shopping for another label.