Share on Facebook Share on Twitter Email
Answers.com

Hairspray

 
 

Hairspray (2002), a musical comedy by Mark O'Donnell, Thomas Meehan (book), Marc Shaiman (music, lyrics), Scott Wittman (lyrics). [ Neil Simon Theatre, still running; NYDCC, Tony Awards.] Hefty teenager Tracy Turnblad (Marissa Jaret Winokur) lives in Baltimore in 1962 and dreams of appearing on the Corny Collins dance show on local television. When the program sponsors an open contest for Miss Teenage Hairspray, Tracy enters and, with the reluctant help of her mother, the overabundant Edna (Harvey Fierstein), protests the exclusion of “Negroes” from the competition. Tracy ends up winning the crown and striking a blow for desegregation. Notable songs: Good Morning, Baltimore; Welcome to the 60's; Mama, I'm a Big Girl Now; You Can't Stop the Beat. Based on the 1988 cult film, this cartoonish fable captured the musical sound of the era, and a strong cast, under the direction of Jack O'Brien, turned the cliché‐ridden tale into a joyous celebration.

Search unanswered questions...
Enter a word or phrase...
All Community Q&A Reference topics
 
Wikipedia: Hairspray (musical)
Top
Hairspray
Logo for Hairspray
Music Marc Shaiman
Lyrics Scott Wittman
Marc Shaiman
Book Mark O'Donnell
Thomas Meehan
Basis 1988 film Hairspray
Productions 2002 Broadway
2003 U.S. Tour
2005 Toronto
2006 Las Vegas mini-version
2007 West End
International productions
Awards Tony Award Best Musical
Tony Award Best Book
Tony Award Best Score
Drama Desk Outstanding Musical
Drama Desk Outstanding Book
Drama Desk Outstanding Music Laurence Olivier Award for Best New Musical

Hairspray is a musical with music by Marc Shaiman, lyrics by Scott Wittman and Shaiman and a book by Mark O'Donnell and Thomas Meehan, based on the 1988 John Waters film Hairspray. The songs include 1960s-style dance music and "downtown" rhythm and blues. In 1962 Baltimore, Maryland, plump teenager Tracy Turnblad's dream is to dance on The Corny Collins Show, a local TV dance program based on the real-life Buddy Deane Show.[1] When Tracy wins a role on the show, she becomes a celebrity overnight. She then launches a campaign to integrate the show. Hairspray is a social commentary on the injustices of parts of American society in the 1960s.

The musical's original Broadway production opened on August 15, 2002[2] and won eight Tony Awards out of thirteen nominations. It ran for over 2,500 performances and closed on January 4, 2009.[3] Hairspray has also had U.S. national tours, a London West End production and numerous foreign productions and was adapted for a 2007 musical film. The London production was nominated for a record-setting eleven Laurence Olivier Awards, winning for Best New Musical and in three other categories.

Contents

Background

According to interviews included as an extra feature on the 2007 film's DVD release, theatre producer Margo Lion first conceived of Hairspray as a stage musical in 1998 after seeing a television broadcast of the original film. She contacted John Waters, who gave her his blessing, then acquired the rights from New Line Cinema. Lion contacted Marc Shaiman, who expressed interest in the project only if his partner Scott Wittman could be included, and Lion agreed. The two submitted three songs – one of which, "Good Morning Baltimore," eventually became the show's opening number. Based on their initial work, Lion was confident that she had hired the right team.[4]

Lion contacted Rob Marshall about directing the musical. At the time he was involved in negotiations to direct the screen adaptation of Chicago, but he agreed to become involved in the early development stages of Hairspray with the stipulation he would drop out if assigned the film. Marshall remembered Marissa Jaret Winokur from her brief appearance in the film American Beauty and arranged a meeting with Shaiman and Wittman. The two immediately felt she was right for the role of Tracy Turnblad but were hesitant to commit without seeing any other auditions. They hired Winokur to work with them on the project with the understanding she might be replaced later. One year later, Winokur was diagnosed with cervical cancer. Certain she would lose the role if the creative team learned about her condition, she underwent chemotherapy and a hysterectomy without telling anyone but her immediate family. The treatment and surgery were successful, and Winokur returned to the project.[5] Meanwhile, Marshall had started work on Chicago, and Jack O'Brien and Jerry Mitchell were hired by Lion to direct and choreograph, respectively. Winokur was told she would need to audition along with hundreds of other women, but when the two men met her, they agreed she was right for the role.[citation needed]

Tracy's mother had been portrayed by Divine in the original film, and Shaiman liked the idea of maintaining the tradition of casting a male as Edna Turnblad. He suggested Harvey Fierstein based primarily on Fierstein's distinctive sounding voice, and O'Brien agreed.[citation needed]

According to Shaiman, one song, "I Know Where I've Been", became controversial during the genesis of the score:

“This was... inspired by a scene late in the [1988] movie that takes place on the black side of town. It never dawned on us that a torrent of protest would follow us from almost everyone involved with the show. ‘It’s too sad.... It’s too preachy.... It doesn’t belong.... Tracy should sing the eleven o’clock number.’ We simply didn’t want our show to be yet another show-biz version of a civil rights story where the black characters are just background. And what could be more Tracy Turnblad-like than to give the ‘eleven o’clock number’ to the black family at the heart of the struggle? Luckily... the audiences embraced this moment, which enriches the happy ending to follow, and it is our proudest achievement of the entire experience of writing Hairspray”[6]

Productions

Broadway and 2003 U.S. national tour

After a tryout at Seattle's 5th Avenue Theatre, the musical opened on Broadway on August 15, 2002 at the Neil Simon Theatre,[2] where it ran until January 4, 2009.[3] In addition to Winokur and Fierstein, the cast featured Laura Bell Bundy, Kerry Butler, Linda Hart, and Dick Latessa. The sets were designed by David Rockwell, costumes by William Ivey Long, lighting by Kenneth Posner, and the many distinctive wigs in the show by Paul Huntley. Original star Fierstein returned to the cast on November 11, 2008 and Winokur returned on December 9 for the final performances.[7] [8]

The First U.S. national tour started in September 2003 in Baltimore and ended in June 2006.[9] The touring production starred Carly Jibson as Tracy, Bruce Vilanch as Edna, Terrell Brooks as Seaweed, Sandra DeNise as Penny, Susan Mosher as Velma, and Ramona Cole as Motormouth Maybelle (although Charlotte Crossley is best known for the national tour, Charlotte replaced Ramona).[10] When the tour stopped in Los Angeles, Marissa Jaret Winokur reprised her role as Tracy, together with the original Broadway Link, Matthew Morrison.[11] A second tour began January 6, 2009, two days after Hairspray closed on Broadway.

2005-2007 productions

The first international production ran for 245 performances in Toronto in 2005 at the Princess of Wales Theatre. Vanessa Olivarez, a former American Idol contestant, starred as Tracy, and Jay Brazeau starred as Edna.[12]

A Las Vegas production ran at the Luxor Hotel in 2006 starring Katrina Rose Dideriksen as Tracy, Austin Miller as Link, and Fierstein and Latessa reprising their roles as Edna and Wilbur Turnblad, respectively. This ninety-minute version was played in one act. Cut songs included "The Big Dollhouse", "(The Legend of) Miss Baltimore Crabs", "Velma's Revenge", "Good Morning Baltimore (Reprise)", and "Cooties".[13] In July 2006, a non-Equity U.S. tour opened in Atlantic City's Harrah's Casino. The shorter "casino version" was used for this stop of the tour, but when it moved on, it continued with the full version of the show minus the character of Lorraine. The tour was scheduled to continue at least through April 2009.[14] A summer engagement in the Far East will follow.

In 2007, Hairspray was adapted as a musical film starring Nikki Blonsky as Tracy Turnblad and John Travolta as Edna Turnblad.

The London West End production opened at the Shaftesbury Theatre on October 11, 2007 for previews before its official opening on October 30. Michael Ball played Edna, with Mel Smith as Wilbur Turnblad, newcomer Leanne Jones as Tracy, Tracie Bennett as Velma, Paul Manuel as Corny Collins, Rachael Wooding as Amber, Elinor Collett as Penny, and Ben James-Ellis as Link. The original creative team of the Broadway production, helmed by director Jack O'Brien and choreographer Jerry Mitchell, reunited for the London production.[15] The show garnered a record-setting eleven Olivier Award nominations[16] and won for Best New Musical, as well as acting awards for Best Actress and Actor in a musical (Jones and Ball).[17]

The South African production opened in Johannesburg in October 2007 with the original direction and choreography re-created by Matt Lenz and Greg Graham. New set and costume designs were by Michael Bottari and Ronald Case.[18] Other productions opened in Canada, Finland, Japan, South Korea,[19] Italy, St. Gallen, Switzerland (in German) and Brazil.[20]

2008 and 2009 productions

A production in Buenos Aires, Argentina, opened on July 16, 2008 starring Enrique Pinti as Edna Turnblad. The role of Tracy was cast through a reality-competition show called I Want to Be Hairspray's Protagonist.[21] The musical also played in Shanghai, China, at the Shanghai Grand Theatre in July 2008[22] and Stockholm, Sweden in September 2008.[citation needed] Other productions are planned for Puerto Rico,[23] Germany, France, Israel, Denmark, Iceland and Norway. Hairspray has been translated into Finnish, Spanish, Japanese, Korean, Italian, German and Portuguese.

In August 2008, the British television channel Sky1 began broadcasting Hairspray: The School Musical, which followed the development of a North London comprehensive school's production of Hairspray from audition to performance, with input from various actors and creatives, including members of the Broadway production team and the West End cast.[24]

On November 12, 2008, as part of its 200th season, the Walnut Street Theatre in Philadelphia, Pennsylvania, opened a production of Hairspray, which closed on January 4, 2009 (the same closing day as the Broadway production).[25][26] The show has quickly become popular with community theaters throughout the U.S.[citation needed]

On November 14, 2008, Atlantis Productions opened a production of Hairspray in Manila in the Philippines, starring Madel Ching as Tracy Turnblad and Michael de Mesa as Edna Turnblad. The production closed on December 7, 2008.[27]

It has been announced that Royal Caribbean International would present a 90-minute version, possibly the Las Vegas version, of the show onboard their new ship, "Oasis of the Seas", which makes it maiden sailing in December 2009. The show is to be performed in the ship's 1350 seat Opal Theater three or four times on each seven night sailing. Casting is unknown at this time.[28]

On July 10, 2009, a Brazilian production will open in Rio de Janeiro, starring Edson Celulari as Edna and Danieli Winitz as Amber. A production in São Paulo has also been announced.

A Dutch production of the hit musical will be produced by V&V Entertainment for the 2009/2010 season. Edna Turnblad will be played by Arjan Ederveen, Link Larkin by Jim Bakkum (runner-up in the first season of the dutch American Idol and Tracy Turnblad by Esmee van Kampen.

Synopsis

Setting: Baltimore, Maryland, June 1962;

Act 1

As “pleasantly plump” teenager Tracy Turnblad lies in bed, she muses about her love for her hometown, her love of dancing, and her desire to be famous (“Good Morning Baltimore”).  After school, Tracy rushes home with best friend Penny to catch “The Nicest Kids in Town” on the local teenage dance show, The Corny Collins Show.  Edna, Tracy’s shy and plus-sized mother, is ironing and complains about the noise of the music coming from the television, while Penny’s mother complains about it being race music.  After an announcement that auditions for a place on the show will be held, Tracy begs her mother for permission to audition.  Edna, fearing that Tracy will be laughed at due to her weight, refuses.  Penny and Amber have similar arguments with their mothers (“Mama, I’m a Big Girl Now”).  After gaining permission and support from her father, Wilbur, Tracy auditions for the show and bumps into teenage heartthrob, Link Larkin, which leads into a dream sequence (“I Can Hear the Bells”).  Velma Von Tussle, the producer of The Corny Collins Show, rejects Tracy from the audition because of her size (“(The Legend of) Miss Baltimore Crabs”). Back at school, Tracy is sent to detention again because her hair was “obstructing everyone’s view of the blackboard.”  There she meets black dancer, Seaweed (the son of the host of Negro Day, Motormouth Maybelle), who teaches her several dance moves.  She uses the new dance steps at the Sophomore Hop the following day to introduce herself to Corny Collins (“The Madison”).  When Corny sees how well Tracy can dance, he gives her a place on the show (“The Nicest Kids in Town (Reprise)”).  During the broadcast, Corny suggests that Link sing “It Takes Two” to her and Tracy quickly accepts, much to Amber’s dismay.  After the show, Mr. Spritzer, the show’s worrisome sponsor, appeals to Velma over Tracy’s appointment to the Council.  Velma, threatening to fire Corny from the show, is eventually left distraught and becomes determined to ruin Tracy (“Velma’s Revenge”).  At the Turnblad house, Edna is receiving calls from fans who saw Tracy on the show.  A call comes in from Mr. Pinky, the owner of a plus size dress shop, for an endorsement.  Tracy pleads with her mother to come with her and to act as her agent although Edna has not left their apartment in years.  Finally making it outside, Edna is given a huge makeover, as she is told, “Welcome to the ’60s” and Tracy becomes the spokes-girl for the shop. Signs of Tracy’s fame are evident in the schoolyard, with graffiti on the walls and another Council Member sporting Tracy’s signature hairdo.  At school, Amber, jealous of Tracy’s fame, viciously throws a ball at her head in a game of dodge ball, knocking Tracy unconscious.  After the game, Link comforts Tracy as Penny and Seaweed, who have developed a liking for each other, rush to fetch the school nurse, only to find her out sick.  Seaweed, suggesting that some fun would make Tracy feel better, invites all of them to his mother’s record shop for a platter party (“Run and Tell That!”).  At the shop, Tracy rallies everyone to march against the station on the next day’s Mother-Daughter Day, as African Americans are not allowed on the show except for the once-a-month Negro Day.  Before they start, Motormouth Maybelle convinces the initially reluctant Edna and Wilbur to march as well.  During the protest, led by Motormouth, Velma calls the police and fights break out.  When the police arrive on the scene, almost everyone is arrested (“Big, Blonde, and Beautiful”).

Act 2

Almost all of the women are now in “The Big Dollhouse”.  Because of Velma’s dirty tactics, the governor pardons and releases both her and Amber.  Wilbur bails out the remaining people, excluding Tracy who is forced to remain in jail through another one of Velma’s manipulations.  Tracy is alone and wishes that Link could be with her (“Good Morning Baltimore (Reprise)”).  Back at the Har-De-Har Hut, Wilbur and Edna are left destitute because of the money it cost them to bail everyone out and with Tracy still in prison.  Edna sympathizes with her daughter’s dream – she had dreamt of making her “own line of queen-sized dress patterns”.  She and Wilbur reminisce about their past and how they can never be parted from each other (“(You’re) Timeless to Me”). During the night, Link sneaks into the jail where he finds Tracy in solitary confinement.  As Link and Tracy reunite, Penny’s mother punishes Penny for “going to jail without her permission” and ties her up in her bedroom where Seaweed comes to her rescue.  Both couples declare their love for one another (“Without Love”).  After escaping from their respective prisons, the couples seek refuge at Motormouth Maybelle’s Record Shop.  Tracy thinks that it is unfair that after all of their hard work, The Corny Collins Show is still segregated.  They devise a plan to help integrate the show, and Motormouth remembers their long fight for equality (“I Know Where I’ve Been”). On the day of the Miss Teenage Hairspray competition, Corny Collins starts the show with a song (“(It’s) Hairspray”).  Amber shows off her talents in a bid to get more votes from the viewers (“Cooties”).  Just as the results are about to be announced, Tracy takes over the stage, and is joined by Link, Penny (now transformed from drool to cool), Seaweed, Edna, Wilbur, Little Inez, and Motormouth (“You Can’t Stop the Beat”).  Tracy is declared the winner of the competition and she declares that The Corny Collins Show is officially integrated.  When all is announced, Mr. Spritzer runs onstage thrilled with the public’s response to the telecast and announces that the governor has pardoned Tracy and he offers Link a recording contract.  Prudy arrives at the station and, seeing how happy Penny is with Seaweed, accepts her daughter for who she is.  At the height of the moment, the company invites Amber and Velma to join the celebration.  With the station in joyous celebration, Tracy and Link share their first kiss.

Principal roles and original casting

Characters Description Original Broadway Actor/Actress Original West End Actor/Actress
Tracy Turnblad A "pleasantly plump" teenager, who dreams of fame and fights to racially integrate The Corny Collins Show. Marissa Jaret Winokur Leanne Jones
Edna Turnblad Tracy's kind, plus-sized mother – a drag role. Edna runs a laundry business out of her home. Harvey Fierstein Michael Ball
Amber Von Tussle Bratty, selfish resident princess of The Corny Collins Show, despite her lack of talent. She is willing to do anything to win the Miss Teenage Hairspray pageant. Laura Bell Bundy Rachael Wooding
Velma Von Tussle Amber's scheming mother and producer of The Corny Collins Show, who pushes her daughter to seek the stardom that she never had. Linda Hart Tracie Bennett
Penny Pingleton Tracy's slightly dorky, devoted and perky best friend. Kerry Butler Elinor Collett
Link Larkin A teenage heartthrob and one of The Corny Collins Show Council Members, who falls in love with Tracy. Matthew Morrison Ben James-Ellis
Motormouth Maybelle The owner of a downtown record shop and the host of "Negro Day" on The Corny Collins Show, self-described as "big, blonde and beautiful". Mary Bond Davis Johnnie Fiori
Seaweed J. Stubbs A hip "Negro Day" dancer and the son of Motormouth Maybelle who falls in love with Penny. Corey Reynolds Adrian Hansel
Wilbur Turnblad Tracy’s goofy father, who owns the Har-De-Har Hut joke shop and is still madly in love with his wife, Edna. He encourages Tracy to follow her dreams. Dick Latessa Mel Smith
Corny Collins The eccentric and cocky host of The Corny Collins Show. Clarke Thorell Paul Manuel
Little Inez Seaweed's younger sister, who tries to audition for The Corny Collins Show but is turned away because she is black. Danelle Eugenia Wilson Natalie Best
Prudy Pingleton Penny's overprotective and often close-minded mother. Jackie Hoffman Wendy Somerville
Female Authority Figure The policewoman guarding The Big Dollhouse and the Gym teacher. Jackie Hoffman Wendy Somerville
Mr. Pinky The owner of a dress shop called Mr. Pinky's Hefty Hideaway who gives Tracy and Edna a makeover. Joel Vig Dermot Canavan
Notable Replacements on Broadway
Notable Replacaments on the West End

Musical numbers

Act I
  • "Good Morning Baltimore" – Tracy and Company
  • "The Nicest Kids in Town" – Corny and Council Members
  • "Mama, I’m a Big Girl Now" – Edna, Tracy, Prudy, Penny, Velma, Amber, and Company
  • "I Can Hear the Bells" – Tracy and Company
  • "(The Legend of) Miss Baltimore Crabs" – Velma and Council Members with Tracy, Penny, and Little Inez
  • "The Madison"† – Corny and Company
  • "The Nicest Kids in Town (Reprise)"† – Corny and Council Members
  • "It Takes Two" – Link, Tracy, and Men
  • "Velma’s Revenge"† – Velma
  • "Welcome to the ’60s" – Tracy, Edna, The Dynamites, and Company
  • "Run and Tell That!" – Seaweed, Little Inez, and Detention Kids
  • "Big, Blonde, and Beautiful" – Motormouth, Little Inez, Tracy, Edna, Wilbur, and Company
Act II
  • "The Big Dollhouse" – Matron, Edna, Velma, Tracy, Amber, Penny, Motormouth, Little Inez, Female Ensemble
  • "Good Morning Baltimore (Reprise)" – Tracy
  • "(You’re) Timeless to Me" – Edna and Wilbur
  • "Without Love" – Tracy, Link, Penny, Seaweed, and Company
  • "I Know Where I’ve Been" – Motormouth and Company
  • "(It’s) Hairspray" – Corny and Council Members
  • "Cooties" – Amber and Council Members
  • "You Can’t Stop the Beat" – Tracy, Link, Penny, Seaweed, Edna, Wilbur, Motormouth, Amber, Velma, and Company

Not on the cast recording.

Additional songs

Several songs were cut from Hairspray before and during its pre-Broadway run in Seattle. One of such songs, an infomercial about safety on the road titled "Blood on the Pavement", followed "The Nicest Kids in Town". The song is included on the cast album. In early revisions, various songs, including "The Status Quo" and "Velma’s Cha-Cha" (and its short reprise), were used during Tracy’s audition and dismissal, but later versions have used "(The Legend of) Miss Baltimore Crabs", as the audience did not like seeing Tracy being verbally attacked after "I Can Hear the Bells".[29] After the auditions, there was a scene in the Har-De-Har Hut in which Wilbur sang a song titled "It Doesn't Get Better than This". The song was later replaced by "Positivity"; the song and scene were later cut altogether from the Broadway version as emotionally redundant. In the scene, Wilbur tried to cheer up Tracy after her rejection from The Corny Collins Show auditions.[30] After Tracy eventually made it on the show, there was a song "The New Girl in Town", which was sung first by the African-American girls and then by the Council girls. Although cut from the musical, it was included in the 2007 movie and is used in the instrumental score during the show.[31] "The Mother-Daughter Cha-Cha-Cha" was another cut number that originally followed "Big, Blonde, and Beautiful". Later, the protest rally in the scene was incorporated into that song, thus deleting the number and the scene.[32] A song called "Step on Up" was also cut in favor of "I Know Where I’ve Been".[33] Early on in the genesis of the show, the plot involved a "Miss Auto Show" competition, as in the 1988 film, instead of "Miss Teenage Hairspray". For this competition, there was a song called "Take a Spin" sung by Corny in the place where “(It’s) Hairspray” is now.[34] After Amber’s rendition of "Cooties", Tracy had a song before the finale called "It Ain’t Over ’Til the Fat Lady Sings". After the third reading of the show, however, it was cut. The number was later restored as a track on the Special Edition of the 2007 motion picture's soundtrack.[35]

Response

Critics

According to Variety, Hairspray received thirteen favorable and four mixed reviews.[36] Charles Isherwood, in his Variety review wrote: "...this sweet, infinitely spirited, bubblegum-flavored confection won't be lacking for buyers any time soon. Arriving in an aerosol fog of advance hype, it more than lives up to its promise."[37] Ben Brantley wrote: "So what if it's more than a little pushy in its social preaching? Stocked with canny, deliriously tuneful songs by Marc Shaiman and Scott Wittman and directed by Jack O'Brien with a common touch that stops short of vulgarity, 'Hairspray' is as sweet as a show can be without promoting tooth decay. ...[it] succeeds in recreating the pleasures of the old-fashioned musical comedy without seeming old-fashioned. ...Shaiman... is taking the infectious hooks and rhythms from period pop and R&B and translating them into the big, bouncy sound that Broadway demands.... And while the savvy arrangements... nod happily to Motown, Elvis, Lesley Gore ballads and standards like "Higher and Higher," the score's appeal isn't nostalgic. It's music that builds its own self-contained, improbably symmetrical world...."[38] New York's Daily News wrote, "As Tracy, Marissa Jaret Winokur has the heft, the pipes and an enormously appealing stage presence. Her dancing may not be as special as the plot suggests, but she wins your heart... With this role, Fierstein places himself in the great line of Broadway divas."[39]

Box office and business

Hairspray opened with a $12 million advance; after the Tony Awards show (in June 2003), it was expected to do five times the business it normally did on a Monday.[40] The entire $10.5 million investment was recouped by May 2003 (approximately 9 months after its Broadway opening).[41] For 2002-03 it averaged 99% capacity; for 2007 it averaged 86 %.[42]

Awards and nominations

Awards / nominations for the Broadway / US productions

Tony Awards

Drama Desk Awards

  • Outstanding New Musical
  • Outstanding Book of a Musical
  • Outstanding Actor in a Musical
  • Outstanding Actress in a Musical
  • Outstanding Featured Actor in a Musical (Dick Latessa)
  • Outstanding Director of a Musical
  • Outstanding Lyrics
  • Outstanding Music
  • Outstanding Costume Design
  • Outstanding Featured Actor in a Musical (Corey Reynolds) (nominee)
  • Outstanding Featured Actress in a Musical (Kerry Butler) (nominee)
  • Outstanding Choreography (nominee)
  • Outstanding Orchestrations (nominee)
  • Outstanding Set Design of a Musical (nominee)

Theatre World Awards

  • Jackie Hoffman
  • Marissa Jaret Winokur

Awards / nominations for the West End production

Critics' Circle Theatre Awards (2007)[43]

  • Best Musical
  • Most Promising Newcomer – Leanne Jones (The Jack Tinker Award for Most Promising Newcomer)

Olivier Awards

  • Best New Musical
  • Best Actress in a Musical (Leanne Jones)
  • Best Actor in a Musical (Michael Ball)
  • Best Performance in a Supporting Role in a Musical (Tracie Bennett) (winner), Elinor Collett (nominee)
  • Best Director (Jack O'Brien) (nominee)
  • Best Theatre Choreographer (Mitchell) (nominee)
  • Best Lighting Design (Kenneth Posner) (nominee)
  • Best Set Design (David Rockwell) (nominee)
  • Best Costume Design (William Ivey Long) (nominee)
  • Best Sound Design (Steve C. Kennedy) (nominee)

Evening Standard Awards (2007)[44][45]

  • Best New Musical

Notes

  1. ^ Waters, John (August 11, 2002). "THEATER; Finally, Footlights On the Fat Girls". The NewYork Times. http://query.nytimes.com/gst/fullpage.html?res=940CE4D8113BF932A2575BC0A9649C8B63. Retrieved on 2009-01-12. 
  2. ^ a b Jones, Kenneth (May 21, 2002). "Playbill News: A New 'Do: Capacity of Neil Simon Theatre Will Increase for Hairspray". Playbill.com. http://www.playbill.com/news/article/69730.html. Retrieved on February 11, 2009. 
  3. ^ a b Jones, Kenneth (January 4, 2009). "Playbill News: Broadway's Hairspray Has Its Final Spritz Jan. 4". Playbill.com. http://www.playbill.com/news/article/124800.html. Retrieved on February 11, 2009. 
  4. ^ New York Times article, Robin Pogrebin, October 16, 2002
  5. ^ undated interview
  6. ^ The Roots, p. 142
  7. ^ Gans, Andrew. "Hairspray to Close Jan. 4, 2009; Fierstein Returns Nov. 11", playbill.com, October 22, 2008
  8. ^ Jones, Kenneth. "Tony Award Winner Winokur Will Return to Broadway's Hairspray", playbill.com November 18, 2008
  9. ^ http://broadwayworld.com/bwidb/productions/Hairspray_4979/
  10. ^ playbill article, July 22, 2003
  11. ^ "Hairspray Teases LA" (BroadwayWorld)
  12. ^ Information about the 2005 Toronto production
  13. ^ Interview with Marc Shaiman on 90 Minute version
  14. ^ Official U.S. tour website
  15. ^ "Hairspray Begins London Run", Playbill.com, October 11, 2007
  16. ^ "London Hairspray Breaks Record With 11 Olivier Award Nominations", playbill.com, February 6, 2008
  17. ^ Official London Theatre article, March 9, 2008
  18. ^ South African production website
  19. ^ South Korea production website
  20. ^ Hairspray in Manila
  21. ^ (Spanish)"Lágrimas y aplausos para quien será Tracy". La Nación. 2008-05-11. http://buscador.lanacion.com.ar/Nota.asp?nota_id=1011427&high=hairspray. Retrieved on 2008-05-15. 
  22. ^ Hairspray China Website
  23. ^ Puerto Rico production website, 2008
  24. ^ Shenton, Mark (2008-08-31). "Students Perform Hairspray in London Aug. 31 as "Hairspray: The School Musical" TV Series Begins". Playbill.com. http://www.playbill.com/news/article/120843.html. Retrieved on 2008-09-07. 
  25. ^ Jones, Kenneth. "Walnut Street Beat: Homegrown Hairspray Opens in Philly Nov. 12", playbill.com, November 12, 2008
  26. ^ Listing and other information for Walnut Street production of Hairspray, walnutstreettheatre.org, accessed November 14, 2008
  27. ^ [http://www.thebachelorgirl.com/2008/954/hairspray-manila-on-november-2008/ Hairspray Manila on November to December 2008.
  28. ^ Hairspray to Set Sail on Royal Caribbean broadway.com, April 23, 2009
  29. ^ The Roots, p. 59
  30. ^ The Roots, p. 62
  31. ^ Review of Hairspray during its pre-Broadway run
  32. ^ The Roots, p. 109
  33. ^ The Roots, pp. 142-43
  34. ^ The Roots, p. 149
  35. ^ "Dear Listener", Note included in the Special Edition of the 2007 Hairspray Movie Soundtrack
  36. ^ Variety, September 23, 2002 - September 29, 2002, "Critics' Taly" [sic], Legit., p. 88
  37. ^ Variety, August 16, 2002, p. 2
  38. ^ New York Times, Ben Brantley, August 16, 2002, Section E, Part 1, Column 1
  39. ^ Kissel, Howard. New York Daily News, August 16, 2002, p. 55
  40. ^ playbill.com article, June 9, 2003
  41. ^ playbill.com article, May 30, 2003
  42. ^ broadwayworld grosses for Hairspray
  43. ^ playbill.com article, January 29, 2008
  44. ^ playbill.com article, November 27, 2007
  45. ^ Evening Standard winners, Thisislondon site, November 28, 2007

References

  • O'Donnell, Mark, Thomas Meehan, Marc Shaiman and Scott Wittman. Hairspray: The Roots (2003) Faber & Faber ISBN 0571211437

External links


 
 

 

Copyrights:

American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Hairspray (musical)" Read more

 

Mentioned in