Although it marks a decline from the astonishing run of five great albums Van Morrison had made from 1968 through 1972, Hard Nose the Highway is still a respectable, if uneven, effort, notably containing "Snow in San Anselmo" (which features the Oakland Symphony Chamber Chorus) and "Warm Love." Nevertheless, it marks the end of Morrison's greatest period of creativity and accomplishment. ~ William Ruhlmann, All Music Guide
David Hayes (Bass), Jules Broussard (Horn), Jules Broussard (Saxophone), Bill Atwood (Harmonica), Marty David (Bass), Jackie DeShannon (Vocals), Jackie DeShannon (Vocals (Background)), Joe Ellis (Horn), Nancy Ellis (Strings), Nancy Ellis (Viola), Michael Girling (Violin), Jeff Labes (Piano), Jeff Labes (Arranger), Jeff Labes (Keyboards), Jeff Labes (Assistant Producer), Zovan Melikian (Strings), Zovan Melikian (Violin), Van Morrison (Guitar), Van Morrison (Arranger), Van Morrison (Keyboards), Van Morrison (Saxophone), Van Morrison (Vocals), Van Morrison (Producer), Van Morrison (Main Performer), John Platania (Guitar), Nathan Rubin (Strings), Walter Samuel (Remastering), Jack Schroer (Piano), Jack Schroer (Arranger), Jack Schroer (Horn), Jack Schroer (Saxophone), Jack Schroer (Assistant Producer), Neil Schwartz (Engineer), Neil Schwartz (Mixing), Rick Shlosser (Drums), Jim Stern (Engineer), John Tenney (Strings), John Tenney (Violin), Tim Young (Remastering), Gary Mallaber (Percussion), Gary Mallaber (Drums), Gary Mallaber (Vibraphone), Theresa Adams (Strings), William Atwood (Horn), Joseph Ellis (Horn), Michael Gerling (Strings), Oakland Symphony Chamber Chorus (Choir, Chorus), Nathan Rugin (Strings), Rob Springett (Cover Art)
Recorded during a series of prolific recording sessions, there was more than enough material to fill a double-album. Morrison
proposed the idea to Warner Bros. Records, but he was ultimately convinced to
release a single LP. A few leftover tracks were saved or re-recorded for future albums
like Veedon Fleece, but most would not see release until 1998's compilation of
outtakes, The Philosopher's Stone. By Morrison's own account,
this was the first album that was completely produced under his complete control. The recording sessions even took place in a
recording studio he had built next door to his home in Fairfax, California. He
remarked on the album: "As a concept for the album, I was just trying to establish how hard it was to do what I do. Plus there
were some lighter things on the other side of it. One side has a kind of hard feeling while the other is soft."[1]
Songs
"Snow in San Anselmo" is the opening song and features the backing vocals of the Oakland Symphony Chamber Chorus. Morrison
says the song is, "just a sketch on when it snowed in San Anselmo. It's about
the images that were happening when it was snowing there for the first time in thirty years." "Warm
Love" was released as a successful single and was also a favorite concert performance in the 70s. It featured the catchy
line, "and it's ever present everywhere, Warm Love." The title song, "Hard Nose the Highway" is explained by Morrison as: "the
theme running through the whole song is 'Seen some hard times' which I have 'Drawn some fine lines' which I definitely have, and
'No time for shoe shines' when you're trying to make a living." "Wild Children" is actually about the post-war children growing
up in other countries and getting their images — from American anti-heroes such as those portrayed by James Dean, Marlon Brando, Rod
Steiger and playwrightTennesee Williams.
"The Great Deception" is according to biographer, Richie Yorke: "One of the most stinging indictments from any observer, let
alone a rock artist, of the tragic hypocrisy of so many participants in the sub-culture, in particular the big-time rock stars of
this era." "Being Green" is the first non-original composition Morrison had included on any album for Warner Bros. so far and was
taken from the popular American children's TV show, Sesame Street, which he must have
watched with his young daughter, Shana. He says about his interpretation of the song, "That was just a statement that you don't
have to be flamboyant. If somebody doesn't like you just because you're a certain thing, then maybe they're seeing the wrong
thing." A reviewer said about the ten and a half minute "Autumn Song": "I can't deny that it's the funkiest song about the
splendors and moods of fall that has ever glided through my ears." The ending song, "Purple Heather" is the traditional "Wild
Mountain Thyme" written by F. McPeake and re-arranged by Morrison.[2]
Reviews
Stephen Holden in his Rolling Stone Magazine review said: "Again, Van demonstrates his
ability to fuse jazz, pop and rock ideas into a fluid format whose stylistic identity ends up being his and his alone."[3]
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