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Harvey Dunn

 
Actor: Harvey B. Dunn
  • Born: 1894
  • Died: 1968
  • Occupation: Actor
  • Active: '50s-'60s
  • Major Genres: Science Fiction, Western
  • Career Highlights: Bride of the Monster, Teenagers from Outer Space
  • First Major Screen Credit: Bride of the Monster (1955)

Biography

Harvey B. Dunn led a long and successful performing career as a radio announcer and stage, television, and movie character actor; although he appeared in small roles in a variety of mainstream films, he achieved a peculiar form of screen stardom and immortality in the larger parts that he portrayed in several notoriously bad (but fascinating) films directed by Edward D. Wood Jr. and Tom Graeff. A southerner by birth, Dunn's earliest professional engagements were as an announcer on WALB radio in Albany, GA, and WFLB in Fayetteville, NC. Later based in Chicago, his theatrical work included roles in The Front Page, The Late Christopher Bean (with Zazu Pitts), The Barker (with James Dunn), and Present Laughter (with Edward Everett Horton). He played in stock across the country and appeared as a dramatic actor on Colgate Theater on early television. In between was a lot of other work -- his own professional bio claimed experience in every area of theater "except medicine shows and grand opera." His earliest credited screen role was in MGM's 1951 Vengeance Valley, which was sort of that studio's answer to Universal's Winchester '73 released the prior year and he also had a small part in Billy Wilder's Sabrina in 1954. Starring roles beckoned Dunn, not from the likes of Wilder or anyone at MGM, but from director/producer Edward D. Wood Jr., who cast the avuncular actor as the police captain in Bride of the Monster (1956) -- Dunn gave what was probably the straightest performance in the film, with some odd little character touches that seemed natural and pleasing in their bizarre way (typical of a Wood script), such as his character's fascination with feeding his pet bird in the office. He also had a role in Wood's final film as a director, The Sinister Urge which was not widely distributed and in-between played the role of the genial grandfather in Tom Graeff's bizarre, low-budget sci-fi thriller Teenagers From Outer Space. He continued working in movies and on television into the early '60s in small parts, but never got the kind of screen time that Wood and Graeff had afforded this likable character actor, whose round face and genial manner recalled both Lloyd Corrigan and Hal Smith. ~ Bruce Eder, All Movie Guide
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Wikipedia: Harvey Dunn
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Harvey Dunn
Birth name Harvey Thomas Dunn
Born March 8, 1884(1884-03-08)
Manchester, South Dakota, U.S.
Died November 29, 1952 (aged 68)
New York City, New York, U.S.
Nationality American

Harvey Thomas Dunn (March 8, 1884 – October 29, 1952) was an American painter. He is best known for his prairie-intimate masterpiece, The Prairie is My Garden. In this painting, a mother and her son and daughter are out gathering flowers from the quintessential prairie of the Great Plains.

Contents

Early life

Dunn was born on a homestead farm near Manchester, South Dakota. The young man’s talent was first recognized by Ada Caldwell, an art instructor at South Dakota Agricultural College (presently South Dakota State University), which Dunn attended during 1901-1902. Urged by Caldwell, Dunn pursued his artistic studies in Wilmington, Delaware under the instruction of Howard Pyle. Dunn was one of a small group of Pyle's defining students who were to revolutionize the illustration world and today are collectively known as The Brandywine School.

Career

In 1906, after two years with Pyle, Dunn established his own studio in Wilmington and immediately began a successful career in illustration. He was a prodigious painter, able to produce (on one occasion) fifty-five completed paintings in eleven weeks for various clients. A contemporary described his style in these terms, “He literally attacked a canvas&Sometimes I thought he would impale the painting with his brush.” In addition to his illustrations for books, Dunn’s work by then was appearing regularly in such magazines as Collier's Weekly, Harper's Magazine, The Saturday Evening Post, and Scribner's.

In 1914, Dunn moved east and settled in Leonia, New Jersey, across the Hudson River from Manhattan and its publishing world. Inspired by Pyle's example, Dunn opened the Leonia School of Illustration in 1915 with artist Charles S. Chapman. [1]

The years before the country’s involvement in World War I turned out to be Dunn’s most prolific period as an illustrator. His experiences at the front as one of eight artist-correspondents with the American Expeditionary Force in Europe were a turning point for the artist. Dunn’s interest in commercial illustration declined on his return to the United States. Instead, the artist envisioned working for several years for the War College committing to canvas his sketches of the battlefields of Europe. Unfortunately, demobilization occurred at a rapid pace, and Dunn’s project was rejected. It became the big heartbreak of his life. However, Dunn was able to salvage part of his ambitious plan; in 1927, he began to paint covers with military themes for The American Legion Monthly magazine. The majority of Dunn’s war sketches are now housed at the Smithsonian Institution in the National Museum of American History in Washington, D.C.

The South Dakota Art Museum in Brookings, South Dakota houses approximately ninety of Dunn's best works. Most of the works are on loan by people from DeSmet and Manchester, South Dakota, or were gifts of the artist and his family. His "often seen" painting Dakota Woman from his series of strong pioneer woman is housed at Dakota Discovery Museum[1], in Mitchell, South Dakota.

Later in life Dunn remarked: “The most fruitful and worthwhile thing I have ever done has been to teach.” Dunn became an influential and revered teacher; students referred to him as “Mr. Dunn” as a sign of respect and admiration. The majority of Dunn’s students were either graduate level painters or professional illustrators. Dunn was not interested in teaching painting techniques. His approach was philosophically oriented—he spoke about spirit, emotions, and discourse at length. He discussed his philosophy of life and art, offered group criticism, and strode from easel to easel discussing each student’s work in turn.

Dunn’s most inspired teaching was probably achieved at the Grand Central School of Art, located on the top floor of Grand Central Station in New York City. His comments were captured by a student during a five-hour class session and were published in 1934 in a slim volume entitled An Evening in the Classroom. Dunn was a demanding teacher and at times a harsh critic. He believed in preparing his students for the harsh realities and intense competition of the commercial world. Talent was not enough. As he once said, “If you ever amount to anything at all, it will be because you are true to that deep desire or ideal which made you seek artistic expression in pictures.”

Dunn died in New York at the age of 68. Harvey Dunn is memorialized by Harvey Dunn Elementary School, located in the eastern part of Sioux Falls, South Dakota.

References

  1. ^ Falkenstein, Michelle. "JERSEY FOOTLIGHTS", The New York Times, July 31, 2005. Accessed November 1, 2007. "DUNN SETTLED IN LEONIA IN 1914 TO BE NEAR THE NEW YORK MARKET FOR ILLUSTRATION AND ENJOYED A SUCCESSFUL CAREER."

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