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Headless Cross

 
Album Review: Headless Cross
 

  • Artist: Black Sabbath
  • Rating: StarStarStarStar
  • Release Date: 1989 04
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

By the late '80s everyone had pretty much given up on Black Sabbath...and why not? After all, guitarist Tony Iommi was the only remaining original member, and the band had seen an outrageous number of musicians -- particularly lead singers -- crash through its battered ranks since Ozzy Osbourne's late-'70s sacking. So it was actually quite a shock to anyone still paying attention when no-name vocalist Tony Martin outperformed a string of higher-profile predecessors with his contributions to Sabbath's unexpected 1987 return to form, The Eternal Idol, then pulled off the even more remarkable feat of being invited back for a second go-round via 1989's equally satisfying Headless Cross. Arguably the finest Black Sabbath album sans Ozzy or Dio, Headless Cross also featured one of Black Sabbath's most formidable lineups ever: matching the two Tonys with veteran bassist Neil Murray (Whitesnake, Gary Moore, etc.) and experienced journeyman Cozy Powell (too many associations to list) -- one of the few drummers in possession of an instantly recognizable sound. It's Powell, in fact, who leads the Sabs back out to the battlefield when he detonates the reverie of atmospheric intro "The Gates of Hell" with his echoing, pounding war drums, but naturally everything on offer is ultimately bound to, and dependent upon, Iommi's almighty riffs -- from whence all rivers flow. This includes morbid monster-pieces such as "Kill in the Spirit World" and "Call of the Wild," which quake with simply massive power chords yet still manage to flow seamlessly into slightly more upbeat radio-friendly numbers like "Devil and Daughter" and "Black Moon." Likewise, whereas "When Death Calls" is surely one of Iommi's most spine-chilling compositions ever in terms of sheer malevolent force, the equally bewitching "Nightwing" flips the coin entirely with its delicate acoustic guitars and (dare it be said) highly romantic lyrics. In short, for those wise enough to appreciate Black Sabbath's discography beyond the Osbourne and Dio essentials, there can be no better place to start than Headless Cross or its worthy predecessor, The Eternal Idol. ~ Eduardo Rivadavia, All Music Guide

Tracks

Track TitleComposersPerformersTime
The Gates of Hell Black Sabbath Black Sabbath (1:06)
Headless Cross Tony Iommi, Cozy Powell, Tony Martin Black Sabbath (6:29)
Devil & Daughter Tony Iommi, Cozy Powell, Tony Martin Black Sabbath (4:44)
When Death Calls Black Sabbath Black Sabbath (6:55)
Kill in the Spirit World Black Sabbath Black Sabbath (5:11)
Call of the Wild Black Sabbath, Tony Martin Black Sabbath (5:19)
Black Moon Black Sabbath, Tony Martin Black Sabbath (4:06)
Nightwing Black Sabbath Black Sabbath (6:34)

Credits

Black Sabbath (Main Performer), Brian May (Guitar (Electric)), Laurence Cottle (Bass), Laurence Cottle (Bass (Electric)), Tony Iommi (Guitar), Tony Iommi (Producer), Geoff Nicholls (Keyboards), Cozy Powell (Drums), Cozy Powell (Producer), Sean Lynch (Engineer), Sean Lynch (Mixing), Tony Martin (Vocals), Jeremy Lewis (Remixing), Jeremy Lewis (Equalization), Kevin Wimlett (Cover Design), Kevin Wimlett (Drawing)
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Wikipedia: Headless Cross
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Headless Cross
Headless Cross cover
Studio album by Black Sabbath
Released April 24, 1989
Recorded August - November 1988 at Soundmill, Woodcray & Amazon Studios
Genre Heavy metal
Length 40:24
Label I.R.S.
Producer Tony Iommi, Cozy Powell
Professional reviews
Black Sabbath chronology
The Eternal Idol
(1987)
Headless Cross
(1989)
Tyr
(1990)

Headless Cross is the fourteenth album by heavy metal band Black Sabbath, released in 1989.

This is the band's second album to feature singer Tony Martin and the first to feature drummer Cozy Powell.

Contents

Album information

Laurence Cottle played bass on the recording on a session-basis but was never an official band member. Cottle did appear in the video for the title track but was not featured in any promotional photos.

Headless Cross was praised among critics and fans, being considered the best Sabbath album in years and is an album that both Martin and Tony Iommi are very proud of.[citation needed] The lyrics on the album have predominantly Satanic and occult elements, the only time in the band's career where an entire album is based on such ideals rather than select songs. Sales-wise, the album and tour did very well in the UK and Europe.[citation needed] Sales in the US were low leading to the curtailment of the tour. In interviews the band cited lack of promotion of the live dates to have been the problem.[citation needed] It peaked at number 115 on the Billboard 200 chart.[1]

The track "When Death Calls" has a guitar solo by Queen guitarist Brian May, he is the only guitarist to guest on a Black Sabbath song.

The song "Call of the Wild" was originally going to be titled "Hero", but when Ozzy Osbourne used that title on his album No Rest for the Wicked Tony Iommi opted to change its title.[citation needed] "Devil & Daughter" also had the original title "Devil's Daughter", but was changed for the same reason.[citation needed]

"Call of the Wild" and "Devil & Daughter" are also the only songs that don't end slowly fading out with Tony Martin ad-libbing (though "Nightwing" has only the band performing fading out with no ad-libbing on Martin's part)

For the live show in support of this album, "Ave Satani", the main theme from Jerry Goldsmith's Oscar-winning soundtrack for The Omen, was used as the intro tape, beginning as the house lights went down. This would then segue into a taped recording of "The Gates Of Hell" before the band would begin the show with "Headless Cross". This intro-tape of "Ave Satani"/ "The Gates Of Hell" was used as many times during various tours over the years up until the Reunion shows. "Headless Cross" would be played on all subsequent tours when Tony Martin was in the band but the only other track from the "Headless Cross" album to last beyond that tour was "When Death Calls".

"Headless Cross" yielded two radio singles; an edit of the title track and "Devil & Daughter"

The first recording of "Black Moon" was a B-side to a single of "The Eternal Idol", performed in a different key.

The bonus track, "Cloak & Dagger", was featured on the vinyl picture disc edition and also as the b-side on all three formats (7", 12" and CD) of the album's first single, the a-side being the title track.

Reportedly, according to Tony Martin, the vocals on "Nightwing" were actually the original guide vocals but for whatever reason were kept in the final recording.[citation needed]

"Headless Cross" is about a part of a town south of Sabbath's native Birmingham, Headless Cross in Redditch, and is reportedly named after all the church crosses were defaced during the plague that struck the town's inhabitants centuries earlier.[citation needed] (See: Districts of Redditch)

Track listing

All songs were written by Black Sabbath, except where noted.

Side one

  1. "The Gates of Hell" – 1:06
    • instrumental
  2. "Headless Cross" (Tony Martin, Tony Iommi, Cozy Powell) – 6:29
  3. "Devil & Daughter" (Martin, Iommi, Powell) – 4:44
  4. "When Death Calls" – 6:55

Side two

  1. "Kill in the Spirit World" – 5:11
  2. "Call of the Wild" – 5:18
  3. "Black Moon" – 4:06
  4. "Nightwing" – 6:35

Bonus tracks

  1. "Cloak & Dagger" (picture disc only) - 4:37

Personnel

References

  1. ^ "Billboard album chart history-Black Sabbath". http://www.billboard.com/bbcom/retrieve_chart_history.do?model.chartFormatGroupName=Albums&model.vnuArtistId=4105&model.vnuAlbumId=545105. Retrieved on February 15, 2009. 

 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Headless Cross" Read more

 

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