Heaven Knows, Mr. Allison is a 1957 Cinemascope film which tells the story of two people stranded on an island in the Pacific Ocean during World War II.
The movie was adapted by John Huston and John Lee Mahin from the novel by Charles Shaw and directed by Huston. It was nominated for Academy Awards for Best Actress in a Leading Role (Deborah Kerr) and Best Writing, Screenplay Based on Material from Another Medium.
Plot
In the south Pacific in 1944, U.S. Marine Corporal Allison (Robert Mitchum) and his reconnaissance party had been in the process of debarking from a U.S. Navy submarine when they were discovered and fired upon by the Japanese. The submarine captain was forced to dive and leave the scouting team behind. Allison got to a rubber raft and after days adrift, reaches an island. He finds an abandoned settlement and a chapel with one occupant: Sister Angela (Deborah Kerr), a novice nun who has not yet taken her final vows. She herself has been on the island for only four days; she came with an elderly priest to evacuate another clergyman, only to find the Japanese had gotten there first. The frightened natives who had brought them to the island left the pair without warning, and the priest died soon after.
For a while, they have the island to themselves, but then a detachment of Japanese troops arrives to set up a meteorological camp, forcing them to hide in a cave. When Sister Angela is unable to stomach the fish Allison has caught, he sneaks into the Japanese camp for supplies, narrowly avoiding detection. That night, they see flashes from naval guns being fired in a sea battle over the horizon.
The Japanese unexpectedly leave the island, and in both celebration and frustration, Allison gets drunk on some sake left behind. He blurts out that he loves Sister Angela and that he considers her devotion to her vows to be pointless, since they are stuck on the island "like Adam and Eve." She runs out into a tropical rain and falls ill as a result; Allison, now sober and contrite, finds her shivering with chills. He carries her back, but sees that the Japanese have returned, forcing them to retreat to the cave again. Allison sneaks into the Japanese camp to get some blankets for her, but has to kill a soldier who discovers him in the act, which alerts the enemy to his presence. In an effort to force him out into the open, the Japanese set fire to the vegetation.
When a Japanese soldier finds the cave, Allison and Sister Angela are left with two choices: surrender or die from a hand grenade. However, the ensuing explosion is not a grenade, but a bomb; the Americans have begun attacking the island in preparation for a landing. Allison comments that the landing will not be an easy one because when they returned, the Japanese brought with them four artillery pieces whose positions are well-concealed.
In what he attributes to a message from God, Allison comes up with the idea to disable the artillery during the barrage that will precede the American assault, while the Japanese are still in their bunkers. He is wounded, but manages to sabotage all the guns by removing their breeches, saving many American lives.
Allison and Sister Angela say their goodbyes. He has reconciled himself to her dedication to Christ and she reassures him that they will always be close "companions", as Allison is carried down the hill on a stretcher.
Production
The movie was filmed in Trinidad and Tobago allowing Huston and Fox to use blocked funds in the UK, receive British film finance and qualify for the Eady Levy. The film was set later in the war than the novel that had Allison escaping from the Battle of Corregidor. In the film, the Allies are on the offensive and U.S. Marines capture the island.
The screenplay compares the rituals and commitment of the Roman Catholic Church and the United States Marine Corps. The Legion of Decency monitored the production of the film closely, sending a representative to watch the filming; knowing this, Kerr and Mitchum deliberately ad-libbed a scene (not included in the final print), in which their characters wildly kissed and grabbed at each other.[1][2]
The Marines provided troops for the invasion climax. Six Japanese living in Brazil played some of the leading Japanese characters, while Chinese from the laundries and restaurants of Trinidad and Tobago filled out the rest of the Japanese soldiers.[3]
References
- ^ Ibid
- ^ Robert Mitchum: "Baby I Don't Care"; ISBN 0312285434, 9780312285432; p. 306+
- ^ Server, Lee Baby, I Don't Care 2002 St Martin's Griffin
External links
DVD Reviews
Australia (Region 4)
France (Region 2)
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Films directed by John Huston |
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| 1940s |
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| 1950s |
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