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Hellboy

 
Movies:

Hellboy

  • Director: Guillermo del Toro
  • AMG Rating: starstarstarstar
  • Genre: Fantasy
  • Movie Type: Creature Film, Superhero Film
  • Themes: Unlikely Heroes, Heroic Mission, Opposites Attract
  • Main Cast: Ron Perlman, John Hurt, Selma Blair, Rupert Evans, Karel Roden, Jeffrey Tambor, Doug Jones, David Hyde Pierce
  • Release Year: 2004
  • Country: US
  • Run Time: 132 minutes
  • MPAA Rating: PG13

Plot

Mike Mignola's acclaimed comic book series about a creature from Hades who joins the battle against evil arrives on the screen in vivid form in this adaptation directed by distinctive horror filmmaker Guillermo del Toro. During World War II, the Third Reich has joined forces with the evil Grigori Rasputin (Karel Roden), who has used his occult powers to summon up a young demon from the depth of Hell to be used as the ultimate Axis weapon. However, the demonic creature is captured by American forces, and put in the care of Professor Broom (John Hurt), the founder of a top-secret organization called the Bureau for Paranormal Research and Defense. Under Broom's tutelage, the creature develops empathy and a desire to do good while his physical powers and paranormal talents are honed to a fine point. Sixty years later, the demon, now known as Hellboy (Ron Perlman), is part of an elite secret defense team alongside Liz Sherman (Selma Blair), a beautiful young woman who can create fire with her mind, and Abe Sapian (Doug Jones), an aquatic humanoid with the power of telepathy. Despite his many years of fighting for right, Hellboy finds himself facing his greatest challenge when the powerful Rasputin returns, determined to bring the demon back to the forces of darkness so that evil may finally rule the world. Hellboy's supporting cast also includes Jeffrey Tambor, Rupert Evans, and Brian Steele. ~ Mark Deming, All Movie Guide

Review

Completely original and stunningly realized, Guillermo del Toro's Hellboy is a masterstroke of awe-inspired entertainment that sparkles with bold storytelling that dares to go where no monster movie has gone before. Adapted from the original Hellboy comic miniseries The Seed of Destruction, the film takes creator Mike Mignola's dynamic graphic style and molds it into its own cinematic marvel, using a color palette that explodes around one of the strangest lead characters ever brought to the screen. However dark his origins might be, Hellboy (as brilliantly embodied by Ron Perlman) fits the American action-hero role to a T; full of witty one-liners and the first to fearlessly jump into the fray, the character is immediately personable and a perfect fit for the kind of bigger-than-life heroes to which people have flocked for years. What's wonderful, too, is that there's an incredible amount of heart to this beast -- in fact, to the whole film. When the movie's not wowing you with its stellar production design or thrilling you with its wall-to-wall action, the filmmakers have instilled real emotion into a story line that, for all good measure, probably wouldn't have been this juicy if it were not for del Toro. Bringing a loving humanity to each of this film's strange clique of characters isn't something that any storyteller would just pull out of their hat for a flick like this, which is all the more reason to soak it up here. For your buck, you not only get over-the-top action, but also a comical adventure that's based around a gothic tale of love and belonging (oh yes, with a whole lot of Lovecraftian horror for good measure). If that sounds like a little too much, don't worry, because all of those pieces only fit together only for the sake of pleasing you, the viewer. With a genuinely quirky score from Marco Beltrami that thankfully strays far away from Danny Elfman's recent cut-and-paste superhero jobs, Hellboy in every way looks, feels, and sounds completely different from anything else out there. If ever Hollywood had the cards stacked against it while selling a comic book idea to general audiences, this is it. The fact that it works is unbelievable. The fact that it's as fun as it is makes it that much more satisfying. ~ Jeremy Wheeler, All Movie Guide

Cast

Brian Steele - Sammael; Ladislav Beran - Kroenen; Biddy Hodson - Ilsa; Corey Johnson - Agent Clay; Kevin Trainor - Young Broom; Brian Caspe - Agent Lime; James Babson - Agent Moss; Stephen H. Fisher - Agent Quarry; Garth Cooper - Agent Stone; Angus MacInnes - Sgt. Whitman; Jim Howick - Cpl. Matlin; William Hoyland - Von Krupt; Bob Sherman - Television host; Guillermo del Toro - Baby Hellboy/Kroenen/Samuel; Jeremy Zimmerman - lobby guard; Santiago Segura - Train Driver; Tara Hugo - Doctor Jenkins; Mark Taylor - Truck Driver; Jan Holicek - museum guard; Pavel Cajzl - Sherpa Guide; Monty L. Simons - orderly; Richard Haas - Second Doctor; Ellen Savaria - Blonde Television Reporter; Andrea Stuart - Girl with Kittens; John William Johnson - Agent Clay; Bridget Hodson - Ilsa; Daniel Aarsman - Kid; Bettina Ask - kid; Alvaro Navarro - kid; Emilio Navarro - kid; Rory Copus - kid on rooftop; Andrea Miltner - Doctor Marsh; Jo Eastwood - Down's Patient; Charles Grisham - Museum Guard; Mille Wilkie - Young Liz; Petr Sekanina - German Scientists; Ales Kosnar - German Scientists; Justin Svoboda - Young Guy; Winter Ave Zoli - Girlfriend; Albert May - Train Driver

Credit

Peter Francis - Art Director, James Hambridge - Art Director, Marco Bittner Rosser - Art Director, Karin Fong - Art Director, Simon Lamont - Supervising Art Director, Simon Allen - Animator, Michael Brunet - Animator, Chuck Duke - Animator, Aaron Gilman - Animator, Traci Horie - Animator, Eric Ingerson - Animator, Julie Jaros - Animator, Ronan Browne - Animator, Dovi Anderson - Animator, Jason Armstrong - Animator, Will Elder-Groebe - Animator, Kameron Gates - Animator, Lee Greenwood - Animator, Michael Kitchen - Animator, Brian Mendenhall - Animator, Morgan Ratsoy - Animator, Mike Mignola - Associate Producer, Peter Eusebe - Boom Operator, Jeremy Zimmerman - Casting, Pete Anthony - Conductor, Wendy Partridge - Costume Designer, Zuzana Brozová - Costume Designer, Ljuba Reznickova - Costume Designer, Silva Reznickova - Costume Designer, Richard Goodwin - First Assistant Director, J. Michael Haynie - First Assistant Director, Andy Howard - First Assistant Director, Roman Janecka - First Assistant Director, Phillip Lee Seegar - First Assistant Director, Sergio Simenovic - First Assistant Director, Guillermo del Toro - Director, Peter Amundson - Editor, Michael Axinn - Editor, Justine Gerenstein - Editor, James Likowski - Editor, Patrick Palmer - Executive Producer, Jules Roman - Executive Producer, Cheryl Bainum - Executive Producer, Luke O'Byrne - Executive Producer, Alonzo Ruvalcaba - Executive Producer, Marc Sadeghi - Executive Producer, Jeff Barnes - Executive Producer, Guillermo del Toro - Fights Choreographer, Georgina Abanto - Hair Styles, Kay Bilk - Hair Styles, Beverly Binda - Hair Styles, Stephanie Caillabet - Hair Styles, Gabriela Polakova - Hair Styles, Lynne Watson - Hair Styles, Marco Beltrami - Composer (Music Score), Pete Anthony - Musical Arrangement, Peter Afterman - Musical Direction/Supervision, Margaret Yen - Musical Direction/Supervision, Georgina Abanto - Makeup, Kay Bilk - Makeup, Beverly Binda - Makeup, Gabriela Polakova - Makeup, Rick Baker - Makeup Special Effects, Matt Rose - Makeup Special Effects, Merche Arque - Makeup Special Effects, Victor Garcia - Makeup Special Effects, Paul Loewe - Makeup Special Effects, Jose M. Menses - Makeup Special Effects, Olina Norkova - Makeup Special Effects, Miguel Rodriguez - Makeup Special Effects, Juan Serrano - Makeup Special Effects, Timothy James Kane - Camera Operator, Joaquin Manchado - Camera Operator, Jaromir Sedina - Camera Operator, Dan Balcer - Camera Operator, Juan Leiva - Camera Operator, Stephen Scott - Production Designer, Guillermo Navarro - Cinematographer, Dita Moers Strouhal - Production Manager, Lawrence Gordon - Producer, Lloyd Levin - Producer, Mike Richardson - Producer, Buck Sanders - Producer, Keith Bryant - Producer, Andre Zweers - Recording, Spectral Motion Incorporated - Special Effects, Mark Holding - Sound Mixer, Steve Boeddeker - Sound/Sound Designer, Todd Bryant - Stunts, Craig Davis - Stunts, Zdenek Dvoracek - Stunts, Pavel Bezdek - Stunts, Rene Hajek - Stunts, Tomas Peterac - Stunts, Jan Petrina - Stunts, Ivan the Terrible - Stunts, Petr Bozdech - Stunts, Jiri Simbersky - Stunts, Zuzana Drdacka - Stunts, Hana Dvorska - Stunts, Jiri First - Stunts, Grant Fletcher - Stunts, Louie Horvath - Stunts, Jan Loukota - Stunts, David Mottl - Stunts, Klara Slavikova - Stunts, Tomas Tobola - Stunts, David Listvan Tomas - Stunts, Kamila Zenkerova - Stunts, Jim Hart - Stunts, Monty L. Simons - Stunts Coordinator, Nick Allder - Special Effects Supervisor, Dave Beavis - Special Effects Supervisor, Patrick Palmer - Unit Production Manager, Emre Sonmez - Unit Production Manager, Mirka Taylor - Unit Production Manager, Guillermo del Toro - Screen Story, Peter Briggs - Screen Story, Guillermo del Toro - Screenwriter, Rhonda R. Thompson - Production Assistant, Sheredia Norris - Production Assistant, Petra Borovanova - Production Assistant, Juan Bronson - Production Assistant, Ondrej Danis - Production Assistant, Jarda Dvorak - Production Assistant, Eric Faith - Production Assistant, Kathi Galloway - Production Assistant, Petr Kratochvil - Production Assistant, Veronika Lencova - Production Assistant, Jeff Miller - Production Assistant, Blake Perlman - Production Assistant, Veronica D. Savage - Production Assistant, Jakub Svejda - Production Assistant, Tiffany Wu - Production Assistant, Veronika Zvolska - Production Assistant, Everett Burrell - Visual Effects Supervisor, Kevin Kutchaver - Visual Effects Supervisor, Gene Warren, Jr. - Visual Effects Supervisor, William Robbins - Visual Effects Supervisor, Jonathan Rothbart - Visual Effects Supervisor, Edward Irastorza - Visual Effects Supervisor, Blair Clark - Visual Effects Supervisor, John Gross - Visual Effects Supervisor, Shannon Mills - Sound Effects Editor, Tim Nielsen - Sound Effects Editor, Christopher Scarabosio - Sound Effects Editor, Addison Teague - Sound Effects Editor, Michael Pangrazio - Matte Artist, Dominic Daigle - Matte Artist, Caroleen Green - Matte Artist, Christian Haley - Matte Artist, Emmanuel Shiu - Matte Artist, Kristi Valk - Matte Artist, Moria Houlihan - Unit Publicist, Peter Abrahamson - Animatronic Effects, Robert Capwell - Animatronic Effects, Jon Dawe - Animatronic Effects, Kyle Martin - Animatronic Effects, Bud McGrew - Animatronic Effects, Scott Millenbaugh - Animatronic Effects, Tippett Studio - CGI Effects, Sandra Butterworth - Dialogue Coach, Dale S. Wyatt - Dialogue Coach, Jana Gold Carson - Associate Editor, Ralph Flores, Jr. - Gaffer, Jan Hladik - Grip, Pavel Proisl - Grip, Rick Stribling - Key Grip, Steve Cohen - Key Grip, Angel Quiroga - Key Grip, Dan Diprima - Music Editor, Chris McGeary - Music Editor, Marco Beltrami - Music Producer, Robby Virus - Musical Performer, Chris Marino - Post Production Coordinator, Jim Conrad - Post Production Supervisor, Troy Miller - Production Coordinator, Cetina Branka - Production Coordinator, Josh Haynie - Production Supervisor, Brian Walsh - Production Supervisor, Jiri Zucek - Properties Master, Michael Lindsay - Properties Master, Matt Rose - Prosthetic Makeup Effects, Brian Magerkurth - Re-Recording Mixer, Ron Roumas - Re-Recording Mixer, Lori Wyant - Script Supervisor, Mark Taylor - Second Assistant Director, Egon Endrenyi - Still Photographer, Todd Labonte - Supervising Animator, Frank Eulner - Supervising Sound Editor, Robert Shoup - Supervising Sound Editor, Leslie Huntley - Visual Effects Producer, Mark Russell - Visual Effects Producer, Rebecca Ramsey - Visual Effects Producer, Velvy Appleton - Visual Effects Producer, Alessandra De Souza - Visual Effects Producer, Karin Levinson - Visual Effects Producer, Stephen W. Pugh - Visual Effects Producer, Vicki Galloway Weimer - Visual Effects Producer, Michael Silvers - ADR Editor, Weldon Brown - ADR Mixer, Daryl Lathrop - ADR Mixer, Stuart Kearns - Assistant Art Director, Jan Zazvorka - Assistant Art Director, Ilt Jones - Assistant Location Manager, Adam Fuchs - Assistant Location Manager, Mareta Makova - Assistant Location Manager, Jaroslav Vaculik - Assistant Location Manager, Jiri Kucera - Assistant Properties, Tomas Lehovec - Assistant Properties, Zdenek Vodvarka - Best Boy Electric, Robert Kodersa - Best Boy Grip, Michael Krbecek - Camera Loader, Andrea Clark - Casting Associate, Minna Pyyhkala - Casting Associate, Vaclav Cermak - Chief Lighting Technician, Alex Skorzov - Chief Lighting Technician, Inka Bratkova - Costumes Supervisor, Diane Routly - Costumes Supervisor, Richard Quinn - Dialogue Editor, Marshall Winn - Dialogue Editor, Carlos Miguel - Dolly Grip, Jan Svoboda - Draftsman, Stephan O. Gessler - Draftsman, Heidi Gibb - Draftsman, Guy Bradley - Draftsman, Toby Britton - Draftsman, Remo Tozzi - Draftsman, Tom Whitehead - Draftsman, Jaroslav Hromadka - Electrician, Tomas Konvalinka - Electrician, David Kriz - Electrician, Radek Kuzdas - Electrician, Martin Myska - Electrician, Petr Prochazka - Electrician, Jan Rimsky - Electrician, Josef Valta - Electrician, Benjamin Vitek - Electrician, Alena Kubalkova - Extra Casting, Christy Richmond - First Assistant Editor, Laura Rindner - First Assistant Editor, Ellen Heuer - Foley Artist, Heather Moore - Key Costumer, Deborah Jarvis - Key Make-up, Bruce Bigg - Leadman, Larry Alvarez - Personal Assistant, Rick Bernstein - Personal Assistant, Leslie Coffey - Personal Assistant, Holly Wyant - Personal Assistant, Maria Kruse - Production Accountant, Sharron Sever - Production Accountant, Jiri Tichacek - Production Accountant, Jcee Villadelgado - Production Accountant, Gary Gillingham - Production Controller, Tomas Hais - Set Dresser, Stefan Milý - Set Dresser, Jiri Dusek - Set Dresser, Martin Jelinek - Set Dresser, Martin Kubricht - Set Dresser, Mochal Pokorny - Set Dresser, Alois Strocek - Set Dresser, Daniel Tisl - Set Dresser, Josef Vecerek - Set Dresser, Nikita Knatz - Storyboard Artist, Grant Lau - Storyboard Artist, Lien Chun-Chien - Storyboard Artist, Leo Duranona - Storyboard Artist, Art Lee - Storyboard Artist, Paul Prishman - Storyboard Artist, Jeff Rebner - Storyboard Artist, Simeon Wilkinson - Storyboard Artist, Jakub Kadlec - Transportation Captain, Vaclav Mottl - Transportation Coordinator, The Orphanage - Visual Effects, Hilton Rosemarin - Set Decorator, Mike Mignola - Co-Executive Producer, Mike Mignola - Book Author, Tomas Jeseticky - Craft Service/Catering, Radek Benda - Driver, Milan Dvornik - Driver, Lubos Hybrant - Driver, Jiri Janda - Driver, Frantisek Kafka - Driver, Mirek Kolacek - Driver, Jaroslav Lanzicek - Driver, Josef Matejka - Driver, Rudolf Merta - Driver, Tomas Prazan - Driver, Pavel Rados - Driver, Frantisek Rys - Driver, Radek Tluka - Driver, Tony Vizina - Driver, Frank Merel - Foley Mixer, Travis Crenshaw - Foley Recordist, Gary Burritt - Negative Cutter, Garth Parr - Runner, Eva Dvorakova - Set Medic/First Aid, Adam Aldridge - Special Effects Technician, Alan Hawes - Special Effects Technician, Roman Holub - Special Effects Technician, Karel Kalous - Special Effects Technician, Daniel Kulhanek - Special Effects Technician, Terry Lathewell - Special Effects Technician, Petr Mudrych - Special Effects Technician, Ladislav Sindelar - Special Effects Technician, Josef Vanek - Special Effects Technician, Milos Vleck - Special Effects Technician, Dirk Westervelt - Visual Effects Editor, Joseph Carson - Visual Effects Editor, Desi R. Ortiz - Visual Effects Editor, Sarah Schubart - Visual Effects Editor, Carl Walters - Visual Effects Editor, Georgina Ciotti - Conceptual Design, Ismael Ferrer - Conceptual Design, Sergio Sandoval - Conceptual Design, Lenka Rock - Art Department Coordinator, Steve Slanec - Assistant ADR Editor, Jessica Bellfort Rankin - Assistant Dialogue Editor, Rick Stewart - Assistant Music Editor, Salvatore Catanzaro - Assistant Visual Effects Editor, Thomas Krebs - Assistant Visual Effects Editor, W. Kale Whorton - Assistant Visual Effects Editor, Jennifer Nelson - Assistant Visual Effects Editor, Pete Farrell - Mold Department, Ken Banks - Mold Department, Darin Bouyssou - Mold Department, Patrick Brandy - Mold Department, Johnnie Saiko Espiritu - Mold Department, Timothy Huizing - Mold Department, William Jacob - Mold Department, Timothy Martin - Mold Department, Thomas Ovenshire - Mold Department, Bradley Pierce - Mold Department, Matthew Waters - Mold Department, Gerard Benjamin Pierre - Compositor, Matthew Wallin - Compositor, Mike Bozulich - Compositor, Max Harris - Compositor, Jesse Russell - Compositor, Chad Goei - Compositor, David Rauch - Compositor, Steve Cho - Compositor, Catherine Tate - Compositor, Chris Gibbons - Compositor, Aruna Inversin - Compositor, Dan Cayer - Compositor, You Jin Choung - Compositor, Matt Jacobs - Compositor, Woei His Lee - Compositor, Votch Levi - Compositor, Zoe Peck-Eyler - Compositor, Jason Yen - Compositor, Colin Epstein - Lead Compositor, Jim McVay - Lead Compositor

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Wikipedia: Hellboy (film)
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Hellboy

Theatrical poster
Directed by Guillermo del Toro
Produced by Lawrence Gordon
Lloyd Levin
Mike Richardson
Written by Screenplay:
Guillermo del Toro
Story:
Guillermo del Toro
Peter Briggs
Comic Book:
Mike Mignola
Starring Ron Perlman
Rupert Evans
Doug Jones
Selma Blair
Ladislav Beran
John Hurt
Jeffrey Tambor
Music by Marco Beltrami
Cinematography Guillermo Navarro
Editing by Peter Amundson
Studio Revolution Studios
Distributed by Columbia Pictures
Release date(s) April 2, 2004 (2004-04-02)
Running time Theatrical Cut:
120 minutes
Director's Cut
135 minutes
Country United States
Language English
Budget $66 million
Gross revenue $99,623,958
Followed by Hellboy II: The Golden Army

Hellboy is a 2004 supernatural action-thriller film directed by Guillermo del Toro. The film is based on the Dark Horse Comics work Hellboy: Seed of Destruction by Mike Mignola. It was produced by Revolution Studios, and distributed by Columbia Pictures.

Released in 2004, it grossed $59 million at the U.S. box office, and $99 million worldwide[1] and was favorably received by critics. A sequel, Hellboy II: The Golden Army, was released on July 11, 2008.[2]

Contents

Plot

In 1944, the Nazis work with the undead Russian mystic Grigori Rasputin on an isolated island off the coast of Scotland to build a dimensional portal. They intend to use it, with Rasputin's help, to awaken the Ogdru Jahad, monstrous entities that have been imprisoned and asleep since an undisclosed time, to destroy their enemies. But Rasputin secretly intends to use the entities to bring about the destruction of the entire Earth. He is aided by his servant, Ilsa von Haupstein, to whom he has granted eternal life, and Nazi Lieutenant Colonel Karl Ruprecht Kroenen, Hitler's top assassin and head of the Thule Occult Society. The United States sends a small Army team to destroy the portal, guided by a young doctor, Professor Trevor Broom (professor Bruttenholm in the comics)[3], who is well-versed in the occult. In the ensuing battle, the German scientists and soldiers are killed and the portal is destroyed, in the process absorbing and apparently killing Rasputin. Ilsa and Kroenen escape capture. As the Army team surveys the ruins for anything that may have sneaked into their dimension through the portal, they discover an infant demon with a stone right hand. Broom coaxes it into his arms with a Baby Ruth candy bar. The soldiers affectionately name the little creature "Hellboy."

Sixty years later, a young FBI agent named John Myers is transferred to the B.P.R.D., run by Broom. He is introduced to Hellboy, now an adult. Also employed with the B.P.R.D. is an amphibious humanoid named Abe Sapien who has advanced psychic abilities, and Liz Sherman, a pyrokinetic who has yet to learn to control her firestarting abilities. Liz has recently left the bureau (for the thirteenth time) and checked herself into a mental hospital in an effort to protect others from her talent. Despite regular visits and coaxing from Hellboy, who appears infatuated with her, she is determined not to return.

Meanwhile, Kroenen and Ilsa resurrect Rasputin somewhere in the mountains in Moldova[4]. Rasputin and his minions travel to New York and the Machen Library of Paranormal Artifacts. There, they smash open a display and, through magic, unleash a monstrously powerful hellhound known as Sammael. Rasputin imbues Sammael with the power to reincarnate and split his essence, causing two of the creature's "eggs" to hatch and mature in seconds each time one dies. Rasputin then visits Liz as she sleeps, reactivating her powers and causing the near-total destruction of the hospital. Afterwards, Myers talks to her, and convinces her to return to the bureau, at least for the short term.

Sammael's ability to multiply quickly becomes a major problem, as Hellboy repeatedly kills it, creating dozens. During a hunt for the beast in the sewers of New York, Abe is injured during an attempt to retrieve some of their eggs, and Kroenen kills one of the FBI agents sent with Hellboy, and Sammael kills the other two agents. Kroenen, whose mutilated body is now run by mechanic parts, then shuts himself down and pretends to be defeated just before Hellboy arrives. Kroenen's body is brought to the bureau for examination. FBI Director Tom Manning is angered by Hellboy's recklessness, which he feels is indirectly responsible for his agents' deaths. Hellboy gets mad and threatens Manning just as Liz returns, almost causing her to leave again just as quickly. Myers, in an effort to help her overcome her difficulties with Hellboy, takes her out for coffee and to talk. Hellboy, jealous, covertly follows them.

While they are away, Rasputin appears at the bureau, reanimating Kroenen before they confront Professor Broom. Out of twisted respect for Broom's protection and nurturing of Hellboy, Rasputin promises him a quick death, but first offers him a vision of the future, showing Hellboy is the agent that has destroyed the world. Rejecting Rasputin's vision of Hellboy's destiny, Broom is stabbed in the neck by Kroenen and, clutching a rosary, collapses and dies.

Manning takes over the B.P.R.D. and, with the help of Hellboy and the others, manages to find Rasputin's physical body located in his mausoleum in an old cemetery outside Moscow, Russia. A team led by Manning and Hellboy enter the mausoleum, but swiftly become separated. Hellboy and Manning find their way to Kroenen's lair, where an enraged Hellboy, with Manning's help, defeats Kroenen once and for all, to avenge the death of his father. Telling Manning to stay back, Hellboy reunites with Liz and Myers at Sammael's nest to defend them, but the creatures overwhelm him. In an effort to help, Liz, with some encouragement from Myers, ignores the fear that has prevented her from unleashing her full potential and uses her pyrokinetic powers to encase herself in fire, which she uses to incinerate the army of Sammaels and all the eggs. Unfortunately, this effect renders Hellboy, Liz and Myers unconscious and they are captured by Rasputin.

To force Hellboy to release the Ogdru Jahad, Rasputin sucks Liz's soul out of her body, telling Hellboy that Liz will come back to life only if he complies. Hellboy, not wanting to lose Liz, awakens his true power as Anung un Rama, causing his horns to regrow. He nearly releases the Ogdru Jahad, but the injured Myers reminds him of who he is and that he has the right to choose his own path. Remembering his true self and what his father brought him up to be, Hellboy snaps off his horns, returning to his former self and resealing the Ogdru Jahad. As Rasputin screams his frustration and disappointment at Hellboy, Hellboy stabs him in the belly with one of his broken horns.

However, Rasputin has one last trick up his sleeve: he is possessed by a creature from the Ogdru Jahad. The tentacled Behemoth bursts out of Rasputin's body, grows to immense size, and kills Rasputin and Ilsa. Hellboy grabs a stone sword from a nearby statue and attacks the Behemoth's tentacles, then allows himself to be swallowed while detonating a belt of live hand grenades. The subsequent explosion tears the Behemoth apart from inside, destroying it. Liz's vital signs are gone when Hellboy returns from the fight, but he whispers into her ear, and suddenly her life is restored. When she asks how her soul was returned, Hellboy replies that he simply told the creatures from the other side the cost of taking her: "Hey, you on the other side. Let her go. Because for her I'll cross over, and then you'll be sorry." She and Hellboy kiss as she surrounds them in flame, and the narrator, Myers, says that what truly makes a man is "Not how he starts things, but how he decides to end them."

Finally, the film ends with a humorous mid-credits scene, where a forgotten and frightened Manning is lost several levels down in the dank and dim halls of the mausoleum, listening to maybe the rustle of footsteps, and looking to see if there's anyone around.

Cast

Production

Development

Guillermo del Toro considered creating this film as a dream project for many years with casting Ron Perlman as the lead role, but could never secure a budget or studio approval. After the massive success of Blade II (2002), del Toro was offered to direct Blade: Trinity (2004) or a film adaptation of Hellboy. Though he briefly considered trying to fit both films into his schedule, he chose Hellboy. 

Release

Hellboy had its world premiere at the Mann Village Theater in Westwood, California on March 30, 2004.[5] The film opened in wide release on April 2, 2004 where it grossed USD $23.1 million in 3,028 theaters on its opening weekend. It went on to make $59.6 million in North America and $39.6 million in the rest of the world for a worldwide total of $99.6 million, well above its $66 million budget.[6]

Critical reception

The film was well received by most critics with an average review score of 80% based on 186 reviews, which earned it a "Certified Fresh" rating on Rotten Tomatoes.[7] It also has a 72 metascore on Metacritic. Entertainment Weekly gave the film a "B" rating and wrote, "Pop pretensions can't undo a basic contradiction: that our hero is fighting metaphysical evil with pure, meaty brawn. Hellboy is engaging, but it's got a lot more boy in it than hell".[8] In his review for the New York Times, Elvis Mitchell wrote, "Mr. del Toro avidly lavishes this texture on Hellboy . . . giving it a kiss of distinction. It's an elegant haunted house of a picture with dread and yearning part of the eeriness".[9] Roger Ebert gave the film three and half stars out of four and praised Ron Perlman's performance: "And in Ron Perlman, it has found an actor who is not just playing a superhero, but enjoying it . . . he chomps his cigar, twitches his tail and battles his demons with something approaching glee. You can see an actor in the process of making an impossible character really work".[10] However, USA Today wrote, "Hellboy's special effects don't offer much of anything new, its far-fetched plot leaves a bit to be desired, and there is plenty that flat-out doesn't make sense. Those unfamiliar with the comic book may leave the theater bedeviled and scratching their heads".[11] The film also received good reviews in the British press - for example, Peter Bradshaw from The Guardian commented amusedly on the unhistoricity of the Nazis invading Britain in the initial sequence but overall called the film "bizarre and loopy, romantic and dynamic".[12]

Hellboy was also ranked number 13 out of 94 in Rotten Tomatoes' "Comix Worst to Best" countdown (where 1 was best and 94 was worst).[13]

Awards

Hellboy was nominated for four Saturn Awards in 2005, including Best Fantasy Film, Best Special Edition DVD Release, and Best Make-Up, which it won.[14] Empire magazine ranked Hellboy 11th in their "The 20 Greatest Comic Book Movies" list.[15]

Home media

Hellboy was released on DVD in a two-disc special edition DVD on July 27, 2004, less than 16 weeks after it opened in theaters. Included, were video introductions by Del Toro and Selma Blair, plus a feature that allowed viewers to click during selected parts of the movie to comics drawn by Mike Mignola. Other bonus features include audio commentaries by Del Toro, Blair, Mignola, Ron Perlman, Jeffrey Tambor and Rupert Evans, as well as visits to the "Right Hand of Doom" set and a two-hour documentary.[16] This DVD topped the Nielsen VideoScan's First Alert DVD sales chart and the Video Store magazine's list of top rentals for the week ending August 1, 2004, registering a total of more than a half-million units in sales.[17]

A three-disc unrated director's cut DVD set was released on October 19, 2004. In addition to all of the features of the original two-disc set, with the exception of a new director's commentary replacing the old one, new features included Del Toro introducing 20 minutes of additional and extended scenes, a composer commentary with isolated score replacing the cast commentary, a Cast Video Commentary with Perlman, Blair, Tambor and Rupert Evans, multiple production workshop featurettes, a Comic Con 2002 Panel Discussion with Del Toro, Perlman and Mignola, and a A Quick Guide to Understanding Comics with Scott McCloud.[18]

Two versions of High Definition Blu-ray Discs were released: The Director's cut and the Theatrical Release cut.[19]

References

  1. ^ ""Hellboy"". http://boxofficemojo.com/movies/?id=hellboy.htm. Retrieved 2006-08-04. 
  2. ^ DiOrio, Carl (2008-02-14). "Paramount shuffle delays 'Trek'". The Hollywood Reporter (Nielsen Business Media). http://www.hollywoodreporter.com/hr/content_display/film/news/e3i797c75af15317bcf82fd246dd185d9f7. Retrieved 2008-02-17. 
  3. ^ Hellboy Comicbook series
  4. ^ Hellboy (2005 film)
  5. ^ Schneider, Sue (April 5, 2004). "Seeing red (carpet) at the premiere of Hellboy". Cinescape. http://www.mania.com/seeing-red-carpet-premiere-hellboy_article_41201.html. Retrieved 2008-07-09. 
  6. ^ "Hellboy". Box Office Mojo. http://www.boxofficemojo.com/movies/?id=hellboy.htm. Retrieved 2008-02-04. 
  7. ^ "Hellboy at Rotten Tomatoes". Rotten Tomatoes. http://www.rottentomatoes.com/m/hellboy/. Retrieved 2008-05-15. 
  8. ^ Gleiberman, Owen (March 31, 2004). "Hellboy". Entertainment Weekly. http://www.ew.com/ew/article/0,,604966,00.html. Retrieved 2008-07-08. 
  9. ^ Mitchell, Elvis (April 2, 2004). "Horror Comic at the Core, With a Soulful Sweetness". New York Times. http://query.nytimes.com/gst/fullpage.html?res=9E01EED61539F931A35757C0A9629C8B63&scp=5&sq=%22Hellboy%22&st=nyt. Retrieved 2008-07-08. 
  10. ^ Ebert, Roger (April 2, 2004). "Hellboy". Chicago Sun-Times. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20040402/REVIEWS/404020301/1023. Retrieved 2008-07-08. 
  11. ^ Puig, Claudia (April 1, 2004). "Hellboy digs down a little too deep". USA Today. http://www.usatoday.com/life/movies/reviews/2004-04-01-hellboy_x.htm. Retrieved 2008-07-09. 
  12. ^ Bradshaw, Peter (27 August 2004). "Hellboy - review". The Guardian. http://arts.guardian.co.uk/fridayreview/story/0,,1291427,00.html. Retrieved 2008-08-18. 
  13. ^ Giles, Jeff. "Comix Worst to Best". Rotten Tomatoes. http://www.rottentomatoes.com/features/special/2007/comic/. Retrieved 2008-02-04. 
  14. ^ Walton, Alice M (May 4, 2005). "Spidey swings to Saturn victory". Variety. http://www.variety.com/article/VR1117922134.html?categoryid=14&cs=1&query=%22Hellboy%22. Retrieved 2008-07-08. 
  15. ^ "The 20 Greatest Comic Book Movies". Empire. http://www.empireonline.com/features/comicbookfilms/default.asp#comicbookfilms. Retrieved 2008-09-30. 
  16. ^ Hettrick, Scott (May 31, 2004). "Hellboy takes quick route to DVD". Variety. http://www.variety.com/article/VR1117905768.html?categoryid=20&cs=1&query=%22Hellboy%22. Retrieved 2008-07-08. 
  17. ^ Rose, Marla Matzer (August 5, 2004). "Hellboy burns way to top of rental chart". Hollywood Reporter. http://www.hollywoodreporter.com/hr/search/article_display.jsp?vnu_content_id=1000593777. Retrieved 2008-07-09. 
  18. ^ Arnold, Thomas K (July 26, 2004). "Studios big on double features". USA Today. http://www.usatoday.com/life/movies/news/2004-07-26-expanded-dvds_x.htm. Retrieved 2008-07-09. 
  19. ^ Detailed Comparison between Theatrical release (PG-13) and Director's Cut

External links

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Hellboy: Sword of Storms (2006 Fantasy Film)
Hellboy [Soundtrack] (2004 Album by Marco Beltrami)
Hellboy [Original Motion Picture Soundtrack] (Classical Album)

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