Movie Type: Romantic Comedy, Heaven-Can-Wait Fantasies
Themes: Reincarnation, Fish Out of Water, Supernatural Romance
Main Cast: Robert Montgomery, Evelyn Keyes, Claude Rains, Rita Johnson, Edward Everett Horton
Release Year: 1941
Country: US
Run Time: 94 minutes
Plot
Robert Montgomery plays saxophone-playing boxer Joe Pendleton, who insists upon piloting his own plane, much to the consternation of his manager Max Corkle (James Gleason). Just before a championship bout, Joe's plane crashes. When he revives, he finds he has been whisked away to Heaven by the overanxious Messenger #7013. Checking with the man in charge, one Mr. Jordan (Claude Rains), Pendleton discovers that he isn't scheduled to die for another 50 years. Joe heads back to earth, only to learn to his chagrin that his body has been cremated. Mr. Jordan is obliged to find Joe a new body; the "candidate" is a business mogul named Farnsworth, who is in the process of being murdered in his bath by his wife (Rita Johnson) and her lover (John Emery). Joe takes over Farnsworth's body, astonishing the murderers by emerging from the bathroom, very much alive (while Joe still looks like Joe to himself and the audience, he looks like Farnsworth to everyone else). Still desirous of winning the upcoming championship, Joe begins to whip Farnsworth's body into shape, even hiring Max Corkle to manage him. It takes some doing, but Joe convinces Max that he is indeed Joe and not Farnsworth (their scenes together are priceless, far better seen than described). Meanwhile, Joe has fallen in love with Bette Logan (Evelyn Keyes), a woman whose father had been ruined by the real Farnsworth. For her sake, he pays back millions of dollars that the crooked Farnsworth had finagled out of his investors. This prompts Mrs. Farnsworth and her lover to kill "Farnsworth" again, and once more Joe Pendleton is without a body. How Mr. Jordan arranges for Joe to win the championship, expose the murderers and walk off arm and arm with Bette is a bit too complex to detail here. Here Comes Mr. Jordan is one of the most consistently clever romantic comedies of the 1940s, and richly deserving of the Oscars won by screenwriters Sidney Buchman, Seton I. Miller and Harry Segall. A sequel, Down to Earth, was filmed in 1947, with Roland Culver as Mr. Jordan; and in 1978, the original Jordan was remade by Warren Beatty as Heaven Can Wait. ~ Hal Erickson, All Movie Guide
Review
The usually debonair Robert Montgomery stepped out of character in this classic comic fantasy to play a clean-cut boxer, Joe Pendleton, who's been sent to heaven before his time. Mr. Jordan, a kind of celestial executive, rectifies the error by loaning Pendleton the body of a millionaire named Bruce Farnsworth who's just been murdered by his wife. When she learns that he's alive again, the fun begins. The kind of beautifully executed film that turns the auteur theory on its head, it's driven by a script that always manages to keep its fiendishly complicated farcical maneuvers in perfect focus. Montgomery is wonderful as the simple boxer who just wants a shot at the title, as is Claude Rains as the dryly sardonic angel. But it's veteran James Gleason's Academy Award-winning performance as Joe's manager Max Corkle that steals the film. The scene in which Joe finally convinces Max that his spirit is inhabiting the body of Farnsworth is a masterpiece of comic acting. Although the film was remade twice, by Warren Beatty as Heaven Can Wait and Chris Rock as Down to Earth, this is the kind of film that they really don't make anymore. ~ Michael Costello, All Movie Guide
Lionel Banks - Art Director, Edith Head - Costume Designer, Alexander Hall - Director, Viola Lawrence - Editor, Frederick Hollander - Composer (Music Score), Morris W. Stoloff - Composer (Music Score), Frederick Hollander - Musical Direction/Supervision, Morris W. Stoloff - Musical Direction/Supervision, Joseph Walker - Cinematographer, Everett J. Riskin - Producer, Sidney Buchman - Screenwriter, Seton Miller - Screenwriter, Harry Segall - Screenwriter, Harry Segall - Play Author
Boxer and amateur pilot Joe Pendleton (Robert Montgomery) takes a joyride in a small plane, which crashes. His soul is "rescued" by 7013, an officious angel (Edward Everett Horton), who assumed that Joe could not have survived. Joe's manager, Max Corkle (James Gleason in a bravura performance), has his body cremated. In the afterlife, the records show his death was a mistake; he was supposed to have fifty more years. The angel's superior, Mr. Jordan (Claude Rains), confirms this, but since there is no more body, Joe will have to take over a newly dead corpse. Mr. Jordan explains that a body is just something that is worn, like an overcoat; inside, Joe will still be himself. Joe insists that it be someone in good physical shape, because he wants to continue his boxing career. Joe keeps saying the body they find "Has to be in the pink", a color that Mr. Jordan finds annoying. Another annoying fact is that Joe has somehow managed to bring his saxophone with him to heaven; it's his good luck charm, on which he plays "The Last Rose of Summer" very badly.
After Joe turns down several unsuitable "candidates", Mr. Jordan takes him to see the body of a crooked, extremely wealthy banker-investor named Farnsworth. Farnsworth's wife Julia (Rita Johnson) and his secretary, Tony Abbott (John Emery) have just drugged and drowned him in a bathtub. Joe is reluctant to take over a life so unlike his previous one, but when he sees the murderous pair mockingly berating Miss Logan (Evelyn Keyes), the daughter of a financier who was sold worthless bonds by Farnsworth's bank, he changes his mind (and body). The audience continues to see Montgomery as Pendleton, but everyone in the film, including his wife and secretary (who are astonished to see that the murder didn't "take"), see and hear Farnsworth.
As Farnsworth, Joe reforms, repaying all the investors, including Miss Logan's father. He sends for Corkle and convinces him that he is Joe (by playing his saxophone just as badly as he did in his previous incarnation). With Farnsworth's money to smooth the way, Corkle trains him and arranges a bout with the current heavyweight champion, but Mr. Jordan returns to warn Joe that, while he is destined to be the new champion, it cannot happen that way. Joe has just enough time to warn Miss Logan, with whom he's fallen in love, to look for him in another body, most likely a boxer, before he is shot by his secretary. The body is concealed and Joe returns to a ghostly existence.
Accompanied by Mr. Jordan, Joe finds that his replacement in the prizefight with the champ is a clean-cut, honest fighter named Murdoch, whom Joe knows and respects. Finding that he has forgotten his lucky saxophone, Joe runs back to the Farnsworth mansion to find that everyone believes Farnsworth has "disappeared." Corkle has hired a private investigator to find him. The usually down-to-earth Corkle openly explains about Joe, Mr. Jordan and the body-switching, sounding like a Spiritualist (or, as the detective thinks, a nut). Joe manages to mentally nudge Corkle to turn on the radio to the prizefight, and hears that Murdoch has collapsed without even being touched. Mr. Jordan reveals that the boxer was shot by gamblers because he refused to throw the fight. Joe takes over Murdoch's body and wins the fight. Back at the mansion, Corkle hears one of the radio announcers mention a saxophone hanging by the ringside and realizes Joe has assumed Murdoch's body.
Corkle races down to the dressing room. There, Joe passes along information from Mr. Jordan that Farnsworth's body is in a refrigerator in the basement of the mansion. Corkle tells the detective (Donald MacBride), who promptly has Mrs. Farnsworth and the secretary arrested. As Murdoch, Joe fires his old, crooked manager and hires Corkle. Mr. Jordan reveals to Joe that this is his destiny; he can be Murdoch and live his life. Healing the gunshot wound and at the same time removing Joe's memory of his past life, Mr. Jordan hangs around for a bit longer until Miss Logan arrives. She wanted to see Corkle, but runs into Murdoch instead. The pair feel they have met before. The two go off together, while Mr. Jordan smiles over another job well done and says "So Long, Champ".
