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Francisco Herrera the Elder

 
Britannica Concise Encyclopedia: Francisco Herrera, the Elder

(born c. 1590, Sevilla, Spain — died Dec. 1656, Madrid) Spanish painter. His early works are in the Mannerist style. Under the influence of Francisco Zurbarán, he developed the naturalistic style seen in his four scenes from the life of St. Bonaventure (1627). About 1650 he moved to Madrid. His last documented work, a painting of St. Joseph (1648) influenced by Anthony Van Dyck, features elongated forms and elaborate draperies. He achieved considerable fame in Sevilla, where Diego Velázquez was briefly his pupil. His work marked the transition from Mannerism to the Baroque. His son, Francisco Herrera the Younger, worked as a painter and architect.

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Art Encyclopedia: Francisco de Herrera
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(b Seville, c. 1590; d Madrid, ?29 Dec 1654). Painter and engraver. He studied under his father, Juan de Herrera Aguilar, who trained him in the Mannerist style common in Seville in the late 16th century, but the influence of Francesco Pacheco is also evident in his early works. His first recorded works as an engraver date from 1609, when he executed the frontispiece for the Constituciones del Arzobispado de Sevilla (Seville, 1609), after a design by Diego L?pez. This and the frontispiece for the Relaci?n de la fiesta de beatificaci?n de S Ignacio (Seville, 1610) show, in the garlands of fruit and flowers, a development from Mannerism towards naturalism, possibly derived from the work of Juan de Roelas. Around 1610 Herrera may have been Vel?zquez's first teacher, although Palomino (p. 128) emphasizes that his difficult character made him unsuitable for the profession of teaching. His subsequent uneasy relationship with the rigid guild system in Seville, which led to continuous litigation, seems to confirm this aspect of his personality. Between 1614 and 1616 Herrera received his first documented commissions as a painter: for a series of 12 canvases for the Fraternity of Vera Cruz in the monastery of S Francisco in Seville. Two survive: the Vision of Constantine (Seville, Hosp. Caridad) and the Virgin with Franciscan Nuns (Seville, Pal. Arzobisp.). Other paintings from this period include the Immaculate Conception (1616; Seville Cathedral) and the Arrival of the Holy Ghost (1617; Toledo, Casa & Mus. El Greco).

Part of the Herrera family

See the Abbreviations for further details.



 
Columbia Encyclopedia: Francisco de Herrera
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Herrera, Francisco de (fränTHēs'kō THā ārā'), c.1576-1656, Spanish painter, engraver, miniaturist, and draftsman. He worked in Seville most of his life, executing religious and genre subjects. His style is broad and dynamic, with powerful accents of light and dark and expressive distortions. Herrera's most famous works are the Triumph of St. Hermengild (Seville) and St. Basil Dictating His Rule (c.1639; Louvre). From 1640 until his death he worked in Madrid. His son, Francisco de Herrera, the younger, 1622-85, studied still-life painting in Naples. Returning to Seville in 1656, he executed religious works. His masterpieces, the Triumph of St. Hermengild (Prado) and the Triumph of St. Francis (Seville Cathedral), both of the 1660s, show his loose and sketchy technique and bright, warm colors. In 1677 he became Charles II's court painter and master of royal works, designing architectural plans, including one, never executed, for the cathedral at Zaragoza.
Wikipedia: Francisco Herrera the Elder
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La curación de San Buenaventura niño por San Francisco (1628).

Francisco Herrera (1576-1656) was a distinguished Spanish painter, born at Seville. He was the founder of the Seville school.

Herrera's finest paintings include "The Last Judgment" and a "Holy Family," both in churches at Seville. Others are in the Louvre, Paris. They exhibit boldness of execution with faultless technique. He is known as El viejo, "the elder," to distinguish him from his son, also a noted painter. Among his pupils was Ignacio de Iriarte and a young Diego Velázquez.

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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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