Hilary Duff is the self-titled third album by American pop singer Hilary Duff, released by Hollywood Records in the United States on September 28 2004 (see 2004 in music).
Duff said that she had more creative control over the album than she did over Metamorphosis (2003), her second album, and that the songs were more "personal"
and contained heavier influences of rock music. Most of the songwriting and production team
on the album, which included John Shanks and Charlie Midnight, had contributed to
Metamorphosis. Hilary Duff received mostly negative reviews from critics, many of whom compared it to the music of
Avril Lavigne and Ashlee Simpson. Sales of the
album in the U.S. did not match those of Metamorphosis, and the singles "Fly" and "Someone's Watching over Me" were
not major hits.
Content and production
Duff recorded the first three songs for the album between the shooting dates of Raise
Your Voice and The Perfect Man, two films in which she was
involved.[1] Subsequent songs were recorded on the weekends
during filming of The Perfect Man and on the nights after concerts on her summer 2004 tour. The album's outro track, "The Last Song", was recorded in her dressing room. "It was so ghetto", Duff said of the
experience.[2]
According to Duff, the album chronicles her experiences over the year before its release: "some of it's good, and some of it's
bad, and a lot of it's, like, a big learning experience", she explained.[3] She expressed an interest in recording lyrically more aggressive material ("Well, I'm not going to be
singing about lollipops because I no longer relate to lollipops"[4]) than the songs on Metamorphosis (2003) and wanted the album to reflect that,
according to her, she is a normal sixteen year-old. "Basically, I'm not Lizzie McGuire
anymore", she said.[4] She
said the album deals with issues she would not discuss publicly and provides "some answers",[2] but she disagreed with people who believed the album presented a
different side of her, saying "I think it's just more me this time because I got to really do it how I wanted to."[5] Duff called the album
"different [from]" Metamorphosis and "much more mature", particularly in its "sound", but not to the point where it would
be inappropriate for children; "I just think that other people will relate better", she said.[6] According to her, she was more "involved" compared to the production of her first
album and "confident enough to make suggestions" about the style of the album: "If I thought it needed to be more heavy, more
rock, I said so".[7] Its U.S. release date,
September 28 2004, was Duff's seventeenth birthday.[5]
When discussion regarding her second album began, Duff said she wanted to work with the same team of producers and songwriters
with whom she worked on Metamorphosis. "[They] made me feel so comfortable and so secure with myself. I loved working with
them. I have a great relationship with them. I talk to them [all the time] ... They knew what was going on in my life, what I was
going through ... and how I feel inside", Duff said.[8] For songs she did not co-write, Duff discussed her experiences and feelings with the writers and
ask them to write songs about them.[8] Members of
the creative team behind Metamorphosis who returned for Hilary Duff include Charlie Midnight, John Shanks and Kara DioGuardi (who collaborated on the main
singles), Andre Recke, Marc Swersky and Duff's sister Haylie. Hilary said, "I do have a lot
to say, and I have a lot going on inside that sometimes is buried and hidden because I'm working so hard, and I don't have time
to think about it. But if we sit down and we talk about it and I tell her how I feel and she writes, it'll be good."[9]
Duff herself co-wrote three tracks on the album: "Mr. James Dean", "Haters"
and "Rock This World", the first two of which, along with "The Last Song", Haylie co-wrote. Hilary said she refrained from
co-writing the entire album because "I don't know if I'm secure enough with myself to do that".[8] She has characterised "Haters" as "tongue-in-cheek" and said people would
know what it is about when they heard it,[2] and it attracted substantial publicity when rumors circulated that it was about actress
Lindsay Lohan, with whom Duff was alleged to have been feuding.[10][11][12][13] The Scoop, a gossip section of the website MSNBC, quoted
an insider who had said, "Hilary thinks that Lindsay has been directing negativity at her for too long."[14] Duff denied that the rumors were true, saying she did not know Lohan and
would not write a song about her.[15] She said that at the
time she wrote it she was feeling she had to openly discuss her personal life because "people make accusations and there are lies
and rumors constantly ... people are so negative. They love to read what's coming out next on Page Six [of the
New York Post] and I just felt like it was appropriate." She said she felt "normal
girls" could relate to the song because of the "petty stuff" that occurs in schools.[5]
Hilary Duff working in the studio.
Several producers and songwriters who did not contribute to Metamorphosis worked on the album, including
Andreas Carlsson and Desmond Child ("Who's That
Girl?"), British songwriter Guy Chambers ("Shine"), Julian Bunetta and James Michael ("The Getaway") and Ty Stevens ("Rock This
World"). Ron Entwistle is co-writer and co-producer of "Weird", which Duff said is "about
someone that she's still obsessed with. And everything he does is like he says this, but he does this ... She's not really sure
who he is or what he does, but she likes it."[16] Kevin De Clue contributed to "The Last Song" and "Mr. James Dean" (both co-produced
by Haylie), which Duff has named her favorite track on the album and described as "very funny"; in the song she tells an
ex-boyfriend that he'll "never be James Dean". Duff neither confirmed nor denied whether the
song was about fellow singer Aaron Carter, and she said "it was definitely an experience
that I went through that was interesting and I learned a lot from that time in my life."[5] In "Hide Away", co-produced and co-written by Shaun
Shankel, Duff discusses a relationship that isn't working because she is in a position where her life is "figuratively under the
microscope".[16]
Diane Warren wrote "I Am", an empowerment
song in which Duff lists positive and negative aspects about herself; she has said it is about being comfortable "with all those
feelings ... being who you are".[17]
Three songs — "Fly", "Someone's Watching over Me" and "Jericho" — were used in Raise Your Voice, a drama film released
shortly after the album in which Duff starred as an aspiring singer who attends a prestigious performing arts summer school. Duff
has described "Fly" as "an uplifting song" about "how people are scared to open up and show who they are inside because they're
afraid of what others are going to say".[18] Her
character performs "Someone's Watching over Me" at the film's climax and "Jericho" during the end credits, with the other
characters performing the instruments. The album's release in Japan includes three
bonus tracks: an acoustic version of "Who's That
Girl?", a cover of The Go-Go's' "Our Lips Are
Sealed" recorded with Haylie for the soundtrack to Duff's film A Cinderella
Story ("We really wanted to work together, and my label knew that, so we found this song and we're like, 'Yes! We have
to do this!'", Duff said[19]), and a
cover of The Who's "My Generation" in
which the lyric "I hope I die before I get old" was changed to "I hope I don't die before I get old". Duff began performing it in
concert after a suggestion from her manager, who was a fan of the song.[20]
Duff's management team considered for recording a song titled "Since U Been Gone",
which Lukasz "Dr. Luke" Gottwald and Max Martin had
originally written for Pink. According to Gottwald, Duff's team passed on the song because
some of the notes were too high for Duff's voice. ("Since U Been Gone" was later recorded by Kelly Clarkson, for whom it became a major hit.)[21]
Duff told the Chicago Sun-Times in 2005 that because she was under the
control of a record label during the making of Metamorphosis and Hilary Duff, she wasn't able to incorporate the
sound she wanted into her recordings. She said the production "[had] been mastered and
sounds really pretty ... If I could change it, I would, and it would sound [less pop]. My name is Hilary Duff, and I don't know
why I don't get to make Hilary Duff music."[22]
Critical reception
Ken Barnes of USA Today, which gave Metamorphosis a negative review,[23] commented positively on the album and said it exemplified "a
more wholesome brand of rock-flavored pop aimed at teens". Barnes praised the "unstoppably rousing choruses" in some of the songs
and said "Duff avoids overextending her thin but pleasant voice, except for a bit of Avrilesque syllable stretching", while he criticised the high number of tracks and the preponderance of
"hackneyed self-affirmation messages".[24]
All Music Guide's Stephen Thomas
Erlewine categorised Hilary Duff as "a virtual companion to Ashlee
Simpson's Autobiography, from its
rock/dance-pop fusion to its earnest demeanor" and "a varied, ambitious album ... it feels
like the soundtrack to the life of a smart, ambitious, popular teenager trying to sort things out". Erlewine added that "ambition
sometimes gets the better of Hilary", citing "limitations" of the album such as length, "[oppressive] straight-faced seriousness"
and Duff's vocals.[25]
A review of Hilary Duff in The Village Voice was far less praising;
it said "Duff's role in the tween-rock firmament is playing pious Lisa Loeb opposite Simpson's
post-diluvian Courtney Love ... despite liberal amounts of gold-dust guitar glitter,
blow-dried backing vocals, and even the post-crash-Skynyrd 'Rock This World', Hilary Duff
is too often the vanilla-bean fantasia AOR chauvinists take all girl-pop
for."[12]
Stylus magazine wrote that Duff's attempt to follow "the [Avril Lavigne] template
that she previously softened" yielded "mixed results ... to a certain extent, [she] is a prisoner of her image and her attempts
at Chrissie Hynde-intensity fall far short of even Ashlee Simpson's gravelly vocal
cords." Its critic described the album's length as its "simple problem", saying that with "a little quality control ... this
could easily be as strong as any other teen-pop album released this year."[13]
In response to Duff's "announcement" that "she's a complicated rock & roll adolescent on the order of Avril and Ashlee",
Entertainment Weekly wrote, "Uh-huh. And Betty from the Archie comics is Patti Smith", noting Duff's "tiny" voice is "buried under layers of generic cheese arrangements."[26] Sal Cinquemani of Slant called the album "a seemingly endless string of three-and-a-half-minute pieces of pop crap –
and I like pop music", and wrote that although Duff "can't be held responsible for most of the album's insipid lyrical content",
"when [she] gets in on the action things feel contrived".[27] The New York Daily News named it the worst
teen pop album of 2004, saying it was "[n]eck-and-neck for junkiest CD of the year with her arch nemesis, Lindsay Lohan
[Speak]".[28]
John Shanks received a 2005 Grammy Award for "Producer of the Year, Non-Classical" for his work on "Fly",
Autobiography and recordings by Kelly Clarkson, Sheryl Crow, Robbie Robertson and Alanis Morissette.[29]
Chart performance
The album's first single, "Fly", was released to U.S. radio in early August 2004.[30] Its video received heavy rotation on
MTV's Total Request Live, but the song received
minimal radio airplay and consequently failed to chart on the Billboard Hot
100.[31] In the week leading up to the album's
release, MTV.com featured Hilary Duff on The Leak, a section of the website that allows
albums to be streamed for listening. Duff said at the time that she was considering
"Haters" as the second single.[2] The
album debuted at number two on the U.S. Billboard 200 with 192,000 copies sold in
its first week of release, which was lower than the first week sales of Metamorphosis.[32] IGN Music said that partly because of the album's
high debut, Duff was "at this very moment Hilary Duff is perhaps the reigning queen of bubblegum pop theatrics"; it also said
that Duff's image was "undergoing an overhaul" through photoshoots in magazines such as Blender, possibly making her less "squeaky clean" than her predecessors Britney Spears and Christina Aguilera.[33] Unlike Metamorphosis, Hilary Duff went no higher on the
Billboard 200, and the RIAA certified it platinum a month after its release.[34] Shortly after, Duff said she wanted "Weird" to become the next
single.[35] Hilary Duff was number 112 on
Billboard magazine's year-end top albums chart in December 2004.[36]
The album debuted at number one on the Nielsen SoundScan chart in Canada, as Metamorphosis had done,[37] and it was released in Australia in October. It debuted in the
top ten on the ARIA album chart, surpassing the top twenty
peak of Metamorphosis[38] and rising to its
number-six peak position in November. "Fly" was released as a single in the same month and did not perform as well, reaching just
outside the top twenty.[39] Duff embarked on a two-date tour of Australia in late October, supported by
Popstars winner Scott Cain.[40] Toward the year's end, several radio singles were released to promote the album. "The Getaway" was issued in the U.S. in November
2004 and in Canada in January 2005,[41] and "I Am" was
released to Radio Disney in December 2004;[42] shortly after, promotion for "Weird" began in Spain.[43] During this period, Duff embarked on a concert tour of
North America,[44]
and several of her shows in Canada sold out in minutes.[45] "Someone's Watching over Me" was the album's second single in Australia in
February and, like "Fly", it peaked outside the top twenty.[39] Hilary Duff remained on the ARIA album chart for twenty-seven weeks and was
certified platinum for shipments of 70,000 units.[46][47] In Canada the
CRIA certified the album three times platinum for 300,000 copies
shipped.[48]
In February 2005 popdirt.com reported that because of the failure of "Fly" in the U.S., Hollywood Records would not be
releasing further singles from the album. The website said that "The Getaway" was planned as the follow-up single in January, but
its release was cancelled after sales of the album went into a "sudden drop". Executives at the label decided that money should
be invested in a new album – which became Most Wanted – instead
of additional promotion for Hilary Duff, according to the report.[49] Shortly after, Duff fans grouped together to launch the "Hilary Duff Attack Day" Project, a
campaign designed to persuade Hollywood Records executives to release another single.[50] Organisers of the campaign, which was endorsed by nearly twenty Duff fansites,
instructed fans to buy a copy of the album on April 4 so that the consequent increase in weekly
sales would lead to the release of another single. The campaign's online project page said, "The Hilary Duff album has
plenty of great songs that would make great singles ... If every fan would buy a CD that day, the sales would increase
considerably and we will show the record company that the Hilary Duff CD is amazing, and that another single is in
need!"[51] No single was released after the planned
"Attack Day". By June 2005, according to Nielsen SoundScan, the album had sold 1.5 million copies in the U.S.; in comparison,
Metamorphosis had sold 3.7 million.[52] Hilary
Duff was number sixty-five on Billboard magazine's year-end top albums chart in November 2005,[53] and as of February 2007 it had sold 1.8 million copies.[54]
Track listing
- "Fly" (Kara DioGuardi,
John Shanks) – 3:43
- "Do You Want Me?" (Matthew Gerrard, DioGuardi) – 3:30
- "Weird" (Charlie Midnight, Marc Swersky, Ron Entwistle) – 2:55
- "Hide Away" (Shaun Shankel, Midnight, Trina Harmon, Tyler Hayes Bieck) – 3:47
- "Mr. James Dean" (Hilary Duff, Haylie Duff, Kevin De Clue) – 3:28
- "Underneath This Smile" (DioGuardi, Shanks) – 3:38
- "Dangerous to Know" (Midnight, Wendy Page, Jim Marr) – 3:33
- "Who's That Girl?" (Midnight, Andreas Carlsson, Desmond Child) – 3:26
- "Shine" (DioGuardi, Guy Chambers) – 3:29
- "I Am" (Diane Warren) – 3:43
- "The Getaway" (Julian Bunetta, James
Michael) – 3:37
- "Cry" (Midnight, Swersky, Charlton Pettus) – 4:02
- "Haters" (Hilary Duff, Haylie Duff, Midnight, Swersky) – 2:56
- "Rock This World" (Midnight, Denny Weston Jr., Ty Stevens, Hilary Duff) – 3:42
- "Someone's Watching over Me" (DioGuardi, Shanks) – 4:11
- "Jericho" (Midnight, Chico Bennett) – 3:52
- "The Last Song" (Haylie Duff, De Clue) – 1:25
- Bonus tracks (Japan)
- Bonus DVD
In some countries the album includes a bonus DVD that is identical to the Duff music DVD Hilary Duff: Learning to Fly (and with the same title), and that includes the "Fly"
music video and a "Making of" documentary.
Credits
- Mixing: Jeff Rothschild and John Shanks (tracks 1
and 6, 9–10, 15); Krish Sharma (track 2); Joel Soyffer (tracks 3 and 7, 12–14, 16); Shaun Shankel
(track 4); Haylie Duff, Kevin De Clue and Andre Recke (tracks 5 and 17); Dave Way (track 8);
Eric Sarafin (track 11)
- Producers: John Shanks (tracks 1 and 6, 9–10, 15); Matthew Gerrard (track 2);
Charlie Midnight (tracks 3–4, 7–8, 12–14, 16); Marc Swersky (tracks 3, 12–13); "Spider" Ron Entwistle (track 3); Shaun Shankel
(track 4); Haylie Duff, Kevin De Clue and Andre Recke (tracks 5 and 17); Jim Marr and Wendy Page (track 7); Desmond Child and
Andreas Carlsson (track 8); Julian Bunetta (track 11); Charlton Pettus (track 12); Denny Weston Jr. and Ty Stevens (track 14);
Chico Bennett (track 16)
- Executive producers: Andre Recke and Jay Landers
- A&R coordination: Dani Markman
- Mastering: Stephen Marcussen at Marcussen Mastering, Hollywood, CA
- Creative director: David Snow
- Art direction and design: Enny Joo
- Photography: Andrew Macpherson
Charts and certifications
| Chart (2004) |
Peak
position |
Certification
(copies shipped/sold) |
| U.S. Billboard 200 |
2 |
Platinum (1,000,000[34]/1,800,000[54]) |
| U.S. Billboard Top Internet Albums |
2 |
| Australian ARIA Albums Chart |
6 |
Platinum (70,000[47]/?) |
| Canadian Albums Chart |
1 |
3x platinum (300,000[48]/?) |
| Japanese Oricon Albums Chart[55] |
5 |
Gold[citation needed] (?/130,000[citation needed]) |
Notes
- ^ Staff report. "For The Record: Quick News On Beanie Sigel, Hilary Duff, Josh Homme, Jessica Simpson, Vince Neil & More".
MTV News. April 8 2004.
Retrieved October 27 2006.
- ^ a b c d Moss, Corey and Cornell, Jeff. "Hilary Duff Got 'Ghetto' When Necessary For New LP". MTV News. September 23 2004. Retrieved October 27
2006.
- ^ "Hilary Duff Says New Album Is More Personal". Yahoo! Music.
September 27 2004. Retrieved October 27 2006.
- ^ a b Duerden, Nick. "The Golden Girl".
Blender. October 2004. Retrieved October
27 2006.
- ^ a b c d Goodman, Abbey. "Hilary Duff: The
Nicest Brat". MTV News. November 12 2004. Retrieved October 27 2006.
- ^ Harrington, Jim. "'Tween queen".
Oakland Tribune. August 13
2004.
- ^ "Hilary Duff comes to
Manchester on Jan. 27". The Dover Community News.
December 31 2004. Retrieved October 27 2006.
- ^ a b c Murray, Rebecca.
"Hilary Duff Talks
About 'Raise Your Voice'". About.com. Retrieved October
27 2006.
- ^ Moss, Corey and Downey, Ryan J. "Hilary Duff Works It With New LP, More Movies, Little Rest". MTV News.
March 15 2004. Retrieved October
27 2006.
- ^ "Duff Blasts Lohan on New Album". WENN. October 8
2004. Retrieved October 27 2006.
- ^ Williams, Rob. "Hilary wows young Winnipeg fans". Winnipeg Sun. January 10 2005. Retrieved October 27
2006.
- ^ a b Wood, Mikael. "The Jig Is Up".
The Village Voice. November 12
2004. Retrieved October 27 2006.
- ^ a b Burns, Todd. "Hilary Duff".
Stylus. September 24 2004. Retrieved October 27 2006.
- ^ Walls, Jeannette. "Duff-Lohan feud hits sour note". MSNBC. October 6 2004. Retrieved October 27
2006.
- ^ "Inside Interview - Hilary Duff, the talented US teenager singer". New Weekly.
Retrieved October 27 2006.
- ^ a b "Hilary Duff comes clean". News Times. January 21 2005. Retrieved October 27 2006.
- ^ "Duff inspires magic moment from young fans". London Free Press.
January 21 2006. Retrieved October
27 2006.
- ^ Sony Music. "Hilary
Duff - Hilary Duff". The Star. Retrieved October 27 2006.
- ^ Moss, Corey. "Hilary And Haylie Give The Go-Go's A Double-Duff Treatment". MTV News.
May 20 2004. Retrieved October
27 2006.
- ^ "Hilary Duff comes clean". News Times. January 21 2005. Retrieved October 27 2006.
- ^ Raftery, Brian. "Woman of the Year: Everybody Loves
Kelly (Yes, even you)". Blender. January/February 2006. Retrieved
July 7 2007.
- ^ DeRogatis, Jim. "Is She For
Real?". Chicago Sun-Times. July 19
2005. Retrieved July 7 2007.
- ^ Gardner, Elysa. "Neville sets high
'Standards'; Duff is full of fluff - Hilary Duff, Metamorphosis". USA Today.
August 25 2003. Retrieved October
27 2006.
- ^ Barnes, Ken. "Hilary Duff". USA
Today. October 19 2004.
- ^ Erlewine, Stephen
Thomas. "Hilary Duff - Review". All Music Guide. Retrieved October 27 2006.
- ^ Burr, Ty. " Hilary Duff - Hilary
Duff". Entertainment Weekly. October
11 2004. Retrieved October 27 2006.
- ^ Cinquemani, Sal. "Hilary Duff - Hilary
Duff". Slant. Retrieved October 27
2006.
- ^ Farber, Jim. "The year in
music". New York Daily News. December
30 2004. Retrieved October 27 2006.
- ^ "47th
Annual Grammy Awards - Winners: Production". VH1.com. Retrieved October 27 2006.
- ^ "Going For Adds - CHR/Top 40". Radio & Records. August 9 2004. Retrieved October 27
2006.
- ^ "The TRL Archive - October 2004". Popfusion.net. October
4 – October 28 2004. Retrieved October 27 2006.; "Hilary Duff -
Billboard Singles". All Music Guide and Billboard. Retrieved October 27 2006.
- ^ Whitmire, Margo. "Rascal
Flatts 'Feels Like' No. 1". Billboard. October 6 2004. Retrieved October 27
2006.
- ^ D., Spence. "Hilary Duff Dominates". IGN Music. October 8 2004. Retrieved July 7
2007.
- ^ a b "Gold & Platinum - Searchable Database". RIAA. Retrieved October 27
2006.
- ^ Moss, Corey. "Duff Sisters Talk About Their Long 'To Do' List, From Madonna To McDonald's". MTV
News. November 12 2004. Retrieved October 27 2006.
- ^ "2004 Year End Charts - Top Billboard 200 Albums". Billboard. Issue date: December 25 2004. Retrieved October 28 2004.
- ^ "MuchMusic Presents A
LIVE Canadian Television Exclusive - Hilary Duff Co-Hosts MuchOnDemand". MuchMusic.
January 17 2006. Retrieved October
27 2006.
- ^ "The ARIA Report!". ARIA. October 25 2004, Iss. 765. Retrieved October 27 2006.
- ^ a b "The ARIA Report!".
ARIA. February 28
2005, Iss. 783. Retrieved October 27 2006.
- ^ "Scott Cain on Tour with Hilary Duff". girl.com.au. Retrieved July
7 2007.
- ^ "Past Pump it or Dump It Tracks". Z103.5 FM. February
5 2005. Retrieved October 27 2006 via the Wayback Machine.; "News - 'The Getaway' by Hilary Duff". Luxuride.
January 24 2005. Retrieved October
27 2006.
- ^ "'I Am' Mentioned on radio". forums.hilaryfan.com. December
3 2004. Retrieved October 27 2006.
- ^ "Re: Hilary's New Single!!!!!!!!!!!!!!! Official???". forums.hilaryfan.com. December 24 2004. Retrieved October 27
2006.
- ^ "Hilary Duff Kicks Off 2005 With A Canadian Tour". ChartAttack. November 8 2004. Retrieved October 27
2006.
- ^ Stevenson, Jane. "Duff to sing for
George W. Bush". Toronto Sun. January 13
2005. Retrieved October 27 2006.
- ^ "The ARIA Report". ARIA. May 2 2004,
Iss. 792. Retrieved October 27 2006.
- ^ a b "ARIA Charts - Accreditations - 2004 Albums". ARIA. Retrieved October 27
2006.
- ^ a b "Gold & Platinum Certification - Audio Certifications". CRIA. January 2005. Retrieved October 27
2006.
- ^ "Hilary Will Not
Release Anymore Singles". popdirt.com. February 22 2005.
Retrieved
