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Hilding Rosenberg

 
Music Encyclopedia: Hilding (Constantin) Rosenberg

(b Bosjökloster, 21 June 1892; d Stockholm, 19 May 1985). Swedish composer. He studied with Ellberg at the Royal Academy of Music in Stockholm (1915-16), and with Stenhammar. In 1920 he journeyed abroad, encountering the music of Hindemith and Schoenberg, which influenced his own: particularly important were Hindemith's neo-Baroque textures, though in harmony he continued to belong to a Scandinavian world of Sibelius, Nielsen and folk music. His music became more diatonic in the 1930s, when he also began writing operas (Marinetter, 1938). His large output includes eight symphonies (1917-74) and many other orchestral scores, incidental music, seven operas, ballets, oratorios and 12 string quartets. He was also active as a conductor (including at the Stockholm Royal Opera) and exerted an important influence on Swedish musical life as a teacher.



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Hilding Rosenberg (June 21, 1892May 18, 1985), was the first Swedish modernist composer, and one of the most influential figures in Swedish 20th century classical music.

Born in Bosjökloster, he was an organist, concert pianist and music teacher until 1915, when he began studying at the Stockholm Conservatory under Ernst Ellberg. His teachers also included Richard Andersson and Wilhelm Stenhammar. After the First World War, he toured Europe and became a prominent conductor.

In 1932 he was appointed musical director of the Swedish Royal Opera. He is best known for his 14 string quartets (1920–1972) and eight symphonies (1917–1974, including his symphony no. 2 Grave, symphony no. 4 Johannes Uppenbarelse, fifth symphony Örtagårdsmästaren and sixth Sinfonia Semplice). He taught composition privately to amongst others Karl-Birger Blomdahl, Ingvar Lidholm, Åke Hermanson and Daniel Börtz.

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