Career Highlights: Driftwood, A Midsummer Night's Dream, Wife vs. Secretary
First Major Screen Credit: I Cover the Waterfront (1933)
Biography
The son of a Nevada railroading engineer, Hobart Cavanaugh was educated in San Francisco and at the University of California. His friendships with such California-based actors as Charlie Ruggles and Walter Catlett gave Cavanaugh the impetus to enter the theatrical world. After several years on stage, Cavanaugh began his screen career with 1928's San Francisco Nights. Slight, balding and virtually chinless, Cavanaugh was ideally cast as a henpecked husband, a clerk, or a process server. He was signed to a Warners' contract in 1932, and appeared in several Busby Berkeley and Jimmy Cagney pictures. Thanks to his next-door-neighbor demeanor, Cavanaugh frequently appeared as humorist Robert Benchley's friend or co-worker in Benchley's one-reel MGM shorts of the 1930s. Occasionally, Cavanaugh played against his established image by popping up as the "hidden killer" in mystery films of the 1940s (e.g. Universal's Horror Island). Hobart Cavanaugh's final appearance, filmed just before his death, was as an unctuous undertaker in 20th Century-Fox's Stella (1950). ~ Hal Erickson, All Movie Guide
Born in Virginia City, Nevada, Cavanaugh made his film debut in San Francisco Nights (1928). Over the next few years he established himself as a supporting actor, and although many of his roles were small and received no film credit, he played more substantial roles in films such as I Cover the Waterfront (1933) and Mary Stevens, M.D. (1933). By the mid-1930s he was appearing in more prestigious films such as A Midsummer Night's Dream (1935), Captain Blood (1935) and Wife vs. Secretary (1936). He continued playing small, often comical roles until the end of his life. One of his last appearances was in A Letter to Three Wives (1949). By the end of his life he had appeared in more than 180 films.