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Holiday (Plot Summary)

 
Notes on Short Stories: Holiday (Plot Summary)
 

Contents:

Introduction
Author Biography
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
Further Reading


Plot Summary

The main character of "Holiday" begins the story by telling readers that this was a time in her life when she was "too young for some of the troubles" she was having (though she never specifies exactly what the troubles are). Wanting to escape these troubles, she decides to take a holiday to the country. She confides this desire to her friend Louise, who exclaims that she has the perfect place: a Texas farm run by a traditional German family. While the narrator is skeptical of Louise's idyllic description of the farm ("Louise had something near to genius for making improbable persons, places, and situations sound attractive") she agrees to the idea, and a few days later she arrives at the Müller farm.

When she arrives at the station and surveys the "desolate mud-colored, shapeless scene," she feels justified in her skepticism. A boy of about twelve arrives and drives her to the farm in a ramshackle old wagon. At the farm, she meets the busy Müller family, including Mother Müller, a sturdy, imposing woman with a face "brown as seasoned bark." The oldest daughter is Annetje, the middle daughter Gretchen, and the youngest is Hatsy. The narrator is shown to her attic room by Hatsy, and after seeing her charming room — "For once, Louise had got it straight" — her attitude towards her holiday begins to improve. She enjoys the sounds of German being spoken in the home, because she does not speak German, and no one will expect her to understand or respond.

At dinner, the men of the family — Father Müller, his two sons, and the husbands of his daughters, who all live together at the farm — sit at the table, while the women stand behind them and serve them. The narrator, being a guest, is seated at the men's side of the table. It is at dinner on her first night at the farm that she first encounters Ottilie, a badly deformed and mute servant girl who cooks and serves the meal. She is ignored by the Müllers as she serves their dinner: "no one moved aside for her, or spoke to her, or even glanced after her when she vanished into the kitchen."

It does not take long for the narrator to settle into the daily rhythm of life at the Müllers. She helps out with chores, entertains the many children of the Müller daughters, and enjoys watching the landscape come to life as spring arrives. One evening she is so enchanted by this natural beauty that she does not return to the farm until late in the evening, after the Müllers have already had their dinner. Hatsy calls for Ottilie to come and serve her dinner. As the narrator is waited on by the servant girl, for the first time she notices that Ottilie has the same slanted blue eyes and high cheekbones as the Müllers.

The family works the entire day on the farm, especially the women, who are constantly scrubbing the floors, milking the cows, and tending the children. While Father Müller is the wealthiest farmer in the community, this wealth does not translate into a life of leisure for his family. On Sundays, however, they all dress up to go dance to the music of a brass band at the Turnverein, a pavilion in a nearby clearing. Here all members of the little German community meets to socialize. One Sunday, the community comes instead to the Müller house for the wedding of Hatsy and her fiancé. After the wedding, a huge feast is served by the unfortunate Ottilie, who continues to toil while the rest of the Müllers celebrate the happy event. "[N]othing could make her seem real," the narrator observes, "or in any way connected with the life around her."

One morning shortly after the wedding, the narrator encounters Ottilie on the porch, peeling potatoes. Suddenly Ottilie jumps up, dropping the knife, and beckons to her. She grasps the narrator's sleeve and pulls her into the house, into her little bedroom, and shows the narrator an old photograph of a young child, about five years old. Ottilie pats the picture and then her own face and points out the name written on the back of the photo: Ottilie. The narrator then realizes that Ottilie is actually the eldest daughter of the Müllers. Ottilie begins to sob, and the narrator, for the first time, no longer finds her strange or distant, but feels a connection to her: "for an instant some filament lighter than cobweb spun itself out between that living center in her and in me so that her life and mine were kin, even a part of each other."

Life goes on at the Müller home; Gretchen gives birth to a baby boy one rainy evening, and the next day neighbor women stop by to see the newborn and do a little socializing. An impending storm sends them home early, and soon the Müller clan is laboring to save their farm and animals from torrential rains. In the downpour Mother Müller goes out to the barn, saves a newborn calf, and milks all the cows. She returns to the house, soaked to the skin, and barks out orders to the rest of the family as though nothing unusual has happened.

The next morning, however, it becomes clear that Mother Müller is not as indestructible as she seems. She takes to her bed with a fever, and as she becomes less and less responsive, the family begins to panic. They cannot send for the doctor because of the continued rain and flooding. By the afternoon, Mother Mueller is dead.

Two days later, just after the family has left the house to bury Mother Müller, the narrator, who is in her attic room, hears a terrible howling. Thinking something has happened to the family dog, she runs downstairs and discovers Ottilie in the kitchen, moaning and howling in her grief. The narrator goes outside and hitches up the pony to the rickety wagon that brought her there to the Müller house, and begins driving Ottilie to join the funeral procession. Once riding in the wagon, however, Ottilie begins to laugh. The narrator realizes that what Ottilie really needs is "a little stolen holiday, a breath of spring air and freedom on this lovely, festive afternoon." They head off for a drive together, to return in time for Ottilie to prepare a meal for the mourners; "They need not even know she had been gone."


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