Contents: IntroductionPlot Summary Themes Style Critical Overview Criticism Sources Further Reading |
Characters
Louise
Louise is the narrator's friend, who recommends the Müller farm as the ideal spot for her holiday escape. Louise has a gift for describing people and places in exaggeratedly positive terms, and she describes the Müller farm as a pastoral, homespun paradise. The narrator, who is skeptical of Louise's descriptions, finds it to be considerably less appealing at first.
The Müller Family
The Müller family itself is such a cohesive unit that it functions as one character in the story. The members of the Müller family sacrifice their individual hopes and desires (assuming they have any) for the good of the family. Married couples do not go off on their own but are simply absorbed into the family; before Hatsy is even married, a new room has been added to the house for her and her husband. Every family member labors daily on the farm: "everybody worked all the time, because there was always more work waiting when they had finished what they were doing then." The only member of the family who stands out as having his own opinions and interests is Father Müller. The Müller sons and sons-in-law are mentioned only in passing, in large part because they spend their day in the fields, and the narrator spends her time either alone or with the other women.
Annetje Müller
Annetje is the eldest of the Müller daughters (next to Ottillie.) She has four children (one a newborn) and is hoping for a fifth. Annetje has a special affection for the baby animals on the farm; "The kittens, the puppies, the chicks, the lambs and calves were her special care." Of all the Müller daughters, Annetje has the gentlest nature, but even she treats Ottilie with indifference.
Father Müller
If Mother Müller is the brawn of the family, then Father Müller is the brains. While there are descriptions of Mother Müller engaged in strenuous physical activity on the farm — carrying heavy pails of milk on a yoke over her shoulders, carrying a calf on her back to safety during the storm — the readers' only indication of Father Müller's labor is in concert with the other men of the family: "The men went out to harness the horses to the ploughs at sunrise." Father Müller is an atheist, who likes to sit in the parlor in the evening and read Das Kapital or play chess with his sons. Father Müller wields not physical but financial power: he is the wealthiest man in the German community, from whom almost all the other farmers rent land. His money allows him to overcome the community's objections to his atheism. When the townsfolk will not elect his son-in-law as sheriff because of Father Müller's beliefs, Father Müller threatens to raise their rent. Mother Müller raises some mild objections, afraid that the pastor will not christen the family's babies; Father Müller dismisses these by telling her that if he pays the pastor good money, the pastor will christen them. His faith in the power of money is tested, however, when Mother Müller is dying: "A hundert tousand tollars in the bank and tell me, tell, what goot does it do?"
Gretchen Müller
Gretchen, who is pregnant at the outset of the story and then gives birth to a son, is the "pet of the family, with the sly, smiling manner of a spoiled child." The reader learns little else of Gretchen, who exists mainly in the story as another example of the Müller daughters' fecundity. In fact, the name Gretchen is a German pet form of Margaret; St. Margaret is the patron saint of expectant mothers.
Huldah Müller
Huldah, whose nickname is Hatsy, is the antithesis of Ottilie in every way. Nimble and full of energy, she is the quintessential Müller daughter, and everything that Ottilie can never be. Hatsy even earns praise from stern Mother Müller ("she's a good, quick girl.") With her wedding just around the corner, Hatsy is just beginning her life, whereas Ottilie's future is one of continued toil and suffering.
Mother Müller
Though the traditions and community of the Müllers are patriarchal, Mother Müller is the true center of the family, their "rock" (at one point she is described standing behind Father Müller "like a dark boulder.") This is not really a paradox, because Mother Müller's character is not at all feminine; she is as manly, if not more so, than Father Müller. Louise, in her initial description of Mother Müller, calls her a "matriarch in men's shoes." The narrator says she has "the stride of a man," and "[strides] about hugely, giving orders right and left." Noting that none of the children looks like Mother Müller, the narrator also states "it was plain that poor Mother Müller had never had a child of her own." Literally, of course, this is untrue, but the description serves to further de-feminize her. Mother Müller is more the foreman of the family than the mother, the engine that keeps the daily operation functioning smoothly. Even when she is on her deathbed, the rest of the Müllers futilely await her orders: "The family crowded into the room, unnerved in panic, lost unless the sick woman should come to herself and tell them what to do for her."
Ottilie Müller
Ottilie is the key figure in "Holiday," as she represents both an unfolding mystery and a symbol of the narrator's own alienation. Though at first she is presented as a crippled servant girl, the reader later learns that she is actually a member of the family, the eldest Müller daughter, deformed in childhood by an unnamed illness. Ottilie is largely ignored by the family, except when being given orders. Her need for connection and recognition surfaces when she shows the narrator her childhood portrait; she wants someone, anyone, to recognize that she is a member of this family. Because Ottilie cannot speak or bear children, the family sees her ability to work as her sole worth as a human being. The ability to bear children is key to the Müllers; all the Müller daughters are in some stage of giving birth. Annetje has a newborn, Gretchen is pregnant and gives birth during the story, and Hatsy has her wedding, which, in this community, means that babies are soon to come. It is inferred that the narrator herself is alone and without children; at the dinner table, as the family guest, she is seated with the men. Her inability to speak German makes her almost without voice in this household, just as Ottilie is. As a fellow outsider, the narrator finds herself drawn to Ottilie and finds herself both pitying her and empathizing with her.
The Narrator
The nameless narrator who tells the story of her visit to the Müller farm is a somewhat mysterious character. At the outset readers learn only that she is a young woman who is going through a difficult time in her life and is looking for an escape, a holiday from her troubles. Little other concrete information is revealed, but through her thoughts and actions she demonstrates kindness, compassion, and a love for nature. The story is told in a detached, observational way, and because the family speaks mostly German, there is very little dialogue and almost none involving the narrator herself. The reader gets the impression that the narrator herself feels detached and alienated from the world, and though she is running from the world, what she really wants and needs is connection. She offers to help Hatsy with chores, she plays with the children, and she reaches out to Ottilie, with whom she identifies as a fellow outsider.




