Share on Facebook Share on Twitter Email
Answers.com

Homotopy to Marie

 
Album Review: Homotopy to Marie

Review

Though Homotopy To Marie is the fifth album by Nurse with Wound, Steve Stapleton has said that he considers it the band's true debut because it's the first one he created by himself. Slowly created over the course of a full year's worth of studio sessions (Stapleton having booked one six-hour block per week for 52 weeks), Homotopy To Marie is no less unnerving and experimental than Nurse with Wound's previous albums, but it's far less chaotic. Stapleton created the album's five songs (four on the original LP; the 12-minute "Astral Dustbin Dirge," recorded during these sessions, was added to the CD editions) almost entirely through tape manipulation, artfully editing miles of audio tape into these lengthy dada-esque soundscapes. It may be more elegantly constructed, but it's just as difficult to penetrate. The opening track "I Cannot Feel You as the Dogs Are Laughing and I Am Blind" opens with a lengthy solo for random metal clanking that sounds like a drawer full of silverware being stirred with an axe handle and then fades into near-total silence for several minutes until a processed vocal wail wanders in, leading to an unexpected noise-burst climax that causes listeners to jump even when they know it's coming. The title track ("homotopy" is a mathematical term for the morphing of one two-dimensional shape into another, incidentally) consists of little more than gong crashes with occasional interjections of whispered voices, atonal violin-like creaks and other small and inexplicable noises. "Astral Dustbin Dirge" lulls the listener into complacency with a lengthy prologue of sounds resembling tape-manipulated whale song before a brief burst of cries and alarms then settles into possibly the most minimalist near-silence of the entire album. The 25-minute epic "The Schmurz (Unsullied by Sucking)" slowly builds into a symphony of feedback and electronic tones alternately droning at irritating frequencies and imitating natural sounds like woodpeckers and rainfall, like a more pastoral version of Lou Reed's Metal Machine Music. After that, the barely 90-second "The Tumultuous Upsurge of Lasting Hatred," a snatch of tape rendered near inaudible followed by several seconds of pure silence, sounds like a lullaby in comparison. While hardly accessible, Homotopy To Marie is at least generally comprehensible in its structures and sounds, and as such one of the most popular starting points in the Nurse With Wound catalogue. [The United Dairies CD reissue of 2008 fixes an indexing error made in the original early 1990s CD release, where the last three minutes or so of track one were inadvertently added to the start of track two.] ~ Stewart Mason, All Music Guide

Tracks

Track TitleComposersPerformersTime
I Cannot Feel You as the Dogs Are Laughing and I Am Blind Nurse with Wound (10:14)
Homotopy to Marie Nurse with Wound (16:37)
Astral Dustbin Dirge Nurse with Wound (12:19)
The Schmürz (Unsullied by Suckling) Nurse with Wound (24:54)
The Tumultuous Upsurge (Of Lasting Hatred) Nurse with Wound (1:25)

Credits

Nurse with Wound (Main Performer), Franz Kamin (Inspiration), Peter McGee (Engineer)
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: Homotopy to Marie
Top
Homotopy to Marie
Studio album by Nurse With Wound
Released 1982
Recorded 1981-82
Genre Industrial, Experimental
Length 65:30
Label United Dairies
Producer Steven Stapleton
Professional reviews
Nurse With Wound chronology
Insect and Individual Silenced
(1981)
Homotopy to Marie
(1982)
Brained by Falling Masonry
(1983)

Homotopy To Marie is the fifth album by Nurse With Wound, released in 1982.

Although Nurse With Wound had generated considerable interest across their preceding releases, Steven Stapleton has asserted to author David Keenan that Homotopy To Marie should be considered the first "real" NWW album. In Keenan's book England's Hidden Reverse, Stapleton states that this was the first album he made without intervention, the original trio line-up having dispersed in 1980. Although J. G. Thirlwell participated in some of the sessions and is thanked on the album's sleeve, this is effectively a Steven Stapleton solo album and he would retain sole curatorship of NWW from this point onwards.

The album was the result of a block booking made by Stapleton at IPS Studios in London, reserving every Friday evening (6pm - midnight) for a whole year. It is, as Keenan notes, audibly less musically conventional than its predecessors and relies on Stapleton's improving abilities of tape-editing and construction, honed during these Friday evening sessions. The Audion Guide To Nurse With Wound states that the album is "a step on from the Dadaist rock of Merzbild Schwet, with much use of tape manipulation and classical avant-garde techniques" [2] with Allmusic using keywords including unsettling, volatile, eerie and nocturnal to describe the feel of the album which combined tape edits with resonating gong tones and disembodied children's voices to create a sonic collage far removed from the harsh improvisations of the group's early albums. The sleeve credits include a declaration that the record was inspired by Franz Kamin.

The album was issued on Stapleton's own United Dairies label in an initial pressing of 5,000, five times as many as predecessor Insect and Individual Silenced. It was also issued on cassette. A compact disc edition was released in 1992 with alternate artwork (pictured) and an additional contemporaneous recording, "Astral Dustbin Dirge", which had been omitted from the original formats for reasons of length. All copies of the CD suffered from a mastering fault which caused the index point between tracks 2 and 3 to occur 3 minutes earlier than it should. The titles of most of the tracks were also abbreviated on this edition. The album went out of print when distributor World Serpent went out of business but was reissued on United Jnana in June 2007 in remastered form, with the correct index points and the original track titles restored.

Contents

Track listing

Side one

  1. "I Cannot Feel You as the Dogs Are Laughing and I Am Blind" – 10:14
  2. "Homotopy to Marie" – 16:37

Side two

  1. "The Schmürz (Unsullied by Suckling)" – 24:54
  2. "The Tumultuous Upsurge (of Lasting Hatred)" – 1:25

CD edition

  1. "I Cannot Feel You as the Dogs Are Laughing and I Am Blind" – 10:14
  2. "Homotopy to Marie" – 16:37
  3. "Astral Dustbin Durge" – 12:19
  4. "The Schmürz (Unsullied by Suckling)" – 24:54
  5. "The Tumultuous Upsurge (of Lasting Hatred)" – 1:25

As mentioned above, early CD pressings had the final three minutes of "Homotopy to Marie" as part of "Astral Dustbin Durge", leaving track times of 13:37 and 15:19, respectively. The 2007 reissue corrected this indexing error.

Bibliography

  • England's Hidden Reverse - David Keenan, SAF 2003 ISBN 0-946719-40-3
  • Official NWW website, hosted by Brainwashed [3]

 
 
Learn More
Nurse with Wound (Rock Band, '70s-2000s)
Bright Yellow Moon (2001 Album by Current 93/Nurse With Wound)
Insect and Individual Silenced

What is mary? Read answer...
Who is mary? Read answer...
What is mary mary myspace name? Read answer...

Help us answer these
Why did napoleon mary mary?
How many siblings does mary mary have?
What is Mary Mary number is?

Post a question - any question - to the WikiAnswers community:

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Homotopy to Marie" Read more