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Honey's Dead

 
Album Review: Honey's Dead

Review

Again working with Alan Moulder but now also using a live drummer on most tracks -- namely Monti from Curve, one of the Mary Chain's many descendants -- the Reids came back strong with Honey's Dead, on balance a more consistent and satisfying record than Automatic. There's a sense of greater creativity with the arrangements, while the balance between blasting static rampage and precise, almost clinical delivery is the finest yet, making the album as a whole the best straight-through listen since Psychocandy. Monti's drumming finally replaces Bobby Gillespie's properly; he's a much more talented musician than the Primal Scream overlord, using the warped funk hits familiar from Curve's work to the Mary Chain's advantage. Even the drum machine-driven cuts work better than before, especially the brilliant, coruscating opener, "Reverence." Burning with some of the best nails-on-chalkboard feedback the band had yet recorded, combined with a whipsmart sharp breakbeat, all it took was the finishing touch of Jim Reid's sneering lines like "I wanna die like Jesus Christ" to make it another stone-cold classic single from the band. Other winners include "Sugar Ray," with beats and melody so immediate and addictive the track was actually used for a beer commercial, of all things, and the steady slap and crunch of "Good for My Soul." If there's a danger in Honey's Dead, it's that the near bottomless pit of reworked melodies and lyrics had almost reached its end -- even the final track, "Frequency," combines both "Reverence" itself with the Modern Lovers' "Roadrunner" -- which made the stylistic shift on Stoned & Dethroned a logical follow-up. William and Jim Reid split all the vocals almost evenly, the former especially shining on the nearly gentle "Almost Gold," the closest the record comes to a sweet ballad. ~ Ned Raggett, All Music Guide

Tracks

Track TitleComposersPerformersTime
Reverence William Reid, Jim Reid The Jesus and Mary Chain (3:40)
Teenage Lust William Reid, Jim Reid The Jesus and Mary Chain (3:06)
Far Gone and Out Jim Reid, William Reid The Jesus and Mary Chain (2:51)
Almost Gold William Reid, Jim Reid The Jesus and Mary Chain (3:19)
Sugar Ray Jim Reid, William Reid The Jesus and Mary Chain (4:41)
Tumbledown William Reid, Jim Reid The Jesus and Mary Chain (4:10)
Catchfire William Reid, Jim Reid The Jesus and Mary Chain (4:47)
Good for My Soul Jim Reid, William Reid The Jesus and Mary Chain (3:05)
Rollercoaster William Reid, Jim Reid The Jesus and Mary Chain (3:46)
I Can't Get Enough Jim Reid, William Reid The Jesus and Mary Chain (2:56)
Sundown Jim Reid, William Reid The Jesus and Mary Chain (4:59)
Frequency William Reid, Jim Reid The Jesus and Mary Chain (1:19)

Credits

William Reid (Producer), Flood (Engineer), Alan Moulder (Engineer), William Reid (Vocals), Ginger Dettman (Project Assistant), Kieron Tyler (Liner Notes), Raena Winscott (Project Assistant), Monti (Drums), Jim Reid (Producer), Vanessa Atkins (Editorial Supervision), Robin Hurley (Project Assistant), Kenny Nemes (Product Manager), Andrew Catlin (Photography), Alan Moulder (Mixing), Greg Allen (Art Direction), Dan Hersch (Mastering), Steve Woolard (Project Assistant), Julie Reid (Project Assistant), Jim Reid (Vocals), Bill Inglot (Mastering), Mason Williams (A&R)
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Wikipedia: Honey's Dead
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Honey's Dead
Studio album by The Jesus and Mary Chain
Released March 1992 (1992-03)
Recorded 1990-1991
Genre Alternative rock
Length 42:22
Label Blanco y Negro
Def American
Producer William Reid, Jim Reid
Professional reviews
The Jesus and Mary Chain chronology
Automatic
(1989)
Honey's Dead
(1992)
The Sound of Speed
(1993)
Singles from Honey's Dead
  1. "Reverence"
    Released: February 1992
  2. "Far Gone and Out"
    Released: April 1992
  3. "Almost Gold"
    Released: June 1992

Released in 1992, Honey's Dead is the fourth studio album by the Scottish rock group The Jesus and Mary Chain on Blanco y Negro Records. The title refers to one of the band's early hits, "Just Like Honey", and is intended to demonstrate a complete departure from their earlier musical style.

The album's first single, "Reverence", attracted some controversy for the lyrics "I want to die just like Jesus Christ", and "I want to die just like JFK". Banned by Top of the Pops, the track received airplay in the United States on the alternative radio stations.

Honey's Dead was recorded in the band's London studio, the aptly named "Drugstore", with accomplished engineer Flood and future JaMC producer Alan Moulder on board (not to mention a considerably larger bankroll).

Alternative and Campus radio stations picked up "Far Gone and Out" which remains one of the band's most popular singles to date, peaking at #23 in the band's native UK. The Mary Chain shared the bill during parts of Lollapalooza 1992 in the U.S. with Pearl Jam, Soundgarden, Ministry, Lush, Ice Cube and the Red Hot Chili Peppers. Anheuser Busch even used the samples of "Sugar Ray" as a background bed for their Bud Ice television commercials in 1993.

The album posts a close second in sales to (1994) release Stoned & Dethroned (which contains the hit single "Sometimes Always" with Hope Sandoval of Mazzy Star). The Reid Brothers alternate between singing duties on tracks (most likely coinciding with songwriting duties).

Contents

Track listing

All songs written by Jim Reid and William Reid.

Vinyl LP (BYN 26) and Cassette (BYNC 26)

Side 1

  1. "Reverence" - 3:40
  2. "Teenage Lust" - 3:05
  3. "Far Gone and Out" - 2:49
  4. "Almost Gold" - 3:17
  5. "Sugar Ray" - 4:37
  6. "Tumbledown" - 4:10

Side 2

  1. "Catchfire" - 4:47
  2. "Good for My Soul" - 3:01
  3. "Rollercoaster" - 3:46
  4. "I Can't Get Enough" - 2:57
  5. "Sundown" - 4:58
  6. "Frequency" - 1:58
CD (BYNCD 26)
  1. "Reverence" - 3:40
  2. "Teenage Lust" - 3:05
  3. "Far Gone and Out" - 2:49
  4. "Almost Gold" - 3:17
  5. "Sugar Ray" - 4:37
  6. "Tumbledown" - 4:10
  7. "Catchfire" - 4:47
  8. "Good for My Soul" - 3:01
  9. "Rollercoaster" - 3:46
  10. "I Can't Get Enough" - 2:57
  11. "Sundown" - 4:58
  12. "Frequency" - 1:58

Notes

  • Track 6: Contains a sample of Einstürzende Neubauten's "Tanz Debil" (Kollaps, 1981) starting at 1:25 and lasting for roughly 18 seconds.
  • Track 9: Is listed as "copyright 1990" (while the rest of the album is "copyright 1992"), but the version here is not the original 1990 EP version. This version features live drums (presumably by Monti) and does not have the echo on William Reid's voice, and is likely a re-recorded version from the album sessions.

Personnel

The Jesus and Mary Chain

Additional personnel


 
 
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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