hootenanny

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(hūt'n-ăn'ē) pronunciation
n., pl., -nies.
  1. An informal performance by folk singers, typically with participation by the audience.
  2. Informal. An unidentified or unidentifiable gadget.

[Origin unknown.]


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Random House Word Menu by Stephen Glazier
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Hootenanny is an Appalachian colloquialism that was used in early twentieth century America to refer to things whose names were forgotten or unknown. In this usage it was synonymous with thingamajig or whatchamacallit, as in "hand me that hootenanny." Hootenanny was also an old country word for "party". Now, most commonly, it refers to a folk-music party.

"Hootenanny" was also used by the leadership of early firefighting battalions to describe a "meeting of the minds" of higher ups or various department heads. The term has trickled down to working companies and is now used, with some frequency, at working incidents and other circumstances that require a focused discussion between key individuals. Most recently it was adopted for use during the annual Fire Department Instructors Conference. Logistics professionals for the conference employ the word to call together the required personnel needed to accomplish the prodigious assignments placed on them.

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Origin

According to Pete Seeger, in various interviews, he first heard the word hootenanny in Seattle, Washington in the late 1930s. It was used by Hugh DeLacy’s New Deal political club [1] to describe their monthly music fund raisers. [2] After some debate the club voted in the word hootenanny, which narrowly beat out the word wingding. Seeger, Woody Guthrie and other members of the Almanac Singers later used the word in New York City to describe their weekly rent parties, which featured many notable folksingers of the time. [2] In a 1962 interview in Time, Joan Baez made the analogy that a hootenanny is to folk singing what a jam session is to jazz. [3]

Events

During the early 1960s at the height of the Folk Music era, the club The Bitter End at 147 Bleecker Street in Greenwich Village had hootenannies every Tuesday night, that featured an open mike and welcomed performers known and unknown, young and old.[4]

The Hootenanny is an annual one-day rockabilly music festival held at the Oak Canyon Ranch in Irvine, California, which also incorporates a vintage car show.

For years there have been online Hootenannys. The most long-standing example is Small Talk At The Wall,[5] which has been going since 1999.

Recordings

  • Surfin' Hootenanny is a surf pop/rock song written by Lee Hazlewood (tune) and Al Casey, and performed by Al Casey with The K-C-Ettes (aka The Blossoms). It opens the Al Casey's 1963. album Surfin' Hootenanny (issued as LP record by Sundazed Music Inc.). The song re-appeared in 1996. (in remastered version) as track 15 of Cowabunga! Set 2: Big Waves (1963.) compilation. Cowabunga! Set 2: Big Waves (1963.) is a second disc from Rhino Records' Cowabunga! The Surf Box 4 CD set compilation that contains most famous songs from the four-decade long history of surf music.
  • The band Weezer had a Hootenanny tour in 2008 which allowed fans to play songs with the band.[citation needed]
  • The album The Repercussions of Angelic Behavior by Rieflin, Gunn and Fripp contains a track entitled Hootenanny At The Pink Pussycat Cafe.
  • Reggae legends The Wailers recorded a song called "Hoot Nanny Hoot", sung by Peter Tosh available on Peter Tosh's cd "The Toughest".
  • Swedish sixties Folk band "Hootenanny Singers" included Björn Ulvaeus, who later was a member of ABBA.
  • Belgian band Too Much and the White Nots released an album called "Hootenanny" in 2011.

Television

Several different television shows are named and styled after it, including:

See also

References

External links


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Mentioned in

Dick Wilson (Rock Artist, '60s)
Live at the Hootenanny, Vol. 1 (2000 Album by Various Artists)
Hootenanny (1983 Album by The Replacements)