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Huang Shen

 
Art Encyclopedia: Huang Shen

(b Ninghua, Fujian Province, 1687; d 1773). Chinese painter, calligrapher and poet. His father died when Huang was young, and in order to support the family Huang was obliged to pursue a professional career in painting. Although he specialized in portraiture and figure painting, he was also skilled as a painter of landscapes, plants and birds. His versatility was a characteristic he shared with his teacher, Shangguan Zhou (b 1665), a leading Fujian painter whose surviving works include Wanxiao tang huazhuan ('Painting record of the Wanxiao Hall'), a woodblock-printed work depicting historical characters. Huang was encouraged by his mother to aspire to a loftier goal than that of a mere craftsman, the status generally accorded professional painters. He began his education at the age of 18; asserting the oneness of painting and poetry, he studied both arts and in 1734 published the Jiaohu shichao ('Poetic anthology by Jiaohu'), Jiao hu being a lake to the north of Ninghua. He often included elegantly phrased inscriptions on his paintings, thereby incorporating poetry, calligraphy and painting in a single work. His calligraphy was initially modelled after the kaishu (regular script) of Zhong You (AD 151-230) but was later influenced by the caoshu (cursive script) of Huaisu. The best examples of his style are bold and sweeping, executed with an unerringly crisp and sure touch and with intricately spaced characters.

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Fisherman and Fisherwoman (渔翁渔妇图), Huang Shen, Nanjing Museum

Huang Shen (simplified Chinese: 黄慎traditional Chinese: 黃慎pinyin: Huáng ShènWade-Giles: Huang Shen) (1687 - 1772) was a Chinese painter during the Qing Dynasty.[1]

Huang's was born in Ninghua (寧化) Fujian province, to a poor family. His style names were 'Gong shou' (恭壽) and 'Gong Mao" (恭懋). His pseudonym was 'Ying Piaozi' (癭瓢子).[1]

He began his training under the painter Shang Guanzhou (上官周).[1] In the earliest part of his career he excelled at cursive calligraphy and favored a meticulous style modelled after Ni Zan. He became better known as an artistic innovator who was one of the Eight Eccentrics of Yangzhou. When it came to paintings of people he favored images of religious, historic, and common people. His more famous works are The Drunk Monk and Shepherd Su Wu.

Notes

  1. ^ a b c Cihai: Page 2054.

References

  • Ci hai bian ji wei yuan hui (辞海编辑委员会). Ci hai (辞海). Shanghai: Shanghai ci shu chu ban she (上海辞书出版社), 1979.

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