Career Highlights: Kismet, A Song Is Born, Hellzapoppin'
First Major Screen Credit: Friends and Lovers (1931)
Biography
Hugh Herbert was a stage and vaudeville performer and playwright before coming to Hollywood as a dialogue director in the early talkie era. Signed as an actor at RKO Radio, Herbert played a variety of comic and noncomic roles in films like Hook Line and Sinker (1930), Danger Lights (1931) and Friends and Lovers (1931). His forte turned out to be comedy, as witness his sidesplitting performances as an arm-wrestling prime minister in Million Dollar Legs (1932) and an aphorism-spouting Chinaman in Diplomaniacs (1933). During his long association with Warner Bros. in the mid-1930s, Herbert developed his familiar half-in-the-bag screen persona, complete with fluttering, hand-clapping gestures and his trademarked cries of "woo woo!" and "oh, wunnerful, wunnerful." In the opinion of several film buffs, the quintessential Hugh Herbert performance can be found in the 1936 Warners musical Colleen (1936). At Universal in the 1940s, Herbert starred in a string of "B" comedies, one of which, There's One Born Every Minute (1942), represented the screen debut of Elizabeth Taylor; he was also a stitch as the resourceful detective in Olsen and Johnson's Hellzapoppin' (1941). From 1943 through 1952, Herbert starred in 23 two-reelers at Columbia Pictures, which were popular at the time but in retrospect represent a low point for the actor. Columbia director Edward Bernds has observed that Herbert considered these shorts beneath his talents, which may account for his listless performance in most of them. Throughout his Columbia stay, Herbert made scattered feature-film appearances, the best of which was in Preston Sturges' The Beautiful Blonde of Bashful Bend (1949). Hugh Herbert died a of heart attack shortly after completing his final Columbia short, A Gink at the Sink (1952); he was preceded in death by his brother, movie bit player Tom Herbert. ~ Hal Erickson, All Movie Guide
Hugh Herbert (August 10, 1887 – March 12, 1952) was a motion picture comedian. He began his career in vaudeville, and wrote more than 150 plays and sketches.
The advent of talking pictures brought stage-trained actors to Hollywood, and Hugh Herbert soon became a popular movie comedian. His screen character was usually absent-minded and flustered. He would flutter his fingers together and talk to himself, repeating the same phrases: "hoo-hoo-hoo, wonderful, wonderful, hoo hoo hoo!" This catchphrase inspired Daffy Duck's "hoo hoo, hoo hoo" phrase during the early years of the character. So many imitators (including Curly Howard of The Three Stooges) copied the catchphrase as "woo woo" that Herbert actually adopted "woo woo" himself in the 1940s.
Herbert's earliest movies, like Wheeler & Woolsey's 1930 feature Hook, Line, and Sinker, cast him in generic comedy roles that could have been taken by any comedian. Herbert soon developed his own unique screen personality, complete with a silly giggle, and this new character caught on quickly. He was frequently featured in Warner Brothers films of the 1930s, including Footlight Parade, Dames, Bureau of Missing Persons, Fog Over Frisco, Fashions of 1934, Gold Diggers of 1935, as well the 1935 film adaptation of Shakespeare's A Midsummer Night's Dream. He also played leads in B comedies, notably Sh! The Octopus, a 1937 comedy-mystery featuring an exceptional unmasking of the culprit. Herbert was often caricatured in Warners' Looney Tunes shorts of the '30s and '40s, such as The Courtship of Miles Standish and Hollywood Steps Out.
In 1939 Herbert signed with Universal Pictures where, as at Warners, he played supporting roles in major films, and leading roles in minor ones. One of his best-received performances from this period is in the Olsen and Johnson comedy Hellzapoppin', in which Hugh plays a nutty detective.
Hugh Herbert joined Columbia Pictures in 1943 and became a familiar face in short subjects, with the same actors and directors who made the Stooges shorts. He continued to star in these comedies for the remainder of his life. Shortly before his death he appeared on network television, making a surprise appearance (in drag) on a live Spike Jones show.
Hugh's brother, Tom Herbert, was also a screen comedian who played mildly flustered roles. Fans of Laurel and Hardy and The Three Stooges may recall Tom Herbert as the nervous bartender confronted by Lupe Velez in Hollywood Party. He is featured in Warners' 1940 short subject Double or Nothing — as Hugh Herbert's movie double.