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Hugo Ball

 

Ball, Hugo (Pirmasens, 1886-1927, Sant' Abbondio, Ticino), after beginning a commercial career, studied philosophy at Munich, Heidelberg, and Basel universities and then became a theatrical producer. In Munich he was associated with F. Wedekind in the court theatre, the Kammerspiele. A pacifist, he emigrated to Switzerland in 1915 and in 1916 founded the Cabaret Voltaire (see Dadaismus). After the war he became a Roman Catholic convert. In his Klanggedichte and speech-song (Sprechgesang) he aimed at a distancing effect to language associated with war and the bourgeois society. In print he employed the technique of collage in the form of an arbitrary arrangement of different types (Karawane, 1917). His works include the plays Die Nase des Michelangelo (1911), Der Henker von Brescia (1914), and Nero (written 1914?, ed. F. L. Pelgen, 1986), the novel Flametti oder vom Dandysmus der Armen (1918, reissued 1973), and a biography of his friend H. Hesse (1927, reissued 1977), his well-known essay Zur Kritik der deutschen Intelligenz (1919, reissued 1980), and his diary, Die Flucht aus der Zeit. Tagebücher 1912-1921 (1927, reissued 1946). His poetry, Gesammelte Gedichte, ed. A. Schütt-Hennings, appeared in (1963; correspondence, Briefe 1911-1927, in (1957; Essays in (1981; Der Künstler und die Zeitkrankheit in 1984.

Ball was married to Emmy Ball-Hennings; Damals in Zürich. Dada (1977) is a joint work.

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Quotes By: Hugo Ball
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Quotes:

"Everywhere, the ethical predicament of our time imposes itself with an urgency which suggests that even the question Have we anything to eat? will be answered not in material but in ethical terms."

"We should burn all libraries and allow to remain only that which everyone knows by heart. A beautiful age of the legend would then begin."

"The symbolic view of things is a consequence of long absorption in images. Is sign language the real language of Paradise?"

Wikipedia: Hugo Ball
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Hugo Ball's famous 1916 poem, "Karawane"

Hugo Ball (February 22, 1886September 14, 1927) was a German author, poet and one of the leading Dada artists.

Hugo Ball was born in Pirmasens, Germany and was raised in a Catholic family. He studied sociology and philosophy at the universities of Munich and Heidelberg (1906–1907). In 1910, he moved to Berlin in order to become an actor and collaborated with Max Reinhardt. At the beginning of the First World War he joined the army as a volunteer, But, after the invasion of Belgium, was disillusioned saying: "The war is founded on a glaring mistake, men have been confused with machines". Considered a traitor in his country, he crossed the frontier with his wife and settled in Zürich. Here, Ball continued his interest in anarchism, and in Bakunin in particular; he also worked on book of Bakunin translations, which never got published. Although interested in anarchist philosophy, he nonetheless rejected it for its militant aspects, and viewed it as only a means to his personal goal of enlightenment.[1]

In 1916, Hugo Ball created the Dada Manifesto, making a political statement about his views on the terrible state of society and acknowledging his dislike for philosophies in the past claiming to possess the ultimate Truth. The same year as the Manifesto, in 1916, Ball wrote his poem "Karawane," which is a German poem consisting of nonsensical words. The meaning however resides in its meaninglessness, reflecting the chief principle behind Dadaism. Some of his other best known works include the poem collection 7 schizophrene Sonette, the drama Die Nase des Michelangelo, a memoir of the Zürich period Flight Out of Time: A Dada Diary, and a biography of Hermann Hesse, entitled Hermann Hesse. Sein Leben und sein Werk (1927).

As co-founder of the Cabaret Voltaire in Zürich, he led the Dada movement in Zürich, and is one of the people credited with naming the movement "Dada", by allegedly choosing the word at random from a dictionary. He was married to Emmy Hennings, another member of Dada.

His involvement with the Dada movement lasted approximately two years. He then worked for a short period as a journalist, for Freie Zeitung in Bern. After returning to Catholicism in July of 1920, Ball retired to the canton of Ticino where he lived a religious and relatively poor life. He died on Sant'Abbondio, Switzerland.

His poem "Gadji beri bimba" was later adapted to the song entitled "I Zimbra" on the 1979 Talking Heads album Fear of Music; he received a writing credit for the song on the track listing.

Contents

See also

Bibliography

  • Die Nase des Michelangelo. Tragikomödie in vier Auftritten, 1911
  • Der Henker von Brescia. Drei Akte der Not und Ekstase, 1914
  • Flametti oder Vom Dandysmus der Armen. Roman. Reiss, Berlin 1918
  • Zur Kritik der deutschen Intelligenz. Der Freie Verlag, Bern 1919
    • umgearbeitete Fassung als: Die Folgen der Reformation. Duncker & Humblot, München 1924
  • Byzantinisches Christentum. Drei Heiligenleben (zu Joannes Klimax, Dionysius Areopagita und Symeon dem Styliten). Duncker & Humblot, München 1923
  • Hermann Hesse. Sein Leben und sein Werk. S. Fischer, Berlin 1927
  • Die Flucht aus der Zeit (Diary). Duncker & Humblot, München 1927

Posthumous:

  • Gesammelte Gedichte mit Photos und Faksimiles, hg. v. Annemarie Schütt-Hennings. Arche, Zürich 1963
  • Tenderenda der Phantast. Roman. Arche, Zürich 1967

Bibliography in English

  • Ball, Hugo (1974). Flight Out of Time: A Dada Diary. trans. Ann Raimes. New York: Viking Press. ISBN 0-670-31841-8. 
  • Blago Bung, Blago Bung, Hugo Ball's Tenderenda the Fantast, Richard Huelsenbeck's Fantastic Prayers, & Walter Serner's Last Loosening - three key texts of Zurich ur-Dada. Translated and introduced by Malcolm Green. Atlas Press, ISBN 0 947757 86 4

References

  1. ^ "I have examined myself carefully. I could never bid chaos welcome, blow up bridges, and do away with ideas. I am not an anarchist." Flight out of Time, Introduction. University of California Press (1996)

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German Literature Companion. The Oxford Companion to German Literature. Copyright © 1976, 1986, 1997, 2005 by Oxford University Press. All rights reserved.  Read more
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