Ball, Hugo (Pirmasens, 1886-1927, Sant' Abbondio, Ticino), after beginning a commercial career, studied philosophy at Munich, Heidelberg, and Basel universities and then became a theatrical producer. In Munich he was associated with F. Wedekind in the court theatre, the Kammerspiele. A pacifist, he emigrated to Switzerland in 1915 and in 1916 founded the Cabaret Voltaire (see Dadaismus). After the war he became a Roman Catholic convert. In his Klanggedichte and speech-song (Sprechgesang) he aimed at a distancing effect to language associated with war and the bourgeois society. In print he employed the technique of collage in the form of an arbitrary arrangement of different types (Karawane, 1917). His works include the plays Die Nase des Michelangelo (1911), Der Henker von Brescia (1914), and
Ball was married to Emmy Ball-Hennings; Damals in Zürich. Dada (1977) is a joint work.





