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I Ain't Marching Anymore

 
Album Review: I Ain't Marching Anymore

  • Artist: Phil Ochs
  • Rating: StarStarStarStarHalf Star
  • Release Date: 1965
  • Total Time: 50:54
  • Genre: Folk

Review

What a difference a year made for Phil Ochs -- his 1964 debut, All the News That's Fit to Sing, gained him a reputation as the most promising songwriter to come out of the Greenwich Village folk scene since Bob Dylan, and 1965's I Ain't Marching Anymore proved he was every bit as good as his press clippings said. Ochs had grown by leaps and bounds as a performer in the space between the two albums, and where Phil sometimes sounded a bit clumsy and uncertain on his first LP, here he brims with confidence, and his guitar work -- simple but forceful and efficient -- didn't require another musician's sweetening as it did on All the News. Most importantly, while Ochs' songwriting was uneven but compelling in his first collection, I Ain't Marching Anymore finds him in consistently strong form throughout. The craft and the emotional weight of the material makes even the most dated material ("Draft Dodger Rag" and "Here's to the State of Mississippi") effective today, and a surprising number of the songs remain as potent (and sadly timely) today as in 1965, especially "Iron Maiden" and "That's What I Want to Hear." And if there are fewer jokes on this set, "Draft Dodger Rag" is funnier than anything on Phil's first album, and his cover of Ewan MacColl's "Ballad of the Carpenter" (as well as his adaptation of Alfred Noyes' "The Highwayman") revealed what a strong interpretive performer he could be. (His liner notes are pretty good, too; it's a shame he didn't write more prose.) Literally dozens of singer/songwriters jumped on the protest bandwagon after the success of Bob Dylan and Joan Baez, but one would be hard-pressed to name one who made an album that works as well almost four decades later as I Ain't Marching Anymore. ~ Mark Deming, All Music Guide

Tracks

Track TitleComposersPerformersTime
I Ain't Marching Anymore Bob Gibson, Phil Ochs Phil Ochs (2:35)
In the Heat of the Summer (Lyrics) Phil Ochs Phil Ochs (3:06)
Draft Dodger Rag (Lyrics) Phil Ochs Phil Ochs (2:11)
That's What I Want to Hear (Lyrics) Phil Ochs Phil Ochs (3:10)
That Was the President Phil Ochs Phil Ochs (3:24)
Iron Lady Phil Ochs Phil Ochs (3:34)
The Highwayman Phil Ochs Phil Ochs (5:39)
Links on the Chain (Lyrics) Phil Ochs Phil Ochs (4:21)
Hills of West Virginia Phil Ochs Phil Ochs (3:22)
The Men Behind the Guns (Lyrics) Phil Ochs, John Rooney Phil Ochs (3:04)
Talking Birmingham Ham Phil Ochs Phil Ochs (3:12)
Ballad of the Carpenter Ewan MacColl Phil Ochs (3:55)
Days of Decision (Lyrics) Phil Ochs Phil Ochs (3:12)
Here's to the State of Mississippi (Lyrics) Phil Ochs Phil Ochs (5:51)

Credits

Bruce Jackson (Liner Notes), Phil Ochs (Vocals), Barbara Longo (CD Package Design), Jac Holzman (Producer), Phil Ochs (Liner Notes), Richie Unterberger (Liner Notes), Phil Ochs (Guitar), Paul Rothchild (Engineer), Jac Holzman (Production Supervisor)
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Wikipedia: I Ain't Marching Anymore
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I Ain't Marching Anymore
Studio album by Phil Ochs
Released 1965
Recorded 1965
Genre Folk
Length 50:54
Label Elektra
Producer Jac Holzman and Paul A. Rothchild
Professional reviews
Phil Ochs chronology
All The News That's Fit To Sing
(1964)
I Ain't Marching Anymore
(1965)
Phil Ochs In Concert
(1966)

I Ain't Marching Anymore was Phil Ochs' second LP, released on Elektra Records in 1965. Dispensing with second guitarist Danny Kalb, Ochs performs alone on twelve original songs, an interpretation of Alfred Noyes' "The Highwayman" set to music (much as Poe's "The Bells" had been set to music on the previous album) and a cover of Ewan MacColl's "The Ballad of the Carpenter".

Of the twelve originals, probably the most noted was the title track, with its distinctive trilling guitar part, that spoke of a soldier sick of fighting. Also of note was the album closer, "Here's to the State of Mississippi", a biting criticism of that state's lack of civil rights and general bigoted attitude. Other important songs include "Draft Dodger Rag" (assailing those "red blooded Americans" who were in favor of US participation in the Vietnam War but did not fight because they were just summertime soldiers and sunshine patriots), "That Was The President" (a tribute to John Kennedy written soon after his assassination), "Talking Birmingham Jam" (which used the melody to "John Hardy" to assail the racist leaders of Birmingham) and "Links on the Chain" (attacking labor unions for not being all-inclusive).

Ochs showed great thematic versatility on the album, including not just blatantly anti-war or protest songs but also poetry (Alfred Noyes, John Rooney, and Ewan MacColl) and some songs his followers probably didn't want to hear. He noted, for instance, in the liner notes that his Marxist friends couldn't understand why he wrote "That Was the President," dryly adding that that was one of the reasons he wasn't a Marxist. He showed more socialist sympathies with the songs "The Men Behind the Guns" and "Ballad of the Carpenter," with its memorable lyric "Jesus was a working man." (Ochs wrote in the liner notes that "songs like this" were one of the reasons the State Department blocked Ewan MacColl from entering the U.S., adding that this was unwise given "the quality of culture in America.") However, ardent socialists were probably unhappy with the song "That's What I Want to Hear," in which Ochs tells an out of work man to stop begging and do something about it. Among more traditional protest songs, the most pointed might be "Iron Lady," about the death penalty, with the memorable line "And a rich man never died upon the chair." (The "iron lady" in the title referred to the electric chair.) Ochs wrote that "in the future, intelligent men will read in amazement about the murder of Caryl Chessman," a rather unequivocal condemnation of the execution of a convicted rapist. But hard hitting songs like that and the title song were softened with sentimental and even romantic songs like "That Was the President" and Noyes' "The Highway Man." And while critical, songs like "Draft Dodger Rag" and "Talking Birmingham Jam" used humor rather than harsh rhetoric to make their points.

On the 2001 CD reissue, an alternative electric version of "I Ain't Marching Anymore" follows "Here's to the State of Mississippi". Released as the A-side of a British 45, it had first appeared in the States on the now out-of-print 1997 box set Farewells & Fantasies.

Contents

Track listing

All songs by Phil Ochs unless otherwise noted.

  1. "I Ain't Marching Anymore" – 2:37
  2. "In the Heat of the Summer" – 3:08
  3. "Draft Dodger Rag" – 2:13
  4. "That's What I Want to Hear" – 3:10
  5. "That Was the President" – 3:26
  6. "The Iron Lady" – 3:37
  7. "The Highwayman" (A. Noyes, with musical interpretation by Phil Ochs) – 5:42
  8. "Links on the Chain" – 4:20
  9. "The Hills of West Virginia" – 3:21
  10. "The Men Behind the Guns" (J. Rooney, with musical interpretation by Phil Ochs) – 3:03
  11. "Talking Birmingham Jam" – 3:13
  12. "The Ballad of the Carpenter" (Ewan MacColl) – 3:54
  13. "Days of Decision" – 3:14
  14. "Here's to the State of Mississippi" – 6:02
  15. "I Ain't Marching Anymore" (electric version) – 2:50 +
  • + = bonus track on 2002 CD reissue

Participants

  • Phil Ochs - vocals, guitar
  • Jac Holzman - production supervisor
  • Paul A. Rothchild - recording director
  • with the Blues Project:
    • Roy Blumenfeld - drums on "I Ain't Marching Anymore" (electric version)
    • Danny Kalb - guitar on "I Ain't Marching Anymore" (electric version)
    • Steve Katz - guitar on "I Ain't Marching Anymore" (electric version)
    • Andy Kulberg - bass on "I Ain't Marching Anymore" (electric version)
    • Al Kooper - piano on "I Ain't Marching Anymore" (electric version)

Media

External links


 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "I Ain't Marching Anymore" Read more