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Illarion Pryanishnikov

 
Oxford Grove Art:

Illarion (Mikhaylovich) Pryanishnikov

(b Timashova [now in Kaluga district], 1 April 1840; d St Petersburg, 24 March 1894). Russian painter. He studied from 1856 to 1866 at the School of Painting, Sculpture and Architecture in Moscow and subsequently taught there (1873-94). Among his pupils were Sergey Ivanov and Sergey Korovin. Pryanishnikov was among the fifteen founder-members of the Peredvizhniki (WANDERERS) and contributed two works to their first exhibition. His narrative pictures of the 1860s embodied the critical trend in early Russian Realism and focused on the trials and sorrows of the lower classes; his Jokers (1865; Moscow, Tret'yakov Gal.) shows a petty clerk performing stunts for the amusement of some wealthy merchants. The Convoy of Empty Sleds (1871; Kharkiv, Mus. F.A.) conveys a fine sense of the bleak winter landscape. His later work added northern scenery and genre scenes to his repertory as in Saviour's Day in the North (1887; Moscow, Tret'yakov Gal.) and Return from the Fair (1883; St Petersburg, Rus. Mus.). Pryanishnikov is also known for his hunting scenes. In 1893 he became a member of the St Petersburg Academy of Arts.

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Illarion Pryanishnikov

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Illarion Pryanishnikov. Portrait by Vasily Perov (1862)

Illarion Mikhailovich Pryanishnikov (Russian: Илларио́н Миха́йлович Пря́нишников; 20 March [O.S. 1 April] 1840 – 12 March [O.S. 24 March] 1894) was a Russian painter, one of the founders of the Peredvizhniki artistic cooperative.

Illarion Pryanishnikov was born in the village of Timashovo (today's Kaluga Oblast) in a family of merchants. From 1856 to 1866 he studied in the Moscow School of Painting, Sculpture and Architecture in the classes of Evgraf Sorokin and Sergey Zaryanko.

His picture Jokers. Gostiny Dvor in Moscow, painted in the last year of education, straight away brought to him a wide reputation. In this small canvas he gives an original solution of a theme of the humiliation of human dignity, callousness and cruelty in the world, where everything is bought and is sold. After depicting the tipsy merchants, who with a jeer are compelled to dance under the concertina and a poor elderly official, the artist authentically demonstrates a whole gallery of the specimens of moral deformity and complacent caddishness. The painting caused the indignation in some adherents of official academic art who felt that the young painter appeared as the destroyer of the "high" destination of the art which was to express in the ideal form the eternal truths.

In 1870 Pryanishnikov received the title of the "painter of 1st degree". From 1873 until his death he was a teacher in the MSoPSA and his apprentices were Konstantin Korovin, Vitold Byalynitsky-Birulya, Mikhail Nesterov and others.

From the outset of the existence of the union of Peredvizhniks, he was a member, and from the second exhibition he was one of directors of the union. Although Pryanishnikov lived in mainly in Moscow, he often visited the Russian Nord where sketched. He took part in the decoration of the Cathedral of Christ the Saviour.

Pryanishnikov died in Moscow where one of the streets was named after him.

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Sergey Vasil'yevichMalyutin (art)
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Sergey (Alekseyevich) Korovin (art)

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Oxford Grove Art. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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