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Illuminations

 
Album Review: Illuminations

  • Artist: Buffy Sainte-Marie
  • Rating: StarStarStarStarHalf Star
  • Release Date: 1969
  • Total Time: 35:51
  • Type: Lyrics are included with the album
  • Genre: Folk

Review

In the year 2000, the Wire magazine picked this spaced out gem from Native American folksinger and activist Buffy Sainte-Marie as one the "100 Albums That Set the World on Fire." Released in 1969, and now on CD, as of 2001, it was reissued as an import on 180 gram vinyl with its original glorious artwork and package. Interestingly enough, it's a record Sainte-Marie doesn't even list on her discography on her website. It doesn't matter whether she cares for it or not, of course, because Illuminations is as prophetic a record as the first album by Can or the psychedelic work of John Martin on Solid Air. For starters, all of the sounds with the exception of a lead guitar on one track and a rhythm section employed on three of the last four selections are completely synthesized from the voice and guitar of Sainte-Marie herself. There are tracks whose vocals are completely electronically altered and seem to come from the ether -- check out "Mary" and "Better to Find Out for Yourself" as a sample. But the track "Adam," with its distorted bassline and Sainte-Marie throwing her voice all over the mix in a tale of Adam's fall and his realization -- too late -- that he could have lived forever, is a spooky, wondrous tune as full of magic as it is mystery and electronic innovation. The songs here, while clearly written, are open form structures that, despite their brevity (the longest cut here is under four minutes), break down the barriers between folk music, rock, pop, European avant-garde music and Native American styles (this is some of the same territory Tim Buckley explores on Lorca and Starsailor). It's not a synthesis in any way, but a completely different mode of travel. This is poetry as musical tapestry and music as mythopoetic sonic landscape; the weirdness on this disc is over-exaggerated in comparison to its poetic beauty. It's gothic in temperament, for that time anyway, but it speaks to issues and affairs of the heart that are only now beginning to be addressed with any sort of constancy -- check out the opener "God Is Alive, Magic Is Afoot" or the syncopated blues wail in "Suffer the Children" or the arpeggiated synthesized lyrics of "The Vampire." When the guitars begin their wail and drone on "The Angel," the whole record lifts off into such a heavenly space that Hans Joachim Rodelius must have heard it back in the day, because he uses those chords, in the same order and dynamic sense, so often in his own music. Some may be put off by Sainte-Marie's dramatic delivery, but that's their loss; this music comes from the heart -- and even space has a heart, you know. One listen to the depth of love expressed on "The Angel" should level even the crustiest cynic in his chair. Combine this with the shriek, moan, and pure-lust wail of "With You, Honey" and "He's a Keeper of the Fire" -- you can hear where Tim Buckley conceived (read: stole) the entirety of Greetings From LA from, and Diamanda Galas figured out how to move across octaves so quickly. The disc closes with the gothic folk classic "Poppies," the most tripped out, operatic, druggily beautiful medieval ballad ever psychedelically sung. That an album like Illuminations can continue to offer pleasure 32 years after it was recorded is no surprise given its quality; that it can continue to mystify, move, and baffle listeners is what makes it a treasure that is still ahead of its time. ~ Thom Jurek, All Music Guide

Tracks

Track TitleComposersPerformersTime
God Is Alive, Magic Is Afoot (Lyrics) Leonard Cohen, Buffy Sainte-Marie Buffy Sainte-Marie (4:51)
Mary Buffy Sainte-Marie Buffy Sainte-Marie (1:30)
Better to Find Out Yourself Buffy Sainte-Marie (2:12)
The Vampire Buffy Sainte-Marie Buffy Sainte-Marie (2:05)
Adam Richie Havens Buffy Sainte-Marie (5:05)
The Dream Tree Buffy Sainte-Marie (2:34)
Suffer the Little Children Buffy Sainte-Marie (2:53)
The Angel Ed Freeman Buffy Sainte-Marie (3:41)
With You, Honey Buffy Sainte-Marie (1:48)
Guess Who I Saw in Paris Buffy Sainte-Marie Buffy Sainte-Marie (2:25)
He's a Keeper of the Fire Buffy Sainte-Marie Buffy Sainte-Marie (3:21)
Poppies Buffy Sainte-Marie Buffy Sainte-Marie (3:26)

Credits

Mark Roth (Photography), Jack Lothrop (Mixing), Mark Roth (Producer), Bob Bozina (Guitar), Bob Lurie (Engineer), Rick Oxendine (Bass), Denes (Cover Photo), Jules Halfant (Package Design), Buffy Sainte-Marie (Guitar), Ed Friedner (Engineer), Peter Schickele (Arranger), Maynard Solomon (Producer), John Craviotta (Drums), Buffy Sainte-Marie (Vocals)
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Wikipedia: Illuminations (Buffy Sainte-Marie album)
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Illuminations
Studio album by Buffy Sainte-Marie
Released December 1969
Genre Folk
Length 35:51
Label Vanguard
Producer Maynard Solomon
(tracks 1 to 6, 8 and 12)
Mark Roth
(tracks 7, 9 to 11)
Professional reviews
Buffy Sainte-Marie chronology
I'm Gonna Be a Country Girl Again
(1968)
Illuminations
(1969)
She Used to Wanna Be a Ballerina
(1971)

Illuminations, released in 1969, was the sixth album by Buffy Sainte-Marie. Though most of the tracks did away with the backing she had used on her previous two albums, Illuminations had a completely different sound from anything she had previously done. From a basis of vocals and acoustic guitar, Sainte-Marie and producer Maynard Solomon used electronic synthesisers to create a sound that was much more experimental music than folk. Indeed, Illuminations was the first quadrophonic vocal album ever made, and on songs like the album's only single "Better to Find Out Yourself", her voice is completely altered by a Buchla synthesiser.

Peter Schickele, however, did provide arrangements to "Mary", "Adam" and "The Angel", whilst the four tracks "Suffer the Little Children", "With You, Honey", "Guess Who I Saw in Paris" and "He's A Keeper of the Fire" were her first work to be not produced by Vanguard boss Maynard Solomon. Instead, they had a stripped-down rock sound and were produced by little known folk-jazz songwriter Mark Roth.

Reception

On its initial release, Illuminations was an utter disaster commercially, failing to get anywhere near the Billboard Top 200 and being deleted and largely disowned by Sainte-Marie within a few years.

However, in more recent times Illuminations has acquired a fan base quite distinct from that associated with any of Sainte-Marie's other albums. In addition to being cited as a favourite album by a number of famous musicians - notably Steve Hackett of Genesis, a number of critics have seen its twisted, eerie soundscapes as laying the grounds for the evolution of gothic music as well as having an influence on New Weird America.

In 2000, just before Vanguard re-issed it on CD, Wire magazine listed Illuminations amongst its 100 Albums that Set the World on Fire While No-One was Listening.

Track listing

All songs composed by Buffy Sainte-Marie unless otherwise indicated.

  1. "God Is Alive, Magic Is Afoot" (poem by Leonard Cohen/music by Buffy Sainte-Marie) - 4:51
  2. "Mary" - 1:30
  3. "Better to Find Out Yourself" - 2:12
  4. "The Vampire" - 2:05
  5. "Adam" (Richie Havens) - 5:05
  6. "The Dream Tree" - 2:34
  7. "Suffer the Little Children" - 2:53
  8. "The Angel" (Ed Freeman) - 3:41
  9. "With You, Honey" - 1:48
  10. "Guess Who I Saw in Paris" - 2:25
  11. "He's a Keeper of the Fire" - 3:21
  12. "Poppies" - 3:26

 
 
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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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