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Ilya Bolotowsky

 
Art Encyclopedia: Ilya Bolotowsky

(b St Petersburg, 1 July 1907; d New York, 22 Nov 1981). American painter and sculptor of Russian birth. Having moved first to Constantinople (now Istanbul) and then in 1923 to New York, he studied at the National Academy of Design (1924-30). Inspired both by Surrealist biomorphic forms and geometric abstraction, he painted his first non-objective work in 1933 and was a founder-member of American Abstract Artists in 1936. During the Depression of the 1930s he painted numerous abstract murals under the auspices of government-sponsored art programmes. By the late 1940s, when he taught for two years at Black Mountain College, he was concentrating on a colouristically diverse variant of Piet Mondrian's Neo-plasticism, the style that characterized both the painted columns Bolotowsky began to make in the 1960s (e.g. Metal Column 1966, 1966; Minneapolis, MN, Walker A. Cent.) and the paintings of the rest of his career.

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Black Diamond, Screenprint, 1978

Ilya Bolotowsky (1907 – 1981) was a leading early 20th-century painter in abstract styles in New York City. His work, a search for philosophical order through visual expression, embraced Cubism and Geometric abstraction and was much influenced by Dutch painter Piet Mondrian. He was born in St. Petersburg, Russia.

Born to Jewish parents, Bolotowsky immigrated to America in 1923 via Constantinople, settling in New York City. He attended the National Academy of Design. He became associated with a group called The Ten, artists, including Louis Schanker, Adolph Gottlieb, Mark Rothko and Joseph Solman, who rebelled against the strictures of the Academy and held independent exhibitions.

In 1936, having turned to geometric abstractions, he was one of the founding members of the American Abstract Artists, a cooperative formed to promote the interests of abstract painters and to increase understanding between themselves and the public.

During this period, Bolotowsky came under the influence of the Dutch painter Piet Mondrian and the tenets of Neoplasticism, a movement that advocated the possibility of ideal order in the visual arts. Bolotowsky adopted his mentor's use of horizontal and vertical geometric pattern and a palette restricted to primary colors and neutrals.

His mural for the Williamsburg Housing Project, New York, was one of the first abstract murals done under the Federal Art Project. Despite Bolotowsky's clear, precise control of his images, he emphasized the role of intuition over formula in determining his compositions.

In the 1960s, he began making three-dimensional forms, usually vertical and straight sided. Also, in the 1960s he taught humaities and fine arts at the Southampton, NY campus of Long Island University.

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