Contents: IntroductionPoem Text Poem Summary Themes Style Critical Overview Criticism For Further Study |
Sources
Allen, Donald and George F. Butterick, eds., The Postmoderns: The New American Poetry Revised, New York: Grove Press, 1982.
Baraka, Amiri, The Autobiography of LeRoi Jones, New York: Freundlich Books, 1984.
— — — , Transbluesency: The Selected Poems of Amiri Baraka/LeRoi Jones (1961-1995), edited by Paul Vangelisti, Marsilio Publishers, 1995.
Brown, Lloyd W., Amiri Baraka, Boston: Twayne Publishers, 1980.
Harris, William J., The Poetry and Politics of Amiri Baraka: The Jazz Aesthetic, Columbia: University of Missouri Press, 1985.
— — — , The Leroi Jones/Amiri Baraka Reader, New York City: Thunder’s Mouth Press, 1991.
Horowitz, David A., Peter N. Carroll, and David D. Lee, eds., On the Edge: A New History of 20th-Century America, Los Angeles: West Publishing Co., 1990.
Hudson, Theodore R., From LeRoi Jones to Amiri Baraka, Durham, NC: Duke University Press, 1973.
Jones, Hettie, How I Became Hettie Jones, New York: E. P. Dutton, 1990.
Jones, LeRoi, Preface to a Twenty Volume Suicide Note, New York: Corinth Books, 1961.
Rosenthal, M. L., The New Poets: American & British Poetry Since World War II, New York: Oxford University Press, 1967.
Sollors, Werner, Amiri Baraka/LeRoi Jones: The Quest for a “Populist Modernism,” New York: Columbia University Press, 1978.
Woodard, Komozi, A Nation Within a Nation: Amiri Baraka (Leroi Jones) and Black Power Politics, Chapel Hill: University of North Carolina Press, 1999.




