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In the Court of the Crimson King

 
Album Review: In the Court of the Crimson King

  • Artist: King Crimson
  • Rating: StarStarStarStarStar
  • Release Date: 1969
  • Total Time: 43:45
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

This reissue of King Crimson's debut, In the Court of the Crimson King (1969), renders all previous pressings obsolete. In the late '90s, Robert Fripp remastered the entire Crimson catalog for inclusion in a 30th anniversary edition. Nowhere was the upgrade more deserved (or necessary) than on this rock & roll cornerstone. Initially, King Crimson consisted of Robert Fripp (guitar), Ian McDonald (reeds/woodwind/vibes/keyboards/Mellotron/vocals), Greg Lake (bass/vocals), Michael Giles (drums/percussion/vocals), and Peter Sinfield (words/illuminations). As if somehow prophetic, King Crimson projected a darker and edgier brand of post-psychedelic rock. Likewise, they were inherently intelligent -- a sort of thinking man's Pink Floyd. Fripp demonstrates his innate aptitude for contrasts and the value of silence within a performance, even as far back as "21st Century Schizoid Man." The song is nothing short of the aural antecedent to what would become the entire heavy alternative/grunge sound. Juxtaposed with that electric intensity is the ethereal noir ballad "I Talk to the Wind." The delicate vocal harmonies and McDonald's achingly poignant flute solo and melodic counterpoint remain unmatched on an emotive level. The surreal and opaque lyrics are likewise an insight to Peter Sinfield's masterful wordplay, which graced their next three releases. The original A-side concludes with the powerful sonic imagery of "Epitaph." The haunting Mellotron wails, and Fripp's acoustic -- as well as electric -- guitar counterpoints give the introduction an almost sacred feel, adding measurably to the overall sinister mood. Giles' percussion work provides a pungent kick during the kettle drum intro and to the aggressive palpitation-inducing rhythm in the chorus. "Moonchild" is an eerie love song that is creepy, bordering on uncomfortable. The melody is agile and ageless, while the instrumentation wafts like the wind through bare trees. Developing out of the song is an extended improvisation that dissolves into a non-structured section of free jazz, with brief guitar lines running parallel throughout. The title track, "In the Court of the Crimson King," completes the disc with another beautifully bombastic song. Here again, the foreboding featured in Sinfield's lyrics is instrumentally matched by the contrasting verbosity in the chorus and the delicate nature of the verses and concluding solos. Of course, this thumbnail appraisal pales in comparison to experiencing the actual recording. Thanks to Fripp and company's laborious efforts, this 30th anniversary edition sports sound as majestic as it has ever been within the digital domain. Frankly, the HDCD playback compatibility even bests the warmth and timbre of an original 1-A vinyl pressing. This is especially critical during the quieter passages throughout "Moonchild" and "I Talk to the Wind." Initial releases were housed in a limited-edition gatefold replica of the original LP packaging and were accompanied by an oversized 12-page memorabilia booklet with photos and press clippings from the era. ~ Lindsay Planer, All Music Guide

Tracks

Track TitleComposersPerformersTime
21st Century Schizoid Man/Mirrors Greg Lake, Robert Fripp, Michael Giles, Ian McDonald, Peter Sinfield King Crimson (7:24)
I Talk to the Wind (Lyrics) Greg Lake, Robert Fripp, Michael Giles, Ian McDonald, Peter Sinfield King Crimson (6:05)
Epitaph/March for No Reason/Tomorrow and Tomorrow Greg Lake, Robert Fripp, Michael Giles, Ian McDonald, Peter Sinfield King Crimson (8:47)
Moonchild/The Dream/The Illusion Greg Lake, Robert Fripp, Michael Giles, Ian McDonald, Peter Sinfield King Crimson (12:12)
The Court of the Crimson King/The Return of the Fire Witch/The Dance of the Robert Fripp, Ian McDonald, Peter Sinfield King Crimson (9:22)

Credits

King Crimson (Producer), King Crimson (Main Performer), Greg Lake (Bass), Greg Lake (Guitar (Bass)), Greg Lake (Vocals), Robbin Thompson (Engineer), Dik (Equipment Manager), Dik (Equipment Technician), Robert Fripp (Guitar), Robert Fripp (Keyboards), Robert Fripp (Remastering), Michael Giles (Percussion), Michael Giles (Drums), Michael Giles (Vocals), Ian McDonald (Flute), Ian McDonald (Reeds), Ian McDonald (Keyboards), Ian McDonald (Vocals), Ian McDonald (Mellotron), Ian McDonald (Vibraphone), Ian McDonald (Woodwind), Peter Sinfield (Lyricist), Peter Sinfield (Illustrations), Peter Sinfield (Spoken Word), Tony Arnold (Remastering), Simon Heyworth (Remastering), Tony Page (Engineer), Tony Page (Assistant Engineer), Robin Thompson (Engineer), Barry Godber (Cover Design), Barry Godber (Cover Art), Vick (Equipment Manager), Hugh O'Donnell (Design)
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Wikipedia: In the Court of the Crimson King
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In the Court of the Crimson King
Studio album by King Crimson
Released October 10, 1969
Recorded June-August 1969, Wessex Sound Studios, London
Genre Progressive rock
Length 43:54
Label Island
Producer King Crimson
Professional reviews
King Crimson chronology
In the Court of the Crimson King
(1969)
In the Wake of Poseidon
(1970)
Singles from In the Court of the Crimson King
  1. "The Court of the Crimson King"
    Released: 1969

In the Court of the Crimson King (an observation by King Crimson) is the 1969 debut album by the British progressive rock group King Crimson. The album reached #3 on the British charts. The album is certified gold in the United States.[2]

The album is generally viewed as one of the strongest of the progressive rock genre, where King Crimson largely stripped away the blues-based foundations of rock music and mixed together with jazz and European symphonic elements. In his 1997 book Rocking the Classics, critic and musicologist Edward Macan notes that In the Court of the Crimson King "may be the most influential progressive rock album ever released".[3] The Who's Pete Townshend was quoted as calling the album "an uncanny masterpiece".[4]

The album was remastered and re-released on vinyl and CD several times during the 1980s and 1990s, although all these versions were based on masters that had some inevitable tape degradation. The original first-generation stereo master tapes were finally located in a Virgin Records storage vault in 2003, leading to a much improved remastered CD version released in 2004 and a surround sound mix to be released in 2009 for the album's 40th anniversary.

Contents

Album cover

Barry Godber (1946–1970), an artist and computer programmer, painted the album cover. Godber died in February 1970 of a heart attack, shortly after the album's release. It would be his only painting, and is now owned by Robert Fripp.[5][6] Fripp had this to say about Godber:

"Peter brought this painting in and the band loved it. I recently recovered the original from EG's offices because they kept it exposed to bright light, at the risk of ruining it, so I ended up removing it. The face on the outside is the Schizoid Man, and on the inside it's the Crimson King. If you cover the smiling face, the eyes reveal an incredible sadness. What can one add? It reflects the music."[7]

Content

The album consists of five long songs. Most of these have additional titles given to sub-sections. This was done not to reflect actual divisions in the music but to ensure that the group would receive the full amount of song writing royalties from their music publisher and record company. With the sub-sections included the album can be seen as having a full 12 songs, the typical number for a standard rock album. Since the album was made new rules have become standard in the music publishing business which take into account the length of the songs as well as the number of titles on an album.

Production details

Initial sessions for the album were held in early 1969 with producer Tony Clarke, most famous for his work with the Moody Blues. After those sessions failed to work out the group were allowed to produce themselves. However, unofficially it is thought by most fans that Greg Lake actually did most of the production work on the album by himself.[citation needed] The album was recorded on an 8-channel master tape recorder at Wessex Sound Studios in London, engineered by Robin Thompson. It took many hours of overdubbing to build up the orchestral sound of multiple layers of Mellotron and woodwinds played by Ian McDonald. Robert Fripp has since claimed that at least some of the original 8-channel master multitrack tapes for the album have been lost.

Soon after the recording sessions were completed in 1969 it was discovered that a stereo tape recorder used to mix the album had recording heads that were mis-aligned. A loss of high-frequencies and undesired distortion affected some parts of the album, most apparently on "21st Century Schizoid Man". While preparing the first American release on Atlantic Records a stereo sub-master tape copy was created that attempted to correct some of the sound problems. The first-generation stereo master tapes were filed away and forgotten for many years.

CD editions

LP and CD re-issues during the 1980s and 1990s by Polydor and EG Records were taken from tape copies several generations removed from the corrected stereo sub-master tape. This resulted in a lack of clarity and excessive tape hiss. Several different remastered CD versions were released in this period while attempting to make the best use of the tape recordings that were available.

The first generation stereo master tapes for the album were finally rediscovered in the archives of Island Records in 2003 after being misplaced for many years. A 2004 CD version (described as the "Original Master Edition", DGM0501) was released on Robert Fripp's Discipline Global Mobile label. This release has greatly improved sound over previous CD editions. The latest digital technology was used to repair high frequency problems caused during the original mixing sessions. 24 bit mastering was also utilised to enhance the sound. This edition also has a twelve-page booklet that includes pictures and press clippings from the period.

With Fripp's collaboration Steven Wilson remixed the original master tapes into 5.1 Surround Sound, and a 40th Anniversary edition is scheduled to be released 12 October 2009.[8][9] There are three different versions planned for release: a two-CD set, a CD+DVD set and a six-disc (5CD/1DVD) box.

Track listing

Original album

Side one

  1. "21st Century Schizoid Man" (Fripp, McDonald, Lake, Giles, Sinfield) – 7:21
    • including "Mirrors"
  2. "I Talk to the Wind" (McDonald, Sinfield) – 6:05
  3. "Epitaph" (Fripp, McDonald, Lake, Giles, Sinfield) – 8:47
    • including "March for No Reason" and "Tomorrow and Tomorrow"

Side two

  1. "Moonchild" (Fripp, McDonald, Lake, Giles, Sinfield) – 12:13
    • including "The Dream" and "The Illusion"
  2. "The Court of the Crimson King" (McDonald, Sinfield) – 9:25
    • including "The Return of the Fire Witch" and "The Dance of the Puppets"

40th Anniversary re-issue

The 40th Anniversary re-issue comes in 3 different formats:[10]

  • The 2CD version (catalogue number DGM5009) comprising CD1 and CD2.
  • The CD/DVD version (catalogue number KCSP1) comprising CD1 and DVD.
  • The 5CD/DVD version (catalogue number KCCBX1) comprising all CDs and DVD.

CD1

  1. "21st Century Schizoid Man"
  2. "I Talk to the Wind"
  3. "Epitaph"
  4. "Moonchild"
  5. "The Court of the Crimson King"
  6. "Moonchild" [full version]
  7. "I Talk to the Wind" [Fripp and McDonald duo version]
  8. "I Talk to the Wind" [alternate take]
  9. "Epitaph" [backing track]
  10. "Wind session" [extracts from the session that produced the intro to "21st Century Schizoid Man"]
  • tracks 1-5: 2009 Robert Fripp & Steven Wilson re-mix from the original multi-track master tapes.
  • tracks 7-10: Alternative takes from the original studio session. Mixed & produced by Steven Wilson.

CD2

  1. "21st Century Schizoid Man"
  2. "I Talk to the Wind"
  3. "Epitaph"
  4. "Moonchild"
  5. "The Court of the Crimson King"
  6. "21st Century Schizoid Man" [early instrumental recording]
  7. "I Talk to the Wind" [BBC session, from bootleg source]
  8. "21st Century Schizoid Man" [BBC session, from a BBC transcription disc]
  9. "The Court of the Crimson King (Part 1)"
  10. "The Court of the Crimson King (Part 2)"
  • tracks 1-5: 2004 re-master, transferred of the original 1969 vinyl mix
  • tracks 7-8: BBC Radio 1 session
  • tracks 9-10: A-side and B-side from the original vinyl single

CD3

  1. "21st Century Schizoid Man" [trio version – instrumental]
  2. "I Talk to the Wind" [studio run-through]
  3. "Epitaph" [alternate version]
  4. "Moonchild" [take 1]
  5. "The Court of the Crimson King" [take 3]
  6. "21st Century Schizoid Man"
  7. "I Talk to the Wind"
  8. "Epitaph"
  9. "Moonchild"
  10. "The Court of the Crimson King"
  • tracks 1-5: Alternative takes from the original studio session. Mixed & produced by Steven Wilson.
  • tracks 6-10: De-clicked vinyl transfer of the first Island Records stereo UK pressing run.

CD4

  1. "21st Century Schizoid Man"
  2. "The Court of the Crimson King"
  3. "Get Thy Bearings"
  4. "Epitaph"
  5. "Mantra"
  6. "Travel Weary Capricorn"
  7. "Mars"
  8. "The Court of the Crimson King"
  9. "A Man A City"
  10. "Epitaph"
  11. "21st Century Schizoid Man"
  • tracks 1-7: restored bootleg, recorded live at Hyde Park, London, 5 July 1969
  • tracks 8-11: restored bootleg, recorded Live at Fillmore East, New York, November 1969

CD5

  1. "21st Century Schizoid Man"
  2. "I Talk to the Wind"
  3. "Epitaph"
  4. "Moonchild"
  5. "The Court of the Crimson King"
  6. "The Court of the Crimson King"
  • tracks 1-5: mono album mix used for radio promotion only in the USA
  • track 6: edited, mono single mix used for radio promotion only in the USA

DVD

  1. 5.1 Surround Sound mixes available in DTS 5.1. Mixed & produced by Steven Wilson.
  2. 24/48 High Resolution Stereo mixes of CD1.
  3. 24/48 High Resolution Stereo mixes of alternative takes from the original studio session (CD3 tracks 1-5).
  4. 24/48 High Resolution Stereo mixes of 2004 re-master, transferred of the original 1969 vinyl mix (CD2 tracks 1-5).
  5. "21st Century Schizoid Man" - film from Hyde Park concert 5 July 1969.

Personnel

  • Barry Godber – cover illustrations[11]

Cultural references

  • Stephen King makes references to "Crimson King" and "The Court of the Crimson King" in his novel Insomnia and the Dark Tower series.
  • S.M. Stirling's 2008 SF novel In the Courts of the Crimson Kings, featuring a plot set in an alternate universe Mars resembling Golden Age pulp fiction.[1]
  • Due to the philosophical and spiritual nature of Peter Sinfield's lyrics Christian apologist Ravi Zacharias has quoted from this album on several occasions. One example comes from a lecture titled "The Existence of God" which quotes from Epitaph, "knowledge is a deadly friend, if no one sets the rules". Zacharias's commentary usually contrasts sharply with the views expressed in the lyrics.
  • Howard Stern's band The Losers has covered the title track of this album live on the air.
  • The popular MMORPG EverQuest II based all of the Non-Player Characters in the zone The Court of Al'Afaz on characters in this album.
  • The Finnish doom metal band Reverend Bizarre named their first album In the Rectory of the Bizarre Reverend in a conscious homage to King Crimson.[citation needed]
  • Christina Ricci's character does a tap-dance to "Moonchild" in the film Buffalo 66.
  • Black metal band Lurker of Chalice (a sideproject of Leviathan) have a track called "In the Court of the Crimson King Diamond" in a double homage to this album and the lead singer of Mercyful Fate; it appears on their second demo.
  • "The Court of the Crimson King" is featured in a scene of the 2006 movie Children of Men.
  • The prog-rock band Upsilon Acrux titled an album "In the Acrux of the Upsilon King".
  • "The Court of the Crimson King" LP album is featured in Katsuhiro Otomo's short story, Hair (1979).
  • Madman Atomic Comics #6 by Michael Allred (reprinted in Madman Atomic Comics Volume #1) is titled "Crushed in the Court of the Crimson King" and features "The Crimson King" as a character in the story.
  • Saxon covered "The Court of the Crimson King" on their 2001 album Killing Ground.
  • UK Channel 4 drama titled "Red Riding" was aired on British television on 5 March 2009 and featured the song "The Court of the Crimson King" in its opening episode of the 3 episodes.
  • New Jersey hardcore outfit Rorschach covered "21st Century Schizoid Man".
  • Canadian hard rock band April Wine covered "21st Century Schizoid Man" on their 1979 release, Harder ... Faster.
  • Italian band Afterhours also covered the song "21th Century Schizoid Man" in a live recording.
  • Ozzy Osbourne covered "21st Century Schizoid Man" on his 2005 compilation album Under Cover.
  • "21st Century Schizoid Man" is a playable track in Guitar Hero 5.
  • "21st Century Schizoid Man" was released in 2009 as a digital download [2] by The Human Experimente, featuring performances by Jeff Fayman, Robert Fripp, and Maynard James Keenan, in a mix resembling a movie soundtrack.
  • The album was mentioned (and briefly pictured) in a fourth-season episode of The Venture Brothers, "Perchance To Dean".

References

  1. ^ Barnes, Mike (November 2009). "Royal Flush". Mojo (London: Bauer Media Group) (192): 106. ISSN 1351-0193. 
  2. ^ RIAA: Gold & Platinum
  3. ^ Macan, Edward (1997). Rocking the Classics: English Progressive Rock and the Counterculture, Oxford University Press, ISBN 0-19-509888-9, p. 23.
  4. ^ "King Crimson biography". Discipline Global Mobile (dgmlive.com). http://www.dgmlive.com/kc/index.htm?bio=true. Retrieved 2007-08-29. 
  5. ^ Robert Fripp: Elephant Talk interview
  6. ^ BatGuano.com
  7. ^ Interview with Robert Fripp in Rock and Folk - ETWiki
  8. ^ http://www.swhq.co.uk/index.cfm
  9. ^ http://www.dgmlive.com/news.htm DGM news
  10. ^ Sid Smith (2009-08-15). "In The Court of the Crimson King". http://www.dgmlive.com/news.htm?entry=2575. Retrieved 2009-10-11. 
  11. ^ http://songsouponsea.com/Promenade/lyrics/gallery/BarrySleeve.html

 
 

 

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