1.
In secret, in concealment, as in This agreement was concluded in the dark. [Early 1600s] 2.
In a state of ignorance, uninformed, as in I was in the dark about their plans. This metaphor often appears in the locution
keep someone in the dark, meaning "deliberately keep someone uninformed," as in They kept me in the dark about their plans. [Late 1600s] For an antonym, see in the know.
The Grateful Dead's last lineup returned intact for In the Dark, an album that ironically thrust the band back into the spotlight on the strength of the band's lone Top 40 single, "Touch of Grey." Fans had long mused that the Dead's studio albums lacked the easygoing energy and natural flow of their live performances, and In the Dark does come close to capturing that lightning in a bottle. Jerry Garcia, who apparently had to relearn the guitar after a near-fatal illness, approaches his instrument recharged, while his voice (a beneficiary of the extended hiatus?) shows some of its original smoothness. Of his four songwriting collaborations with long-standing lyricist Robert Hunter, "Touch of Grey" is far and away the best. "When Push Comes to Shove" and "West L.A. Fadeaway" use familiar blues-based riffs that lack the pair's often-contagious chemistry, and "Black Muddy River" has one foot firmly stuck in mawkish MOR terrain (although Garcia can be dealt a free pass here in light of the song's real-life implications as an attempt to make his peace with the world). What pushes In the Dark past the band's also-rans are two terrific songs from Bob Weir and John Barlow, the cheerfully cranky "Hell in a Bucket" (co-written with Brent Mydland) and the cautionary tale "Throwing Stones." Rarely have Weir's songs sounded so effortless; punctuated by Garcia's guitar, they have more in common with the upbeat, flavorful sound of past Garcia/Hunter compositions than the pair's own work this time out (a rare case of role reversal). In the middle of it all is a country-rock song from Mydland, "Tons of Steel," that sounds oddly out of place. Although the album is unmistakable as the work of the Dead, much of it recalls the punchy, pungent production of Dire Straits' recent work. It's not the second coming of the Dead, but a more entertaining epilogue you couldn't ask for. ~ Dave Connolly, All Music Guide
In the Dark is the twelfth studio album by the Grateful Dead. It was recorded between January 6 and 13, 1987 and originally released on July 6, 1987.
In the Dark was the band's first album in six years, and its first studio album since 1980's Go to Heaven. It became unexpectedly popular. The peppy "Touch of Grey" became a top-ten hit on the Billboard Hot 100, the highest ranking the band would ever achieve, and a frequently played music video on MTV. "Hell in a Bucket" and "Throwing Stones" also achieved significant album-oriented rock radio airplay. The album itself reached the top ten of the Billboard 200 album chart, again the highest ranking the group would ever have.
Most of the songs on this album had been played by the Dead since 1982 or 1983, which gave them a five-year edge on perfecting these songs for this album. After the critically panned Go to Heaven, which contained songs that were mostly under a year old, the maturity of In The Dark was significantly more appreciated.
In the Dark was released on CD in 1987 by Arista Records[1] before being rereleased in 2000 by BMG International. It was then remastered, expanded, and released as part of the Beyond Description (1973-1989) 12-CD box set in October 2004. The remastered version was later released separately on CD, on April 11, 2006, by Rhino Records.