Career Highlights: Cries and Whispers, The Silence, Winter Light
First Major Screen Credit: Karleken Segrar (1950)
Biography
Trained in ballet, Ingrid Thulin went on to study acting at the Royal Dramatic Theater in Stockholm. After several decorative film roles in the 1940s and early 1950s, she was cast in the American-financed production Foreign Intrigue opposite Robert Mitchum. Though nominally a leading lead, the depth of her acting skills remained untapped until she began working under the direction of Ingmar Bergman, first on the stage, and then in the classic Wild Strawberries (1957), in which she played the daughter-in-law. Thulin continued essaying cool-but-complex characterizations for Bergman, culminating with Cries and Whispers (1973), in which she was co-starred with Liv Ullmann and Harriet Andersson. She was also well served dramatically in Resnais' La Guerre Est Finie (1966) and Visconti's The Damned (1968), cast in extensions of the foredoomed characters that she'd played for Bergman. In 1961, Thulin was cast in MGM's remake of Four Horsemen of the Apocalypse, in which her dialogue was dubbed by Angela Lansbury. Though she could hardly be blamed if she chose to avoid future English-language productions following this demeaning experience, Ingrid went on to appear in Return from the Ashes (1965), Cassandra Crossing (1977), and the TV miniseries Moses the Lawgiver (1975; as Miriam)--with her own voice intact. Under the aegis of her husband, Swedish Film Institute cofounder Harry Schein, Ingrid Thulin directed the 1966 short subject Hangvelse, as well as the feature-length One and One (1978) and Brusten Himmel (1982). ~ Hal Erickson, All Movie Guide
Thulin was born in Sollefteå, Ångermanland, northern Sweden, the daughter of Nanna (née Larsson) and Adam Thulin, [1] a fisherman. She took ballet lessons as a girl and was accepted by The Royal Dramatic Theatre ("Dramaten") in Stockholm 1948.
For many years she worked regularly with Ingmar Bergman; among other films, Thulin appeared in Bergman's The Magician (where she acted dressed as a boy), in Winter Light (1962) (where she personifies neurotic devotion), as well as The Silence (1963) and Cries and Whispers (1972).
She shared the best actress award at the 1958 Cannes Film Festival and received a Guldbagge Award as best actress in 1964, the first year the award was given out, for her performance in The Silence. Winner of the David di Donatello Awards 1974, Thulin was also been nominated for the BAFTA Award the same year.
She was married to Harry Schein, the founder of the Swedish Film Institute, for more than 30 years until 1989, although they had lived separately for many years before the divorce. She bought an apartment in Paris, France in the early 60s and some years later a beach house in San Felice Circeo, south of Rome. In 1970 she became a resident of Sacrofano, where she lived for 34 years.
Death
She returned to Sweden for medical treatment and later died from cancer in Stockholm, Sweden, 20 days shy of her 78th birthday. Her memories were published in 1992 ("Någon jag kände" ("Somebody I knew"); Norstedts Förlag, ISBN 91-1-919472-2).
Partial Filmography
Ingrid Thulin and director Ingmar Bergman during the production of The Silence (1963)
Cowie, Peter (1970): Sweden 1. An Illustrated Guide ... to the Work of the Leading Directors, Players, Technicians, and other Key Figures in Swedish Cinema, with Credits and Plot outlines to more than seventy important Films, and Index to 1,000 Titles, A. Zwemmer Ltd., London
Cowie (1970): Sweden 2. A Comprehensive Assessment of the Themes, Trends, and Directors in Swedish Cinema, A. Zwemmer Ltd., London
Cowie (1977): Film in Sweden. Stars and Players, Tantivy Press, London (ISBN 0-498-02013-4)