Career Highlights: Cries and Whispers, The Silence, Winter Light
First Major Screen Credit: Karleken Segrar (1950)
Biography
Trained in ballet, Ingrid Thulin went on to study acting at the Royal Dramatic Theater in Stockholm. After several decorative film roles in the 1940s and early 1950s, she was cast in the American-financed production Foreign Intrigue opposite Robert Mitchum. Though nominally a leading lead, the depth of her acting skills remained untapped until she began working under the direction of Ingmar Bergman, first on the stage, and then in the classic Wild Strawberries (1957), in which she played the daughter-in-law. Thulin continued essaying cool-but-complex characterizations for Bergman, culminating with Cries and Whispers (1973), in which she was co-starred with Liv Ullmann and Harriet Andersson. She was also well served dramatically in Resnais' La Guerre Est Finie (1966) and Visconti's The Damned (1968), cast in extensions of the foredoomed characters that she'd played for Bergman. In 1961, Thulin was cast in MGM's remake of Four Horsemen of the Apocalypse, in which her dialogue was dubbed by Angela Lansbury. Though she could hardly be blamed if she chose to avoid future English-language productions following this demeaning experience, Ingrid went on to appear in Return from the Ashes (1965), Cassandra Crossing (1977), and the TV miniseries Moses the Lawgiver (1975; as Miriam)--with her own voice intact. Under the aegis of her husband, Swedish Film Institute cofounder Harry Schein, Ingrid Thulin directed the 1966 short subject Hangvelse, as well as the feature-length One and One (1978) and Brusten Himmel (1982). ~ Hal Erickson, All Movie Guide
She was born as a fisherman's daughter in Sollefteå, Ångermanland in northern Sweden. She took ballet lessons as a girl and was accepted by the Stockholm Royal Dramatic Theatre's School in 1948. For years she worked with Swedish director
Ingmar Bergman, where she developed her personal style, acting with neurotic intensity in
Winter Light (1962), The
Silence (1963) and Cries and Whispers (1972), making her the third
actress of world fame coming from Sweden (after Greta Garbo and Ingrid Bergman).
She shared the best actress award at the 1958
Cannes Film Festival and received a Guldbagge
Award as best actress in 1964, the first year the award was given out, for her performance in The Silence.
She was married to Harry Schein, the founder of the Swedish Film Institute, for more than 30 years until 1989, although they had lived separately for
many years before the divorce.
In her later years she lived in Rome, Italy. She returned to
Sweden for medical treatment and later died from cancer in Stockholm, Sweden, 20 days short of her 78th birthday.
Il Giorno Prima / Contrôle (1987)
with Ben Gazzara, Mike Zella, Kate Nelligan, Sarah Howell, Kate Reid, Camille Dupont, Burt Lancaster
Director: Giuliano Montaldo
Further reading
Cowie, Peter (1970): Sweden 1. An Illustrated Guide ... to the Work of the Leading Directors, Players, Technicians, and
other Key Figures in Swedish Cinema, with Credits and Plot outlines to more than seventy important Films, and Index to 1,000
Titles.
London: A. Zwemmer Ltd (Screen Series). SBN 302-02009-8
Cowie, Peter (1970): Sweden 2. A Comprehensive Assessment of the Themes, Trends, and Directors in Swedish
Cinema.
London: A. Zwemmer Ltd (Screen Series). SBN 302-02010-1
Cowie, Peter (1977): Film in Sweden. Stars and Players.
London: The Tantivy Press. ISBN 0-498-02013-4
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