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Inside

 
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Inside

  • Directors: Alexandre Bustillo; Julien Maury
  • AMG Rating: starstarstarstar
  • Genre: Horror
  • Movie Type: Sadistic Horror
  • Themes: Trapped or Confined, Woman In Jeopardy
  • Main Cast: Alysson Paradis, Béatrice Dalle, Nathalie Roussel
  • Release Year: 2007
  • Country: FR
  • Run Time: 85 minutes

Plot

A pregnant widow awaiting her ride to the hospital must fight for her life against a mysterious woman who comes knocking on her door in directors Alexandre Bustillo and Julien Maury's daring tale of caesarian terror. It's been four months since Sarah (Alysson Paradis) was involved in the tragic car accident that claimed the life of her husband, yet somehow the couple's unborn child miraculously survived the jarring ordeal. Now it's Christmas Eve and Sarah is sitting alone in her suburban home, still grieving the loss of her beloved. Soon, Sarah's mother will arrive to drive her daughter to the hospital, where the doctors plan to induce labor. Out of nowhere, Sarah hears a knock at the door; on the other side is a stranger (Beatrice Dalle) who calmly asks to use Sarah's telephone. Immediately suspicious of the stranger's motivations, Sarah locks the door and quickly calls the police. Upon searching the grounds, the policemen find no trace of an intruder and Sarah cautiously bolts her doors once again. But unbeknownst to the expectant mother, this time she has unwillingly locked herself into a violent struggle for the one thing that matters most to her. Now, as the scissor-wielding psychopath attempts to forcefully claim the new life within Sarah, the jealous maternal battle is about to get bloody. ~ Jason Buchanan, All Movie Guide

Review

Leave it to the French to usher in the next great wave of horror cinema. As youth riots once again send bourgeois suburbanites running for the safety of their middle-class compounds, the prevailing culture of fear and uncertainty has proven the flashpoint for some of the most genuinely frightening shockers of the new millennium. Now, on the heels of such relentlessly tense new-classics as Calvaire, Haute Tension, and Them comes a grisly home invasion flick that offers a pitch-perfect balance of grinding tension and inventive gore. Newcomers Alexandre Bustillo and Julien Maury may not have enough credits to distinguish themselves as masters of the genre just yet, but as Alexandre Aja and Gregory Levasseur before them, they're certainly on the right track.

The story, involving an expectant mother who has decided to spend Christmas Eve alone before having labor induced the following morning, effectively taps into a multitude of universal fears as it follows her struggle against a mysterious assailant who appears at her window determined to extract her unborn child. After setting the story up with a jarring intro that isn't quite as simple as it first seems, screenwriter/co-director (along with Maury) Bustillo smartly pulls back to let the tension build, briefly lulling the viewer into a false sense of complacency before unleashing a primal barrage of soul-scarring ferocity -- every excruciating beat perfectly complimented by the hazy cinematography of Laurent Bares and the masterful editing of frequent Aja collaborator Baxter. Ultimately, the key to the film's success rests largely on Bustillo's smart, finely tuned screenplay, which pulls out all the stops to frazzle the nerves and assault the senses. With one clichéd exception involving a darkened house and a breaker box, Bustillo's characters react to their dilemma in the exact way the viewer expects that they might -- a true rarity in a genre that all-too-often falls back on flawed logic in order to keep the story moving forward. Match this with a deeply unsettling score that drifts from Tangerine Dream-style droning to knitting-needle-in-the-ear stings in the flash of a blade, and you've got the recipe for the essential "horror-thriller."

Of course all of this can easily amount to naught if the villain of the piece isn't as colorful and clearly-defined as the protagonist, and Beatrice Dalle's scissor-wielding psychopath offers the perfect counter-balance to star Alysson Paradis' dead-on-the-inside heroine -- the tragic motivations of the former only come into play late in the final act, skillfully inverting the meaning of a crucial early scene. With her flowing black dress and ridiculously oversized scissors, Dalle's cigarette smoking, cat-crushing angel of death bears all the hallmarks of an iconic screen villain, and chances are good that she'll be stalking the nightmares of more sensitive viewers for some time to come. In the end, Inside packs a punch that's not only powerful enough to shake women who shiver at headlines about unborn babies being ripped from the womb by maniacal strangers, but virtually any viewer -- male or female -- who's willing to have their mettle tested by a pair of first-time filmmakers who have yet to be softened by age -- and who boldly defy the widely-held theory that gore and tension are mutually exclusive. ~ Jason Buchanan, All Movie Guide

Cast

Francois-Regis Marchasson; Nicolas Duvauchelle; Aymen Saïdi

Credit

Léonard Guillain - First Assistant Director, Alexandre Bustillo - Director, Julien Maury - Director, Baxter - Editor, François Eudes Chanfrault - Composer (Music Score), Marc Thiebault - Production Designer, Jean-François Chaintron - Production Designer, Laurent Bares - Cinematographer, Vérane Frédiani - Producer, Franck Ribière - Producer, Jacques-Olivier Molon - Special Effects, Jacques Sans - Sound/Sound Designer, Alexandre Bustillo - Screenwriter, Martine Rapin - Costume/Wardrobe, Rodolphe Guglielmi - Visual Effects, Marc Thiebault - Set Decorator

Similar Movies

Them; The Strangers; Fortress; Straw Dogs; Die Screaming, Marianne
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Wikipedia: Inside (film)
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Inside
Directed by Alexandre Bustillo
Julien Maury
Produced by Franck Ribiere
Rodolphe Guglielmi
Frederic Ovcaric
Teddy Percherancier
Written by Alexandre Bustillo
Starring Alysson Paradis
Béatrice Dalle
Distributed by La Fabrique de Films (France)
BR Films (France)
Dimension Extreme (US)
Release date(s) France June 13, 2007
United States April 15, 2008 (DVD)
Running time 82 min.
USA: 75 min. (R-rated cut)
Country  France
Language French

Inside (À l'intérieur) is a French horror film directed by Alexandre Bustillo and Julien Maury. Bustillo wrote the film as well. It stars Alysson Paradis and Béatrice Dalle in its two main roles. Both actresses won the Carnet Jove Jury Award at the Sitges - Catalonian International Film Festival. DVD label Dimension Extreme picked it up for a US release in 2008.

Contents

Plot

The film opens with a shot of a baby in utero with the mother's voice soothing it. The baby recoils as if struck. Expectant mother Sarah (Paradis) has been in a car accident, and her husband has been killed. Months later on Christmas Eve, Sarah is making final preparations for her delivery the following day. In light of her husband's death, Sarah is now moody and depressed.

That evening, a mysterious woman (Dalle) arrives at Sarah's door asking to use the telephone to call for help. Sarah lies that her husband is sleeping and she does not want to disturbed, but the woman tells her that she knows that he is dead. When the visitor persists on coming in, Sarah, a professional photographer, attempts to take her photo through a window and telephones the police. When they arrive, the woman has already vanished. The police assure Sarah that she will be fine, but arrange to have a patrol car visit throughout the night.

Upon developing her photos, Sarah recognizes the woman in the background of an earlier photo that Sarah had taken, indicating she was stalking Sarah. Sarah telephones her employer, asking to have the photos enhanced.

As Sarah goes to bed, the woman arrives in the bedroom, awakening Sarah with scissors puncturing her navel. Sarah fights the visitor off and locks herself in the bathroom, where the woman tries to gain entry. The woman makes clear that her intentions are to take Sarah's child for herself.

Sarah's employer arrives, and later her mother, both unaware of the predicament that Sarah is in. Believing her to be her attacker, Sarah accidentally kills her mother. Her employer is later stabbed to death by the mysterious woman.

The police arrive to check up, and upon realizing what is going on, attempt to apprehend Sarah's assailant and are instead murdered.

A final confrontation ensues between Sarah and the woman, with both of them injuring each other via various household appliances. Sarah manages to gain the upper hand on her attacker and burns off half the woman's face with an aerosol container and cigarette. The woman flees, and upon being cornered by Sarah, reveals her identity; she was the other driver in Sarah's car accident and, being pregnant at the time, had suffered a miscarriage and lost her child. (Thus, the baby in utero at the beginning and the mother's voice at the beginning of the film was not Sarah's at all, but rather the woman's.)

The two are interrupted by the revival of one of the police officers; having been shot in close proximity by the woman with his riot gun, he survived the attack and was brain-damaged instead. In his current state of mind, he confuses Sarah with her attacker and brutally beats her with his club. The woman comes to Sarah's aid and kills the officer, but it is too late; Sarah has begun to give birth and the baby is stuck.

Desperate to save the child, the woman proceeds to perform an impromptu Caesarian section on Sarah with her scissors.

As the film ends, Sarah lies dead on the stairs drenched in blood while the woman, having been successful with her delivery, sits on a rocking chair and comforts the newborn child.

Cast

Remake

Jaume Balagueró, the director of REC, told Fangoria that he may be directing a remake in the future and that it would "accent the terror of the pregnancy situation more than the gore".[1]

References

External links


 
 
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