Share on Facebook Share on Twitter Email
Answers.com

Intimacy

 
Album Review: Intimacy

  • Artist: Bloc Party
  • Rating: StarStarStar
  • Release Date: October 28, 2008
  • Type: Lyrics are included with the album, Enhanced CD-ROM
  • Genre: Rock

Review

Intimacy would have been a good name for Bloc Party's previous album, A Weekend in the City, which was so vulnerable and confessional that it often felt like barely edited diary entries set to music. The album's take on 21st century life and love was heavy listening in large part because it felt so personal. Bloc Party's mood is just as dark on Intimacy, which plays a lot like A Weekend in the City's mirror twin: it's a breakup album that gives personal situations a political heft. The similarities aren't really that surprising, considering that Intimacy arrived just a year and a half after A Weekend in the City and also features production work by Jacknife Lee (as well as Silent Alarm producer Paul Epworth). The album begins with two of Bloc Party's angriest, most experimental songs, which revisit the beat-heavy territory of A Weekend in the City's "Prayer" with even more charged results. "Ares" is a modern-day war chant, with seething processed guitar lines fueled by huge pummeling drums, the likes of which haven't been heard since the big beat heyday of the Chemical Brothers and the Prodigy. "Mercury" is cleverly astrological, using a straight description of Mercury's retrograde conditions ("This is not the time to start a new love/This is not the time to sign a lease") as a springboard to a self-loathing rant set to wildly spiraling brass and more of those bludgeoning beats. Bloc Party push the envelope hard on both of these tracks, almost to the point of pretension, but not quite; actually, it's a little anticlimactic when they return to more familiar terrain like "Halo," which could fit in easily among Silent Alarm's angsty rockers.

However, the band does find subtle ways to tweak and channel that angst: "Biko" (not the Peter Gabriel song) is dedicated to Kele Okereke's "sweetheart the melancholic," but when he sings that "you've got to toughen up," he sings it to himself as much as his lost love, and as the song closes with a swell of backing vocals, it's clear that he's singing about more than something between two people. The band captures post-breakup obsession masterfully on the frosty yet strangely hopeful "Signs," where the way Okereke sings "I could sleep forever these days/'Cause in my dreams I see you again" makes this kind of brooding almost as romantic as actually being in love. "Zephyrus" balances Intimacy's heartbreak and experimental tendencies into a standout, setting snippets of an argument to strings, choral vocals, and sputtering rhythms. "Ion Square" ends the album on a somewhat uplifting note along the lines of Silent Alarm's "So Here We Are" or A Weekend in the City's "I Still Remember," and as good as it is, it underscores the album's push-pull between familiar sounds and breaking boundaries. At times, Intimacy feels rushed and predictable, and at others, it's almost painfully ambitious. However, at its best, it balances Silent Alarm's focus with A Weekend in the City's expansiveness. ~ Heather Phares, All Music Guide

Tracks

Track TitleComposersPerformersTime
Ares (Lyrics) Bloc Party Bloc Party (3:29)
Mercury (Lyrics) Bloc Party Bloc Party (3:53)
Halo (Lyrics) Bloc Party Bloc Party (3:36)
Biko (Lyrics) Bloc Party Bloc Party (5:01)
Trojan Horse (Lyrics) Bloc Party Bloc Party (3:32)
Signs (Lyrics) Bloc Party Bloc Party (4:39)
One Month Off (Lyrics) Bloc Party Bloc Party (3:38)
Zephyrus (Lyrics) Bloc Party Bloc Party (4:35)
Talons (Lyrics) Bloc Party Bloc Party (4:42)
Better Than Heaven (Lyrics) Bloc Party Bloc Party (4:21)
Ion Square (Lyrics) Bloc Party Bloc Party (6:36)
Letter to My Son [#][*] Bloc Party Bloc Party (4:26)
Your Visits Are Getting Shorter [#][*] Bloc Party Bloc Party (4:21)
Flux (Lyrics) Bloc Party Bloc Party (6:07)
[CD-Rom Track]

Credits

Derek Watkins (Trumpet), Philip Rose (Engineer), Hilary Skewes (Contractor), Roz Sherris (Soprano (Vocal)), Alison Benbow (Alto (Vocals)), Avshalom Caspi (Brass Arrangement), Stephen Hall (Bass (Vocal)), Gordon Banner (Tenor (Vocal)), Sara Coffey (Soprano (Vocal)), Angharad Lloyd (Alto (Vocals)), Charlotte Nicklin (Soprano (Vocal)), Dan Jenkins (Trombone), Sam Bell (Programming), Desola Haastrup (Alto (Vocals)), Tom L. Smith (Bass (Vocal)), Malcolm Aldridge (Bass (Vocal)), Philippa Gardner (Alto (Vocals)), Simon James White (Management), Sid Gauld (Trumpet), Guy Barker (Soloist), Rhian Walther (Soprano (Vocal)), Frances Rowberry (Alto (Vocals)), Guy Barker (Trumpet), Mark Rankin (Engineer), Colin Sheen (Trombone), Peter Jennings (Bass (Vocal)), Darren Lawson (Mixing Assistant), Jenny Marsden (Alto (Vocals)), Jacknife Lee (Producer), Victor Gan (Tenor (Vocal)), Peter Kenny (Tenor (Vocal)), Sam Bell (Engineer), Mark Rivers Moore (Bass (Vocal)), Julia Saperia (Alto (Vocals)), Ingalo Thomson (Soprano (Vocal)), Jacknife Lee (Keyboards), Exmoor Singers Of London (Choir, Chorus), Rob Crane (Design), Chris Wright (Bass (Vocal)), Claire Fletcher (Soprano (Vocal)), Tony Perrin (Management), Tommy Hough (Assistant), Gretchen Cummings (Alto (Vocals)), Chris Brasted (Bass (Vocal)), Alex Cope (Soprano (Vocal)), Roger Harvey (Trombone), James Jarvis (Music Direction), Claire Hetherington (Alto (Vocals)), Perry Curties (Photography), Christopher Dean (Trombone), Guy Davie (Mastering), Sarah Meunier (Soprano (Vocal)), Sharon Kniss (Soprano (Vocal)), Hayley Kruger (Soprano (Vocal)), Richard Furse (Tenor (Vocal)), Jacknife Lee (Programming), Dave Garioch (Tenor (Vocal)), Bettina Weichert (Alto (Vocals)), Rob Crane (Art Direction), Paul Epworth (Producer), Rebecca Wallis (Soprano (Vocal)), Alan Moulder (Mixing), Henry Ross (Bass (Vocal)), John Catherall (Tenor (Vocal)), Paul Archibald (Trumpet), Tim Meunier (Bass (Vocal))
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Shopping: Intimacy
Top
 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more