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Invisible Circles

 
Album Review: Invisible Circles

  • Artist: After Forever
  • Rating: StarStarStar
  • Release Date: June 22, 2004
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

After Forever once again went the concept album route with their third full-length effort, 2004's Invisible Circles. Only this time, the Dutch gothic-operatic-death-power-prog metal band (yes, all that!) arguably placed as much emphasis on their lyrics (discussing a young girl's coming of age tale in all matters of faith, love, loneliness, and even technology) as they did the music. Almost too much, some might argue, since the challenges of making sense of such an overwrought story line and numerous characters often distracted listeners from the band's concurrent attempts to uncork the same sort of complex yet fluidly composed prog epics heard on prior efforts. To wit: certain songs, like excellent first single "Between Love and Fire" and the conversely tepid "Blind Pain" actually break down for lengthy bits of dialogue; while special guests like Aina and Ayeron siren Amanda Somerville and Rhapsody collaborator Jay Lansford were called in to perform additional players in the drama. Nothing that a few dozen listens won't solve, mind you, and, given the chance, somewhat unfulfilling outings like "Sins of Idealism," "Digital Deceit," and the nearly flat-lining piano ballad "Eccentric" are handsomely compensated by positively dazzling efforts such as "Through Square Eyes," "Two Sides" and "Victim of Choices." All of these lead up to the suitably cathartic climax via album linchpin "Reflections." By then, After Forever's reliably brilliant musicianship and triple-threat vocal assault -- featuring spectacular soprano frontwoman Floor Jansen backed by orchestrated choirs and male vocalists Sander Gommans (grunts) and Bas Maas (clean) -- have somehow managed to salvage the day in most respects. To be sure, Invisible Circles shows many echoes of Marillion's Misplaced Childhood, and ultimately fails to conjure up a flawless single on the level of previous album Decipher's "Monolith of Doubt"; but it also proves that, with this much talent to go round, even a slightly overambitious creation can achieve remarkable results. ~ Eduardo Rivadavia, All Music Guide

Tracks

Track TitleComposersPerformersTime
Childhood in Minor [Instrumental] After Forever After Forever (1:20)
Beautiful Emptiness After Forever After Forever (5:25)
Between Love and Fire After Forever After Forever (4:56)
Sins of Idealism After Forever After Forever (5:22)
Eccentric After Forever After Forever (4:10)
Digital Deceit After Forever After Forever (5:38)
Through Square Eyes After Forever After Forever (6:23)
Blind Pain After Forever After Forever (6:47)
Two Sides After Forever After Forever (4:34)
Victim of Choices After Forever After Forever (3:21)
Reflections After Forever After Forever (5:11)
Life's Vortex After Forever After Forever (5:53)

Credits

Peter Arts (Supervisor), Cees Kieboom (Keyboards), Floor Jansen (Soprano (Vocal)), Sander Gommans (Guitar), Hans Cassa (Bass (Vocal)), Hans Pieters (Audio Production), Floor Jansen (Vocals), Carla Schrijner (Cello), Hans Pieters (Engineer), Ellen Bakker (Soprano (Vocal)), Lando van Gils (Group Member), Sander Gommans (Vocals (Background)), After Forever (Composer), Symphony of Voices (Sampling), Herman Van Haaren (Violin), Luuk van Gerven (Guitar (Bass)), After Forever (Producer), Ellen Bakker (Guest Appearance), Carsten Drescher (Artwork), Caspar DeJonge (Guest Appearance), Cees Kieboom (String Arrangements), Andre Borgman (Guitar (Acoustic)), Hans Pieters (Producer), Floor Jansen (Group Member), Andre Borgman (Soloist), Cees Kieboom (Choir Arrangement), Lando van Gils (Synthesizer), Sander Gommans (Mixing), Carsten Drescher (Cover Art Concept), Lida VanStraaten (Make-Up), Angelique Van Woerkom (Photography), Peter Van 'T Riet (Mastering), Andre Borgman (Drums), Andre Borgman (Group Member), Cees Kieboom (Piano), Bas Maas (Group Member), Sander Gommans (Animal Sounds), Hans Cassa (Guest Appearance), After Forever (Arranger), Sascha Paeth (Vocal Producer), Herman Van Haaren (Guest Appearance), Sascha Paeth (Mixing), Hans Van Vuuren (Executive Producer), Sander Gommans (Group Member), Caspar DeJonge (Tenor (Vocal)), Hans Pieters (Audio Engineer), Bas Maas (Vocals), Carla Schrijner (Guest Appearance), Bas Maas (Guitar), Luuk van Gerven (Group Member), Carsten Drescher (Logo Design), Sander Gommans (Soloist)
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Wikipedia: Invisible Circles
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Invisible Circles
Studio album by After Forever
Released March 25, 2004
Recorded Excess Studio, Rotterdam, The Netherlands; July-August 2003
Genre Symphonic metal
Progressive metal
Length 58:56
Label Transmission / Avalon Records
Producer Hans Pieters
Professional reviews
After Forever chronology
Decipher
(2001)
Invisible Circles
(2004)
Remagine
(2005)

Invisible Circles is the third album released by Dutch symphonic metal band After Forever in 2004, the first since the departure of Mark Jansen. It is a concept album (arguably a metal opera, since it has characters and some sort of plot), dealing with issues involved when having children. This can be seen especially in "Blind Pain" which has an outro where two parents argue and wish each other's death - consequently one leaves during the course of the argument.

Contents

Concept

The album begins with two lovers, whose relationship is running dry with arguing, by "Between Love And Fire" they debate having a child which the women claims may save the relationship. However, the man disagrees and refuses to compromise his career for a 'spoilt brat'. "Digital Deceit" explores the child (now neglected and abused by the father) using the internet to find her own friends and being happier with her cyber friends. The child gradually becomes more and more self-loathing and questioning her worth (as seen in "Through Square Eyes"). By the next song the child is depressed and finds the abuse a distraction from her 'mental pain'. The father then leaves at the end of the song.

Track listing

  1. "Childhood In Minor" (Instrumental) – 1:20
  2. "Beautiful Emptiness" – 5:25
  3. "Between Love And Fire" – 4:56
  4. "Sins Of Idealism" – 5:22
  5. "Eccentric" – 4:10
  6. "Digital Deceit" – 5:38
  7. "Through Square Eyes" – 6:23
  8. "Blind Pain" – 6:47
  9. "Two Sides" – 4:34
  10. "Victim Of Choices" – 3:21
  11. "Reflections" – 5:11
  12. "Life's Vortex" – 5:53

Changes

This is the first full-length album After Forever released after the departure of Mark Jansen (not counting the mini album Exordium), and the changes on this album are very clear. A new sound has been found by the band, one mostly revolving around elements of progressive metal.

Lyrically, After Forever has chosen an entirely different theme, letting go of the dangers of religion, and focusing more on different social problems. Also after Mark Jansen left the band, the band stopped putting the songs in parts [i.e. The Embrace That Smothers and My Pledge Of Allegiance]

Credits


 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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