Main Cast: Jean-Paul Belmondo, Charles Boyer, Leslie Caron, George Chakiris, Gert Fröbe, Jean-Pierre Cassel, Kirk Douglas, Anthony Perkins, Simone Signoret
Release Year: 1966
Country: US/FR
Run Time: 173 minutes
Plot
In 1944, with Paris on the verge of Liberation by the allies, Adolph Hitler ordered that the City of Light be blown up and burned to the ground. General Dietrich Von Choltitz, after much rumination, decided that he didn't want to go down in history as the man who destroyed Paris. His refusal to follow Hitler's orders would make him a pariah in Germany for the rest of his life; nor was his gesture ever rewarded by the Allies. From this very human story in the midst of one of the most inhuman conflicts in history grew the screenplay (by Gore Vidal and Francis Ford Coppola) of the all-star, internationally produced Is Paris Burning? Whereas the earlier The Longest Day was able to support a castful of celebrities and brief subplot vignettes, Is Paris Burning? seems more weighted down than weighty. Still, a modern audience will have fun playing "spot the star" throughout the film, especially when those spotted stars include the likes of Gert Frobe (as Choltitz), Jean-Paul Belmondo, Alain Delon, Kirk Douglas (as Patton), Glenn Ford (as Bradley), Yves Montand, Simone Signoret, Robert Stack, and even Anthony Perkins as a wide-eyed GI. Filmed on a gargantuan scale, Is Paris Burning? was based on a book by Larry Collins and Dominique LaPierre. The film was lensed in black and white, save for the Technicolor finale (in the original road-show prints). ~ Hal Erickson, All Movie Guide
Orson Welles - Consul Raoul Nordling; Glenn Ford - Gen. Omar Bradley; Yves Montand - Marcel Bizien; Robert Stack - Gen. Edwin Sibert; Marie Versini - Claire Morandat; Skip Ward - GI with Warren; Bruno Cremer - Col. Rol Tanguy; Claude Dauphin - Colonel Lebel; Pierre Dux - Parodi/Cerat; Billy Frick - Adolf Hitler; Daniel Gélin - Yves Bayet; Michel Piccoli - Edgar Pisani; Sacha Pitoeff - Joliot-Curie; Claude Rich - Gen. Jacques Leclerc; Jean-Louis Trintignant - Capt. Serge; Pierre Vaneck - Maj. Roger Gallois; Alain Delon - Jacques Chaban-Delmas; Georges Claisse - Intern with Monod; Pierre Collet - Policier resistant; Paul Crauchet - Le cure; Suzy Delair - A Parisienne; Michel Etcheverry - Prefet Luizet; Bernard Fresson - Liaison Agent; Georges Géret - Cmdr. George; Joachim Hansen - Commandant prison de Fresnes; Claus Holm - Huhm; Peter Jacob - Gen. Burgdorf; Billy Kearns - Patton Aide; Michel Lonsdale - Debu-Bridel; Maria Machado - Stella; E.G. Marshall - Intelligence Officer Powell; Günter Meisner - Commandant SS Pantin; Hannes Messemer - General Jodl; Harry Meyen - Lieutenant von Arnim; Del Negro - Officer with Chaban-Delmas; Georges Poujouly - Landrieux; Wolfgang Preiss - Capt. Ebernach; Albert Remy - Le Gendarme; Serge Rousseau - Col. Fabien; Jean-Michel Rouziere - Monsieur au chien; Helmut Schneider - Adjudant allemand metro; Simone Signoret - Patronne du bistrot; Georges Staquet - Capt. Dronne; Jean Valmont - F.F.I. bazooka; Jean-Pierre Zola - Cpl. Mayer; Felix Marten - Landrieu; Jean-Pierre Honore - Alain Perpezat; Karl Otto Alberty - SS tapisserie de Bayeux; Michel Puterflam - Laffont; Roger Lumont - "Jade Amicol"; Pierre Mirat - Cafe Proprietor; Peter Neusser - SS tapisserie de Bayeux; Jean Negroni - Villon; Hubert DeLapparent - Huissier Matignon; Aime DeMarch - Roland Pre; Pascal Fardoulis - Gilet; Ernst F. Furbringer - von Boineburg; Clara Gansard - Wife of Col. Rol; Joelle Latour - Young Girl with Warren; Henia Suchar - Prefecture Switchboard Operator; Jo Warfield - Major with Chaban-Delmas; Konrad Georg - Von Model
Credit
Willy Holt - Art Director, Jean Zay - Costume Designer, Pierre Nourry - Costume Designer, Yves Boisset - First Assistant Director, René Clément - Director, Robert Lawrence - Editor, Maurice Jarre - Composer (Music Score), Michel Deruelle - Makeup, Aida Carange - Makeup, Marcel Grignon - Cinematographer, Louis Wipf - Production Manager, Paul Graetz - Producer, Roger Volper - Set Designer, Robert MacDonald - Special Effects, Paul Pollard - Special Effects, Jean Aurenche - Screenwriter, Claude Brule - Screenwriter, Francis Ford Coppola - Screenwriter, Gore Vidal - Screenwriter, Pierre Bost - Screenwriter, Beate von Molo - Screenwriter, Marcel Moussy - Screenwriter, Larry Collins - Book Author, Dominique Lapierre - Book Author
The title is Adolf Hitler's question to his chief of staff Alfred Jodl on the eve of the liberation of Paris (August 25): the military governor of Paris, General Dietrich von Choltitz, had been ordered to destroy Paris rather than let it fall undamaged into the hands of the Allies, but von Choltitz disobeyed.
The film follows historical events as U.S. General Dwight D. Eisenhower, head of the Allied invasion, refuses to divert troops to liberate Paris. His hand is forced by the French military leader, Philippe Leclerc, and by a Resistance uprising in the city. Von Choltitz keeps details of the uprising from the German high command in an effort to save the city being destroyed in retaliation. The film follows his turmoil as a soldier and as the man who doesn't wish to be seen by history as the cause of a beautiful city's destruction. In this he is helped by the intervention of the Swedish consul.
The film looks not only at the taking of Paris by French and American troops but at rivalries within the Resistance. Of the two main sections, the branch loyal to General Charles de Gaulle was against an uprising by the Resistance while the branch linked to the communists believed action was necessary. De Gaulle tried to overcome communist influence during and after Liberation, believing the communists planned to take control of the city and then of France.